Natasha Himmelman
Biographic Data
| ID | 137833 |
|---|---|
| NAME | Natasha Himmelman |
| GIVEN NAMES | Natasha |
| FAMILY NAME | Himmelman |
| SIGNATURE | HIMMELMAN N |
| AFFILIATIONS | University of the Witwatersrand |
| ORCID | 0000-0003-4538-5461 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Cinematic imaginaries of the African city
This special issue unpacks the broad affective, aesthetic and material dimensions of African visuality, spatiality and temporality in cinematic imaginaries of the African city. The submissions evoke issues of specificity and materiality, reading the African city as cinematic form. They are situated within an interdisciplinary matrix that contributes to intellectual engagement with African cinemas through, among others, affect theory and the city …
Kurt Orderson's Not In My Neighbourhood (2018)
Award-winning independent filmmaker Kurt Orderson talks with Natasha Himmelman about his 2018 documentary, Not In My Neighbourhood (NIMN). Breaking down how NIMN struggles against spatial violence and its relationship to abolition, he provides insight into how Cape Town, Sao Paulo and New York, so-called ‘global cities,’ are connected through ever-present legacies of colonialism. After their conversation, Graeme, Jose, Imani and Nete, who feature…
Introduction
Editorial
Translation as conversation
Interview with Pernando Barrena
Hollywood's Africa after 1994
In this book, Mary Ellen Higgins, who has numerous previously published essays on the literary and cinematic representations of human rights, has brought together fifteen intriguing essays by a multidisciplinary community of contributors to examine Hollywood’s representations of Africa. Their historical starting point—1994, the year of the genocide in Rwanda—stems from how that event captured the attention of human rights activists and Hollywood …
Translating Matigari
Translating MatigariAn Interview with Spanish Translator Rafael Segovia Natasha Himmelman After many e-mails and international phone calls to El Colegio de México (Colmex), I managed to locate Spanish translator Rafael Segovia. Once contact was made with Segovia, a meeting for an interview at his home in Tepotzlán, Morelos, Mexico, was planned. On Monday, 24 March 2008, we sat in his garden to talk about his Spanish translation of Ngũgĩ wa Thiong…
Critical Essays on Bessie Head, and
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Cinematic imaginaries of the African city
This special issue unpacks the broad affective, aesthetic and material dimensions of African visuality, spatiality and temporality in cinematic imaginaries of the African city. The submissions evoke issues of specificity and materiality, reading the African city as cinematic form. They are situated within an interdisciplinary matrix that contributes to intellectual engagement with African cinemas through, among others, affect theory and the city …
Critical Essays on Bessie Head, and
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Translating Matigari
Translating MatigariAn Interview with Spanish Translator Rafael Segovia Natasha Himmelman After many e-mails and international phone calls to El Colegio de México (Colmex), I managed to locate Spanish translator Rafael Segovia. Once contact was made with Segovia, a meeting for an interview at his home in Tepotzlán, Morelos, Mexico, was planned. On Monday, 24 March 2008, we sat in his garden to talk about his Spanish translation of Ngũgĩ wa Thiong…
Hollywood's Africa after 1994
In this book, Mary Ellen Higgins, who has numerous previously published essays on the literary and cinematic representations of human rights, has brought together fifteen intriguing essays by a multidisciplinary community of contributors to examine Hollywood’s representations of Africa. Their historical starting point—1994, the year of the genocide in Rwanda—stems from how that event captured the attention of human rights activists and Hollywood …
Introduction
Editorial
Translation as conversation
Interview with Pernando Barrena
Cinematic imaginaries of the African city
This special issue unpacks the broad affective, aesthetic and material dimensions of African visuality, spatiality and temporality in cinematic imaginaries of the African city. The submissions evoke issues of specificity and materiality, reading the African city as cinematic form. They are situated within an interdisciplinary matrix that contributes to intellectual engagement with African cinemas through, among others, affect theory and the city …
Kurt Orderson's Not In My Neighbourhood (2018)
Award-winning independent filmmaker Kurt Orderson talks with Natasha Himmelman about his 2018 documentary, Not In My Neighbourhood (NIMN). Breaking down how NIMN struggles against spatial violence and its relationship to abolition, he provides insight into how Cape Town, Sao Paulo and New York, so-called ‘global cities,’ are connected through ever-present legacies of colonialism. After their conversation, Graeme, Jose, Imani and Nete, who feature…
Art (4 works) · History (4 works) · Sociology (4 works) · African history and culture studies (2 works) · Geography (2 works) · Linguistics (2 works) · Philosophy (2 works) · Political science (2 works) · African studies and sociopolitical issues (1 work) · Anthropological Studies and Insights (1 work)