Irène Deliège
Biographic Data
| ID | 1379055 |
|---|---|
| NAME | Irène Deliège |
| GIVEN NAMES | Irène |
| FAMILY NAME | Deliège |
| SIGNATURE | DELIÈGE I |
| AFFILIATIONS | University of Liège |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Obituary
Virtuosity’s appeal
Music and the mind
Escom as the life work of Irène Deliège
ESCOM has established itself as an influential actor in the field of cognitive sciences of music. The journal, Musicae Scientiae, including its special issues, discussions forums, the ESCOM conferences and smaller symposia, have all contributed significantly to the field. Although many people have contributed to ESCOM's activities in important ways, the society is very much the life work of Irène Deliège. She is the founding editor of Musicæ Scie…
Publications and Events Organised
Similarity relations in listening to music
In this essay, similarity relations in the perception of music are studied on the basis of two different standpoints. The first is said to be external and studies comparisons between distinct and autonomous musical entities, i.e. different works or different interpretations. The second is internal and looks at similarity relations, which the listener identifies in the same work or part of a work, and in the same interpretation. This last procedur…
Wagner “Alte Weise”
FrenchRésuméDeux méthodes expérimentales - les procédures dites de segmentation et de la ligne mentale - appliquées précédemment dans le contexte d'oeuvres du répertoire contemporain, sont ici exploitées. La première étudie la formation des groupements de structures dans l'écoute en temps réel, la seconde inverse la perspective et montre comment le schéma du discours musical s'est élaboré au niveau de la mémoire. L'étude s'est intéressée, par ail…
Annexe
Round Table I
Introduction
(1993). Introduction: Cognitive science and music—an overview. Contemporary Music Review: Vol. 9, Music and the Cognitive Sciences, pp. 1-6
Mechanisms of cue extraction in memory for musical time
Starting from the hypothesis explored in previous research, that there exists a mechanism for cue extraction in the organisation of listening to a musical work, the incidence of the mechanism in memory for temporal form will be studied. The experiment, conducted using a contemporary work — Eclat — by Pierre Boulez — consisted of the localisation of extracts after three hearings of the work during which subjects carried out grouping tasks made nec…
La Perception de L’Opposition Invariant/Variant
[The Perception of the Opposition Invariant/Variant] This paper proposes that the use of repetition and variation is a constant in the musical construct irrespective of era or cultural origin. Taking this premise as a basis, an experimental study is described which investigates the perception — in the course of listening to a piece of music — of a polar opposition which can be termed Variant/Invariant in the light of the subjects’ prior knowledge…
La Musique et les sciences cognitives
A perceptual approach to contemporary musical forms
This paper presents the following subject matter: First, a brief explanation is given of how “perceptual approach to musical form” is to be understood. Then hypotheses relating to the psychological mechanisms involved are proposed, along with predicted results and experimental methods employed (choice of works, subjects, and procedures). The results of three experiments, accompanied by a brief description of the musical passages as compared to th…
Grouping Conditions in Listening to Music
Lerdahl and Jackendoff propose a grouping theory that can apply to both the global and the local structures of the process of listening to music. It is a set of rules expressing the intuitive organization of groups in music perception. The "proximity rules" describe the length differences and the "change rules" describe the modifications in the acoustic or temporal state of sound structures, in relation to Gestalt Theory. As such, they propose a …
A perceptual approach to contemporary musical forms
This paper presents the following subject matter: First, a brief explanation is given of how “perceptual approach to musical form” is to be understood. Then hypotheses relating to the psychological mechanisms involved are proposed, along with predicted results and experimental methods employed (choice of works, subjects, and procedures). The results of three experiments, accompanied by a brief description of the musical passages as compared to th…
Grouping Conditions in Listening to Music
Lerdahl and Jackendoff propose a grouping theory that can apply to both the global and the local structures of the process of listening to music. It is a set of rules expressing the intuitive organization of groups in music perception. The "proximity rules" describe the length differences and the "change rules" describe the modifications in the acoustic or temporal state of sound structures, in relation to Gestalt Theory. As such, they propose a …
A perceptual approach to contemporary musical forms
This paper presents the following subject matter: First, a brief explanation is given of how “perceptual approach to musical form” is to be understood. Then hypotheses relating to the psychological mechanisms involved are proposed, along with predicted results and experimental methods employed (choice of works, subjects, and procedures). The results of three experiments, accompanied by a brief description of the musical passages as compared to th…
La Musique et les sciences cognitives
La Perception de L’Opposition Invariant/Variant
[The Perception of the Opposition Invariant/Variant] This paper proposes that the use of repetition and variation is a constant in the musical construct irrespective of era or cultural origin. Taking this premise as a basis, an experimental study is described which investigates the perception — in the course of listening to a piece of music — of a polar opposition which can be termed Variant/Invariant in the light of the subjects’ prior knowledge…
Introduction
(1993). Introduction: Cognitive science and music—an overview. Contemporary Music Review: Vol. 9, Music and the Cognitive Sciences, pp. 1-6
Mechanisms of cue extraction in memory for musical time
Starting from the hypothesis explored in previous research, that there exists a mechanism for cue extraction in the organisation of listening to a musical work, the incidence of the mechanism in memory for temporal form will be studied. The experiment, conducted using a contemporary work — Eclat — by Pierre Boulez — consisted of the localisation of extracts after three hearings of the work during which subjects carried out grouping tasks made nec…
Round Table I
Wagner “Alte Weise”
FrenchRésuméDeux méthodes expérimentales - les procédures dites de segmentation et de la ligne mentale - appliquées précédemment dans le contexte d'oeuvres du répertoire contemporain, sont ici exploitées. La première étudie la formation des groupements de structures dans l'écoute en temps réel, la seconde inverse la perspective et montre comment le schéma du discours musical s'est élaboré au niveau de la mémoire. L'étude s'est intéressée, par ail…
Annexe
Similarity relations in listening to music
In this essay, similarity relations in the perception of music are studied on the basis of two different standpoints. The first is said to be external and studies comparisons between distinct and autonomous musical entities, i.e. different works or different interpretations. The second is internal and looks at similarity relations, which the listener identifies in the same work or part of a work, and in the same interpretation. This last procedur…
Escom as the life work of Irène Deliège
ESCOM has established itself as an influential actor in the field of cognitive sciences of music. The journal, Musicae Scientiae, including its special issues, discussions forums, the ESCOM conferences and smaller symposia, have all contributed significantly to the field. Although many people have contributed to ESCOM's activities in important ways, the society is very much the life work of Irène Deliège. She is the founding editor of Musicæ Scie…
Publications and Events Organised
Music and the mind
Virtuosity’s appeal
Obituary
Psychology (12 works) · Art (10 works) · Neuroscience and Music Perception (7 works) · Cognitive psychology (6 works) · Computer Science (6 works) · Musical (6 works) · Perception (6 works) · Cognitive science (5 works) · Communication (5 works) · Music Technology and Sound Studies (5 works)