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James Pritchett

Biographic Data

ID1379064
NAMEJames Pritchett
GIVEN NAMESJames
FAMILY NAMEPritchett
SIGNATUREPRITCHETT J
AFFILIATIONSJames Pritchett (musicologist, software designer, programmer), 105 Linden Avenue, Princeton, NJ 08540-8535, U.S.A. . Web site: .
ORCID0000-0003-2620-7061
VERIFIEDYes
TOTAL WORKS15
TOTAL CITATIONS13
WORKS AS AUTHOR15
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2012
H-INDEX2
  • Cage, John

    James Pritchett, Laura Kuhn et al.•CHAPTER•The new Grove dictionary of music…•2012

  • Victor Turner and contemporary cultural performance

    Open Access•James A Pritchett, James Pritchett•REVIEW•Journal of the Royal Anthropologica…•2009

  • David Tudor as Composer/Performer in Cage's Variations II

    James Pritchett•ARTICLE•Leonardo Music Journal•2004

    Understanding David Tudor's transition from performer to composer is critical to understanding his life and work. This task is made more complex, however, by the nature of Tudor's work as a performer. Because he specialized in the realization of indeterminate scores and entered into such close collaboration with avantgarde composers, the distinction between performer and composer is often unclear in Tudor's performances. The author discusses Tudo…

  • The Lunda-Ndembu

    Giacomo Macola, James A Pritchett et al.•ARTICLE•Canadian Journal of African…•2004

  • The Lunda-Ndembu

    Kate Crehan, James A Pritchett et al.•ARTICLE•The International Journal of…•2002

    Histories and Homilies People and the Environment The Individual and the Group The Old and the Young females and Males The Rich and the Poor Us and Them This World and the Other World Style, Change, and Social Transformation

  • Cage, John

    James Pritchett, Laura Kuhn•CHAPTER•The new Grove dictionary of music…•2001

  • Expectations of Modernity

    James A Pritchett, James Pritchett•REVIEW•The International Journal of…•2000

  • The Fractured Community

    Open Access•James A Pritchett, James Pritchett•ARTICLE•American Anthropologist•1998•Cited by: 5

    The Fractured Community: Landscapes of Power and Gender in Rural Zambia. Kate Crehan. Berkeley: University of California Press, 1997.258 pp

  • The Music of John Cage

    William Brooks, James Pritchett et al.•ARTICLE•American Music•1997

  • Something like a hidden glimmering”

    James Pritchett•ARTICLE•Contemporary Music Review•1996

    This essay considers a number of vvorks by John Cage (1912–1992) that have in common the use of recorded sounds: Score (40 drawings by Thoreau) and 23 parts: 22 haiku, Inlets, Williams mix, Fontana mix, Etcetera, Etcetera 2/4 Orchestras, Song books, and Roaratorio. The view point taken is a spiritual one: that recording technology is used in these works as a means of effecting an identification of our souls with the spirits inherent in nature and…

  • Something like a hidden glimmering”

    James Pritchett•ARTICLE•Contemporary Music Review•1996

  • Houses in the Rainforest

    James Pritchett, James Anthony Pritchett et al.•ARTICLE•The International Journal of…•1995

    This is the first ethnographic study of the farmers and foragers of northeastern Zaire since Colin Turnbull's classic works of the 1960s. Roy Richard Grinker lived for nearly two years among the Lese farmers and their long-term partners, the Efe (Pygmies), learned their languages, and gained unique insights into their complex social relations and ethnic identities. By showing how political organization is structured by ethnic and gender relations…

  • The Music of John Cage

    Susan Bradshaw, James Pritchett•ARTICLE•The Musical Times•1994

  • Listening to Africa

    James Pritchett, James Anthony Pritchett et al.•ARTICLE•African Economic History•1990•Cited by: 8

    Introduction Unique Challenges The pathfinders We are the ones who have turned this country into a desert Facing the challenges: Economic, agricultural, and structural The New Africa on the Move Peasant power: Village groups in the making From Aid to partnership A new future in the making M'bathakins (Let's pull together) Creating opportunity--or when ants carry elephants Son and daughter mills: The African farmer as inventor Nothing is impossibl…

  • Amish Cuisine

    James A Pritchett, James Pritchett•ARTICLE•Revue française d’études…•1986

    Les convictions religieuses de la communauté Amish et son souci de suivre les préceptes de la bible influencent tous les aspects de son existence, et par voie de conséquence sa cuisine. Ses origines germaniques ont un effet semblable. Dans cette société agricole, ce sont les femmes qui font la cuisine, pour des familles souvent très nombreuses. Aussi font-elles une cuisine abondante, riche en graisses, sucres et amidons et beaucoup de pâtisseries…

  • Listening to Africa

    James Pritchett, James Anthony Pritchett et al.•ARTICLE•African Economic History•1990•Cited by: 8

    Introduction Unique Challenges The pathfinders We are the ones who have turned this country into a desert Facing the challenges: Economic, agricultural, and structural The New Africa on the Move Peasant power: Village groups in the making From Aid to partnership A new future in the making M'bathakins (Let's pull together) Creating opportunity--or when ants carry elephants Son and daughter mills: The African farmer as inventor Nothing is impossibl…

  • The Fractured Community

    Open Access•James A Pritchett, James Pritchett•ARTICLE•American Anthropologist•1998•Cited by: 5

    The Fractured Community: Landscapes of Power and Gender in Rural Zambia. Kate Crehan. Berkeley: University of California Press, 1997.258 pp

  • Amish Cuisine

    James A Pritchett, James Pritchett•ARTICLE•Revue française d’études…•1986

    Les convictions religieuses de la communauté Amish et son souci de suivre les préceptes de la bible influencent tous les aspects de son existence, et par voie de conséquence sa cuisine. Ses origines germaniques ont un effet semblable. Dans cette société agricole, ce sont les femmes qui font la cuisine, pour des familles souvent très nombreuses. Aussi font-elles une cuisine abondante, riche en graisses, sucres et amidons et beaucoup de pâtisseries…

  • Listening to Africa

    James Pritchett, James Anthony Pritchett et al.•ARTICLE•African Economic History•1990•Cited by: 8

    Introduction Unique Challenges The pathfinders We are the ones who have turned this country into a desert Facing the challenges: Economic, agricultural, and structural The New Africa on the Move Peasant power: Village groups in the making From Aid to partnership A new future in the making M'bathakins (Let's pull together) Creating opportunity--or when ants carry elephants Son and daughter mills: The African farmer as inventor Nothing is impossibl…

  • The Music of John Cage

    Susan Bradshaw, James Pritchett•ARTICLE•The Musical Times•1994

  • Houses in the Rainforest

    James Pritchett, James Anthony Pritchett et al.•ARTICLE•The International Journal of…•1995

    This is the first ethnographic study of the farmers and foragers of northeastern Zaire since Colin Turnbull's classic works of the 1960s. Roy Richard Grinker lived for nearly two years among the Lese farmers and their long-term partners, the Efe (Pygmies), learned their languages, and gained unique insights into their complex social relations and ethnic identities. By showing how political organization is structured by ethnic and gender relations…

  • Something like a hidden glimmering”

    James Pritchett•ARTICLE•Contemporary Music Review•1996

    This essay considers a number of vvorks by John Cage (1912–1992) that have in common the use of recorded sounds: Score (40 drawings by Thoreau) and 23 parts: 22 haiku, Inlets, Williams mix, Fontana mix, Etcetera, Etcetera 2/4 Orchestras, Song books, and Roaratorio. The view point taken is a spiritual one: that recording technology is used in these works as a means of effecting an identification of our souls with the spirits inherent in nature and…

  • Something like a hidden glimmering”

    James Pritchett•ARTICLE•Contemporary Music Review•1996

  • The Music of John Cage

    William Brooks, James Pritchett et al.•ARTICLE•American Music•1997

  • The Fractured Community

    Open Access•James A Pritchett, James Pritchett•ARTICLE•American Anthropologist•1998•Cited by: 5

    The Fractured Community: Landscapes of Power and Gender in Rural Zambia. Kate Crehan. Berkeley: University of California Press, 1997.258 pp

  • Expectations of Modernity

    James A Pritchett, James Pritchett•REVIEW•The International Journal of…•2000

  • Cage, John

    James Pritchett, Laura Kuhn•CHAPTER•The new Grove dictionary of music…•2001

  • The Lunda-Ndembu

    Kate Crehan, James A Pritchett et al.•ARTICLE•The International Journal of…•2002

    Histories and Homilies People and the Environment The Individual and the Group The Old and the Young females and Males The Rich and the Poor Us and Them This World and the Other World Style, Change, and Social Transformation

  • David Tudor as Composer/Performer in Cage's Variations II

    James Pritchett•ARTICLE•Leonardo Music Journal•2004

    Understanding David Tudor's transition from performer to composer is critical to understanding his life and work. This task is made more complex, however, by the nature of Tudor's work as a performer. Because he specialized in the realization of indeterminate scores and entered into such close collaboration with avantgarde composers, the distinction between performer and composer is often unclear in Tudor's performances. The author discusses Tudo…

  • The Lunda-Ndembu

    Giacomo Macola, James A Pritchett et al.•ARTICLE•Canadian Journal of African…•2004

  • Victor Turner and contemporary cultural performance

    Open Access•James A Pritchett, James Pritchett•REVIEW•Journal of the Royal Anthropologica…•2009

  • Cage, John

    James Pritchett, Laura Kuhn et al.•CHAPTER•The new Grove dictionary of music…•2012

History (8 works) · Art (7 works) · Geography (6 works) · Sociology (6 works) · African history and culture studies (5 works) · Art history (5 works) · Cage (5 works) · John Cage (5 works) · Musicology and Musical Analysis (5 works) · Performance art (5 works)

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