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Alexei Monroe

Biographic Data

ID1379082
NAMEAlexei Monroe
GIVEN NAMESAlexei
FAMILY NAMEMonroe
SIGNATUREMONROE A
AFFILIATIONSBurren College of Art
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Gabber

    Open Access•Hillegonda C Rietveld, Alexei Monroe•ARTICLE•Metal Music Studies•2021

    Gabber is a hardcore electronic dance music genre, typified by extreme speed and overdrive, which developed in the Netherlands, with Rotterdam as its epicentre, during the early 1990s, when house music-inspired dance events dominated. The use of distorted noise and references to popular body horror, such as Hellraiser , dominated its scene, and soon gabber was commented on as ‘the metal of house music’, a statement that this article aims to inves…

  • The Wild Hunt

    Alexei Monroe•ARTICLE•Third Text•2018

    ‘Brexit’ is a shocking new political-cultural-psychological archetype, so rich in metaphorical potential that it is difficult to know how to ‘hunt’ its deeper meaning. Therefore, it seems fitting to look backwards and seek folkloric parallels to illuminate the gathering cultural darkness. The ‘Wild Hunt’ is a pan-European myth that is also present in English culture. Applied to Brexit, it symbolises the vengeful, bloodthirsty unleashing of euphor…

  • NSK

    Alexei Monroe•ARTICLE•Radical History Review•2011

    The NSK State was created in 1992 in the wake of Slovenian independence and the breakup of socialist Yugoslavia. Founded as a utopian social sculpture by the Slovenian arts collective Neue Slowenische Kunst (NSK), the NSK State has no national or physical boundaries and exists as a virtual state or a state in time. As a collective cultural work, the NSK State has opened temporary embassies in numerous locations and issued passports, some of which…

  • Ice on the Circuits/Coldness as Crisis

    Alexei Monroe•ARTICLE•Contemporary Music Review•2003•Cited by: 2

    This paper examines issues surrounding the cultural reception of “laptop music”, as well as its wider socio-political implications. By tracing the reactions to industrial and techno music, laptop music is placed in a historical and political context. Reactions to these electronic forms manifest oscillations between technophilia and technophobia. A range of social and cultural pressures lead to the attempted normalisation of electronic music as si…

  • Ice on the Circuits/Coldness as Crisis

    Alexei Monroe•ARTICLE•Contemporary Music Review•2003•Cited by: 2

    This paper examines issues surrounding the cultural reception of “laptop music”, as well as its wider socio-political implications. By tracing the reactions to industrial and techno music, laptop music is placed in a historical and political context. Reactions to these electronic forms manifest oscillations between technophilia and technophobia. A range of social and cultural pressures lead to the attempted normalisation of electronic music as si…

  • Ice on the Circuits/Coldness as Crisis

    Alexei Monroe•ARTICLE•Contemporary Music Review•2003•Cited by: 2

    This paper examines issues surrounding the cultural reception of “laptop music”, as well as its wider socio-political implications. By tracing the reactions to industrial and techno music, laptop music is placed in a historical and political context. Reactions to these electronic forms manifest oscillations between technophilia and technophobia. A range of social and cultural pressures lead to the attempted normalisation of electronic music as si…

  • NSK

    Alexei Monroe•ARTICLE•Radical History Review•2011

    The NSK State was created in 1992 in the wake of Slovenian independence and the breakup of socialist Yugoslavia. Founded as a utopian social sculpture by the Slovenian arts collective Neue Slowenische Kunst (NSK), the NSK State has no national or physical boundaries and exists as a virtual state or a state in time. As a collective cultural work, the NSK State has opened temporary embassies in numerous locations and issued passports, some of which…

  • The Wild Hunt

    Alexei Monroe•ARTICLE•Third Text•2018

    ‘Brexit’ is a shocking new political-cultural-psychological archetype, so rich in metaphorical potential that it is difficult to know how to ‘hunt’ its deeper meaning. Therefore, it seems fitting to look backwards and seek folkloric parallels to illuminate the gathering cultural darkness. The ‘Wild Hunt’ is a pan-European myth that is also present in English culture. Applied to Brexit, it symbolises the vengeful, bloodthirsty unleashing of euphor…

  • Gabber

    Open Access•Hillegonda C Rietveld, Alexei Monroe•ARTICLE•Metal Music Studies•2021

    Gabber is a hardcore electronic dance music genre, typified by extreme speed and overdrive, which developed in the Netherlands, with Rotterdam as its epicentre, during the early 1990s, when house music-inspired dance events dominated. The use of distorted noise and references to popular body horror, such as Hellraiser , dominated its scene, and soon gabber was commented on as ‘the metal of house music’, a statement that this article aims to inves…

Art (4 works) · Aesthetics (3 works) · Political science (3 works) · Sociology (3 works) · Visual arts (3 works) · Balkans: History, Politics, Society (2 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Music History and Culture (2 works)

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