Margaret Schedel
Biographic Data
| ID | 1379130 |
|---|---|
| NAME | Margaret Schedel |
| GIVEN NAMES | Margaret |
| FAMILY NAME | Schedel |
| SIGNATURE | SCHEDEL M |
| AFFILIATIONS | Stony Brook University, Stony Brook, NY, USA |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 4 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Finding Friction
Links between sonification and generative music
The authors investigate works by four composers who employed technology in the creation of music employing audification, sonification and algorithmic composition techniques. These compositions involve interdisciplinary collaborations either with scientific researchers, in the case of Annea Lockwood's Dusk and Carla Scaletti's hàgg, or artificial intelligence, in George Lewis's Voyager, and Bob Sturm's The Waters of Heanny. Each composer's choice …
Concordia
Kepler Concordia, a new scientific and musical instrument enabling players to explore the solar system and other data within immersive extended-reality (XR) platforms, is being designed by a diverse team of musicians, artists, scientists and engineers using audio-first principles. The core instrument modules will be launched in 2019 for the 400th anniversary of Johannes Kepler's Harmonies of the World, in which he laid out a framework for the har…
The experience of movement in the built form and space
“Movement in architecture” is an organized system of various types of movements stimulated by specific architectural elements. This research was conducted through a qualitative-analytical method and empirical and bibliographical research methods with the aim to categorize different types of movements based on the explorer and observer relationships with the built space and form. So far, most of the related studies have focused on a few aspects of…
Exploring theater experiences among Hong Kong audiences
Audience experience is a bridge between performers and the audience in the performing arts. In this study, we explore how Chinese audiences evaluate a theater performance in Hong Kong. We interviewed 45 professional theater practitioners and identified five theater experience factors. We found that the audience evaluates a theater performance from the perspectives of cognition, emotion, sensation, authenticity, and coherence. Cognition is the ext…
Post-linearity as a democratic style for protest theatre in Zimbabwe
This article investigates the contribution of neo-indigenous post-linear style in creating democracy in politically committed theatre in Zimbabwe. This approach is quite critical in the light of the fact that political theatre or protest theatre in contemporary times in Zimbabwe predicates its practice upon democratic intentions. Whilst there has been a lot of attention on how protest theatre has become a public sphere that promotes civic engagem…
Deleuzian/Guattarian cartographies
The task of this paper is to draw the possible new trajectories of the narrative concerning the map of Vilnius of the generation who lived in the Vilnius after Independence (from 1991). The article tries to discern traces of the possible postmodern Vilnius. The main focus is concentrated to Guatarian idea about ecological and terapeutic social functions of art promoting art outside galleries which takes place in Vilnius map. The author concludes …
Writing about Audiovisual Culture
A Modern Instantiation of Schillinger's Dance Notation
In a nearly lost 1934 manuscript, Joseph Schillinger mathematically described a dance notation that mapped human form into Cartesian space. Although this notation was merely a curiosity when it was first proposed, we can now see that it presaged a time when transcoding information and applying procedural rules to create works of art would become commonplace. In this article the authors describe how Schillinger's notation can be applied with moder…
In Strange Paradox
The authors discuss improvisation in music and accompanying real-time graphics, providing historical examples and a discussion of their performance group, In Strange Paradox
Generative Techniques in Hypermedia Performance
Generative techniques have become extremely popular in electronic art forms, yet the definition of the word ‘generative’ is elusive, especially when multiple art forms are involved. This article explores several generative multimedia performances and installations in an attempt to find and describe what links these coded art works. Although the works discussed are multimedia, in most instances only one element of a work is generative. The article…
No prominent works on this page.
Generative Techniques in Hypermedia Performance
Generative techniques have become extremely popular in electronic art forms, yet the definition of the word ‘generative’ is elusive, especially when multiple art forms are involved. This article explores several generative multimedia performances and installations in an attempt to find and describe what links these coded art works. Although the works discussed are multimedia, in most instances only one element of a work is generative. The article…
In Strange Paradox
The authors discuss improvisation in music and accompanying real-time graphics, providing historical examples and a discussion of their performance group, In Strange Paradox
Writing about Audiovisual Culture
A Modern Instantiation of Schillinger's Dance Notation
In a nearly lost 1934 manuscript, Joseph Schillinger mathematically described a dance notation that mapped human form into Cartesian space. Although this notation was merely a curiosity when it was first proposed, we can now see that it presaged a time when transcoding information and applying procedural rules to create works of art would become commonplace. In this article the authors describe how Schillinger's notation can be applied with moder…
Post-linearity as a democratic style for protest theatre in Zimbabwe
This article investigates the contribution of neo-indigenous post-linear style in creating democracy in politically committed theatre in Zimbabwe. This approach is quite critical in the light of the fact that political theatre or protest theatre in contemporary times in Zimbabwe predicates its practice upon democratic intentions. Whilst there has been a lot of attention on how protest theatre has become a public sphere that promotes civic engagem…
Deleuzian/Guattarian cartographies
The task of this paper is to draw the possible new trajectories of the narrative concerning the map of Vilnius of the generation who lived in the Vilnius after Independence (from 1991). The article tries to discern traces of the possible postmodern Vilnius. The main focus is concentrated to Guatarian idea about ecological and terapeutic social functions of art promoting art outside galleries which takes place in Vilnius map. The author concludes …
The experience of movement in the built form and space
“Movement in architecture” is an organized system of various types of movements stimulated by specific architectural elements. This research was conducted through a qualitative-analytical method and empirical and bibliographical research methods with the aim to categorize different types of movements based on the explorer and observer relationships with the built space and form. So far, most of the related studies have focused on a few aspects of…
Exploring theater experiences among Hong Kong audiences
Audience experience is a bridge between performers and the audience in the performing arts. In this study, we explore how Chinese audiences evaluate a theater performance in Hong Kong. We interviewed 45 professional theater practitioners and identified five theater experience factors. We found that the audience evaluates a theater performance from the perspectives of cognition, emotion, sensation, authenticity, and coherence. Cognition is the ext…
Concordia
Kepler Concordia, a new scientific and musical instrument enabling players to explore the solar system and other data within immersive extended-reality (XR) platforms, is being designed by a diverse team of musicians, artists, scientists and engineers using audio-first principles. The core instrument modules will be launched in 2019 for the 400th anniversary of Johannes Kepler's Harmonies of the World, in which he laid out a framework for the har…
Links between sonification and generative music
The authors investigate works by four composers who employed technology in the creation of music employing audification, sonification and algorithmic composition techniques. These compositions involve interdisciplinary collaborations either with scientific researchers, in the case of Annea Lockwood's Dusk and Carla Scaletti's hàgg, or artificial intelligence, in George Lewis's Voyager, and Bob Sturm's The Waters of Heanny. Each composer's choice …
Finding Friction
Art (10 works) · Visual arts (10 works) · Aesthetics (6 works) · Computer Science (6 works) · Cinema and Media Studies (4 works) · Music Technology and Sound Studies (4 works) · Artificial Intelligence (3 works) · Human–computer interaction (3 works) · Linguistics (3 works) · Literature (3 works)