Jean-Baptiste Barrière
Biographic Data
| ID | 1379162 |
|---|---|
| NAME | Jean-Baptiste Barrière |
| GIVEN NAMES | Jean-Baptiste |
| FAMILY NAME | Barrière |
| SIGNATURE | BARRIÈRE J |
| AFFILIATIONS | Institut de Recherche et Coordination Acoustique Musique |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
De Paris
L’ICMC s’est tenue à l’université McGill à Montréal en octobre 1991 . Les deux textes réunis ici, l’un émanant d’un compositeur de l’IRCAM, l’autre d’un défenseur des orientations actuelles de la musique américaine, présentent deux points de vue radicalement opposés sur cet événement. Le premier auteur n’y voit qu’amateurisme et utilisation stérile de la technologie, le second, ouverture d’esprit et possibilité de choix
Computer music as cognitive approach
In this article, I consider timbre to be the set of material/organization interactions leading to the elaboration of a form. Given this framework, the goal is to formalize constraints through a process of unifying control over these interactions by exploiting the theory of formal systems: composition is considered first as the action of composing symbols, combined into propositions which are mutually generated through the application of inference…
Notes on the realization of Bhakti
In 1980 at the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM), Jonathan Harvey completed a short work for eight-channel tape, entitled Mortuos Plango, Vivos Voco, with the assistance of Stanley Haynes and Xavier Rodet (Harvey 1981). In this piece, concr&te sounds of a boy's voice and a bell were manipulated by Music V and CHANT, and mixed with similar computersynthesized sounds. In 1982, Harvey received another commission to …
Chréode
Notes on the realization of Bhakti
In 1980 at the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM), Jonathan Harvey completed a short work for eight-channel tape, entitled Mortuos Plango, Vivos Voco, with the assistance of Stanley Haynes and Xavier Rodet (Harvey 1981). In this piece, concr&te sounds of a boy's voice and a bell were manipulated by Music V and CHANT, and mixed with similar computersynthesized sounds. In 1982, Harvey received another commission to …
Chréode
Computer music as cognitive approach
In this article, I consider timbre to be the set of material/organization interactions leading to the elaboration of a form. Given this framework, the goal is to formalize constraints through a process of unifying control over these interactions by exploiting the theory of formal systems: composition is considered first as the action of composing symbols, combined into propositions which are mutually generated through the application of inference…
De Paris
L’ICMC s’est tenue à l’université McGill à Montréal en octobre 1991 . Les deux textes réunis ici, l’un émanant d’un compositeur de l’IRCAM, l’autre d’un défenseur des orientations actuelles de la musique américaine, présentent deux points de vue radicalement opposés sur cet événement. Le premier auteur n’y voit qu’amateurisme et utilisation stérile de la technologie, le second, ouverture d’esprit et possibilité de choix
Art (3 works) · Computer Science (3 works) · Music Technology and Sound Studies (3 works) · Epistemology (2 works) · Visual arts (2 works) · Abstraction (1 work) · Aesthetics (1 work) · Architecture and Computational Design (1 work) · Artificial Intelligence (1 work) · Cognitive science (1 work)