Helen Thorington
Biographic Data
| ID | 1379206 |
|---|---|
| NAME | Helen Thorington |
| GIVEN NAMES | Helen |
| FAMILY NAME | Thorington |
| SIGNATURE | THORINGTON H |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 0 |
The networked_performance blog
This article introduces the networked_performance blog (http://turbulence.org/blog) and the musical explorations chronicled there since July 2004. It separates these explorations into three arbitrary and permeable categories—new sounds, new instruments and new musical experiences—to demonstrate the shifting relationship between composer, artwork and audience observable on the site
Breaking out
The author discusses how sound was used in early Turbulence Internet works (1996–1998) and musical collaborations distributed between multiple physical performance venues (1998–1999). Focusing on the open composition, the article addresses the challenges of Internet-based musical interaction, including asynchronous time, lag and technical glitches. The latter part of the article focuses on the advent of mobile devices and wireless networks and th…
No prominent works on this page.
Breaking out
The author discusses how sound was used in early Turbulence Internet works (1996–1998) and musical collaborations distributed between multiple physical performance venues (1998–1999). Focusing on the open composition, the article addresses the challenges of Internet-based musical interaction, including asynchronous time, lag and technical glitches. The latter part of the article focuses on the advent of mobile devices and wireless networks and th…
The networked_performance blog
This article introduces the networked_performance blog (http://turbulence.org/blog) and the musical explorations chronicled there since July 2004. It separates these explorations into three arbitrary and permeable categories—new sounds, new instruments and new musical experiences—to demonstrate the shifting relationship between composer, artwork and audience observable on the site
Art (2 works) · Computer Science (2 works) · Multimedia (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Visual arts (2 works) · World Wide Web (2 works) · Advanced Data Storage Technologies (1 work) · Asynchronous communication (1 work) · Audience participation (1 work)