Ramon Satyendra
Biographic Data
| ID | 1379225 |
|---|---|
| NAME | Ramon Satyendra |
| GIVEN NAMES | Ramon |
| FAMILY NAME | Satyendra |
| SIGNATURE | SATYENDRA R |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
Montage and Block Form in Ralph Shapey's Seven for Two Pianos
Ralph Shapey's music combines the continuity of developing variation with the discontinuity of block forms. Through this paradoxical reconciliation of opposing principles, his music brings together divergent compositional traditions from the first half of the twentieth century. This article considers this reconciliation through an analysis of compositional technique in Seven for two pianos. The analysis draws on Shapey's definition of ‘montage’ a…
Generalized Contextual Groups
There is a neo-Riemannian-type group, the generalized contextual group, that can be constructed for the set of transpositions and inversions of any pitch-class segment, provided the segment contains at least two distinct pitch classes which span an interval other than a tritone.The generalized contextual group is dual to the T/I group for any pitch-class segment satisfying the condition above.This article shows how one can construct a generalized…
Conceptualising Expressive Chromaticism in Liszt's Music
Conceptualising Expressive Chromaticism in Liszt's Music
Generalized Contextual Groups
There is a neo-Riemannian-type group, the generalized contextual group, that can be constructed for the set of transpositions and inversions of any pitch-class segment, provided the segment contains at least two distinct pitch classes which span an interval other than a tritone.The generalized contextual group is dual to the T/I group for any pitch-class segment satisfying the condition above.This article shows how one can construct a generalized…
Montage and Block Form in Ralph Shapey's Seven for Two Pianos
Ralph Shapey's music combines the continuity of developing variation with the discontinuity of block forms. Through this paradoxical reconciliation of opposing principles, his music brings together divergent compositional traditions from the first half of the twentieth century. This article considers this reconciliation through an analysis of compositional technique in Seven for two pianos. The analysis draws on Shapey's definition of ‘montage’ a…
Art (3 works) · Computer Science (2 works) · Musicology and Musical Analysis (2 works) · Psychology (2 works) · Art history (1 work) · Art, Technology, and Culture (1 work) · Autograph (1 work) · Communication (1 work) · Diverse Musicological Studies (1 work) · Finite Group Theory Research (1 work)