Marilyn Nonken
Biographic Data
| ID | 1379243 |
|---|---|
| NAME | Marilyn Nonken |
| GIVEN NAMES | Marilyn |
| FAMILY NAME | Nonken |
| SIGNATURE | NONKEN M |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Performance Practices: David Burge, Robert Miller, and the Makrokosmos
The reception of George Crumb’s Makrokosmos I and II benefited from the efforts of pianists David Burge and Robert Miller. Burge, the composer’s colleague at Colorado College, gave the premiere of the first volume and made its first recording. The second volume was premiered by Robert Miller, a New York-based pianist associated with the Group for Contemporary Music, who created the initial recording of the second volume. The discographies of thes…
The Performer in the Music of Milton Babbitt
Like Schoenberg, Babbitt was ambivalent about certain complexities of performance, which were integrally connected to the nature and presentation of his music. The psychological accessibility of his music, the virtuosity required for the ideal realisation of his compositions, and the implications of his notation all related directly to the creative processes of his performers. Upon considering these factors, it is suggested that Babbitt’s ambival…
The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age
The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gérard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Ma…
Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age
What Do Musical Chairs Afford? On Clarke's Ways of Listening and Sacks's Musicophilia
Oliver Sacks's Musicophilia: Tales of Music and the Brain (2007) Sacks, O. W. 2007. Musicophilia: Tales of music and the brain, New York: Knopf. [Google Scholar] and Eric F. Clarke's Ways of Listening: An Ecological Approach to the Perception of Musical Meaning (2005) Clarke, E. F. 2005. Ways of listening: An ecological approach to the perception of musical meaning, New York: Oxford University Press. [Crossref] , [Google Scholar] purport to show …
Introduction: Vessels
Introduction: Vessels
What Do Musical Chairs Afford? On Clarke's Ways of Listening and Sacks's Musicophilia
Oliver Sacks's Musicophilia: Tales of Music and the Brain (2007) Sacks, O. W. 2007. Musicophilia: Tales of music and the brain, New York: Knopf. [Google Scholar] and Eric F. Clarke's Ways of Listening: An Ecological Approach to the Perception of Musical Meaning (2005) Clarke, E. F. 2005. Ways of listening: An ecological approach to the perception of musical meaning, New York: Oxford University Press. [Crossref] , [Google Scholar] purport to show …
The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age
The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gérard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Ma…
Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age
The Performer in the Music of Milton Babbitt
Like Schoenberg, Babbitt was ambivalent about certain complexities of performance, which were integrally connected to the nature and presentation of his music. The psychological accessibility of his music, the virtuosity required for the ideal realisation of his compositions, and the implications of his notation all related directly to the creative processes of his performers. Upon considering these factors, it is suggested that Babbitt’s ambival…
Performance Practices: David Burge, Robert Miller, and the Makrokosmos
The reception of George Crumb’s Makrokosmos I and II benefited from the efforts of pianists David Burge and Robert Miller. Burge, the composer’s colleague at Colorado College, gave the premiere of the first volume and made its first recording. The second volume was premiered by Robert Miller, a New York-based pianist associated with the Group for Contemporary Music, who created the initial recording of the second volume. The discographies of thes…
Aesthetics (5 works) · Art (5 works) · Visual arts (5 works) · Art history (3 works) · Musicology and Musical Analysis (3 works) · Psychology (3 works) · Literature (2 works) · Music History and Culture (2 works) · Musical (2 works) · Neuroscience and Music Perception (2 works)