Gerard Pape
Biographic Data
| ID | 1379244 |
|---|---|
| NAME | Gerard Pape |
| GIVEN NAMES | Gerard |
| FAMILY NAME | Pape |
| SIGNATURE | PAPE G |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 0 |
Varèse the Visionary
In this paper, Edgard Varèse’s visions of a new music through new musical instruments via a partnership of science and art are discussed. Along the way, attempts are made to explore Varèse’s idea of composition with sound: as an act of ‘artistic and scientific research’. Attention is also given to some of Varèse’s attitudes to musical notation, including the use of graphics. Throughout, the author discusses the various ways in which Varèse’s idea…
Luigi Nono and his fellow travellers
In this article, I explore the inspiration that Nono drew from a number of his ‘fellow travellers’, that is, other composers who were on similar musical and spiritual walkways as Nono: Vincenzo Bellini, for his innovative approach to the voice and his extraordinary use of silence as a spatial device; Andrea and Giovanni Gabrieli, and Thomas Tallis for their composition of choral and instrumental music specific to the acoustic properties of each p…
No prominent works on this page.
Luigi Nono and his fellow travellers
In this article, I explore the inspiration that Nono drew from a number of his ‘fellow travellers’, that is, other composers who were on similar musical and spiritual walkways as Nono: Vincenzo Bellini, for his innovative approach to the voice and his extraordinary use of silence as a spatial device; Andrea and Giovanni Gabrieli, and Thomas Tallis for their composition of choral and instrumental music specific to the acoustic properties of each p…
Varèse the Visionary
In this paper, Edgard Varèse’s visions of a new music through new musical instruments via a partnership of science and art are discussed. Along the way, attempts are made to explore Varèse’s idea of composition with sound: as an act of ‘artistic and scientific research’. Attention is also given to some of Varèse’s attitudes to musical notation, including the use of graphics. Throughout, the author discusses the various ways in which Varèse’s idea…
Aesthetics (2 works) · Art (2 works) · Diverse Musicological Studies (2 works) · Linguistics (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Sociology (2 works) · Visual arts (2 works)