Paul Attinello
Biographic Data
| ID | 1379246 |
|---|---|
| NAME | Paul Attinello |
| GIVEN NAMES | Paul |
| FAMILY NAME | Attinello |
| SIGNATURE | ATTINELLO P |
| AFFILIATIONS | Newcastle University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Music, Sound, and Silence in Buffy the Vampire Slayer
Contents: Foreword, Keith Negus Preface, Christophe Beck and John C. King Introduction: a /Bay City Rollers. now thata (TM)s musica : music as cultural code in Buffy the Vampire Slayer, Vanessa Knights Part I Constructing Sound: Music, Noise and Silence: Love, death, curses and reverses (in E minor): music, gender, and identity in Buffy the Vampire Slayer and Angel, Janet K. Halfyard 'What's my melody?' Music and the deployment of genre in Buffy …
Time, Work, and Chronic Illness
Gay Darmstadt
During the late 1950s, the Darmstadt courses brought into contact a number of gay composers and theoreticians whose interactions—produced by differing attitudes towards openness and secrecy at the time—played an important part in the rapidly evolving aesthetic and technical dogmas of the European avant-garde. It is arguable whether the provocational talents of Boulez or Cage can be linked to the training in ‘otherness’ instilled by a gay private …
Dialectics of Serialism
German contemporary composer Dieter Schnebel's philosophical interests inform many of his compositions, especially those that make up the series für stimmen (... missa est)(1956 – 1969). Representing a ‘working-through’ of concepts at several levels of composition and experience, the three vocal works of the series are both an exploration of the most flexible possibilities of serialism and a reaction against the abstraction and limitations implic…
Postmodern or Modern
The summer courses in Darmstadt are often considered to represent a ‘school’ of serialism, strict formalism and high modernism. However, beginning around the time of Cage's 1958 visit and continuing until around 1968, compositions were written by composers associated with Darmstadt which can be interpreted as imaginative attacks on the forms and concepts of modernism. Philosophical constructs anticipating what were later called deconstruction and…
Kagel, Mauricio
Amirkhanian, Charles
Shere, Charles
Kagel, Mauricio
Amirkhanian, Charles
Shere, Charles
Gay Darmstadt
During the late 1950s, the Darmstadt courses brought into contact a number of gay composers and theoreticians whose interactions—produced by differing attitudes towards openness and secrecy at the time—played an important part in the rapidly evolving aesthetic and technical dogmas of the European avant-garde. It is arguable whether the provocational talents of Boulez or Cage can be linked to the training in ‘otherness’ instilled by a gay private …
Dialectics of Serialism
German contemporary composer Dieter Schnebel's philosophical interests inform many of his compositions, especially those that make up the series für stimmen (... missa est)(1956 – 1969). Representing a ‘working-through’ of concepts at several levels of composition and experience, the three vocal works of the series are both an exploration of the most flexible possibilities of serialism and a reaction against the abstraction and limitations implic…
Postmodern or Modern
The summer courses in Darmstadt are often considered to represent a ‘school’ of serialism, strict formalism and high modernism. However, beginning around the time of Cage's 1958 visit and continuing until around 1968, compositions were written by composers associated with Darmstadt which can be interpreted as imaginative attacks on the forms and concepts of modernism. Philosophical constructs anticipating what were later called deconstruction and…
Time, Work, and Chronic Illness
Music, Sound, and Silence in Buffy the Vampire Slayer
Contents: Foreword, Keith Negus Preface, Christophe Beck and John C. King Introduction: a /Bay City Rollers. now thata (TM)s musica : music as cultural code in Buffy the Vampire Slayer, Vanessa Knights Part I Constructing Sound: Music, Noise and Silence: Love, death, curses and reverses (in E minor): music, gender, and identity in Buffy the Vampire Slayer and Angel, Janet K. Halfyard 'What's my melody?' Music and the deployment of genre in Buffy …
Art (7 works) · Aesthetics (4 works) · Literature (4 works) · Musicology and Musical Analysis (3 works) · Epistemology (2 works) · History and Developments in Astronomy (2 works) · Philosophy (2 works) · Physics (2 works) · Psychology (2 works) · Abstraction (1 work)