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Paul Hillier

Biographic Data

ID1379249
NAMEPaul Hillier
GIVEN NAMESPaul
FAMILY NAMEHillier
SIGNATUREHILLIER P
AFFILIATIONSUniversity of Tampa
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2015
H-INDEX0
  • Rethinking Media and Technology

    Open Access•Paul Hillier•ARTICLE•Online Journal of Communication…•2015

    The presumption that communication technologies – TV, the Internet, social media – have fundamentally changed society has a deep cultural resonance. Indeed, the predominant framework for theorizing “media” – within both the academy and in popular culture more broadly – is rooted in technological determinist presumptions. The primary goal of this article is to challenge this framework, to demonstrate the ways it is incompatible with critical theor…

  • Men and Horses in Motion

    Paul Hillier•ARTICLE•Early Popular Visual Culture•2007

    While a handful of articles and book chapters have addressed Thomas Eakins' work with motion photography during the spring and summers of 1884 and 1885, with few to no exceptions his work and photographs have been described as an activity he engaged in to advance and inform his artistic practice. A contextualized reading of Eakins' work, however, suggests the scholarship is incomplete. While the motion photographs can be read aesthetically, an ar…

  • Writings on Music 1965–2000

    Steve Reich, Paul Hillier•BOOK•Writings on Music, 1965-2000•2004

    In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect …

  • Writings on Music, 1965-2000

    Steve Reich, Paul Hillier•EDITOR•BOOK•Writings on Music, 1965-2000•2004

  • Black and White Minstrels

    Fabrice Fitch, Josquin Josquin et al.•ARTICLE•The Musical Times•1996

  • “Some more lemon?…” A conversation with Steve Reich

    Paul Hillier•ARTICLE•Contemporary Music Review•1995

    The Jewish element in Reich's music is discussed with particular reference to Tehillim and a work in progress, The Cave. The religious, historical, and formal background to the latter is covered, and various problems and tendencies in contemporary music are considered

  • Earthiness

    David K Wright, David Wright et al.•ARTICLE•The Musical Times•1992

  • Man and Minimalism

    Paul Hillier•ARTICLE•The Musical Times•1984

No prominent works on this page.

  • Man and Minimalism

    Paul Hillier•ARTICLE•The Musical Times•1984

  • Earthiness

    David K Wright, David Wright et al.•ARTICLE•The Musical Times•1992

  • “Some more lemon?…” A conversation with Steve Reich

    Paul Hillier•ARTICLE•Contemporary Music Review•1995

    The Jewish element in Reich's music is discussed with particular reference to Tehillim and a work in progress, The Cave. The religious, historical, and formal background to the latter is covered, and various problems and tendencies in contemporary music are considered

  • Black and White Minstrels

    Fabrice Fitch, Josquin Josquin et al.•ARTICLE•The Musical Times•1996

  • Writings on Music 1965–2000

    Steve Reich, Paul Hillier•BOOK•Writings on Music, 1965-2000•2004

    In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect …

  • Writings on Music, 1965-2000

    Steve Reich, Paul Hillier•EDITOR•BOOK•Writings on Music, 1965-2000•2004

  • Men and Horses in Motion

    Paul Hillier•ARTICLE•Early Popular Visual Culture•2007

    While a handful of articles and book chapters have addressed Thomas Eakins' work with motion photography during the spring and summers of 1884 and 1885, with few to no exceptions his work and photographs have been described as an activity he engaged in to advance and inform his artistic practice. A contextualized reading of Eakins' work, however, suggests the scholarship is incomplete. While the motion photographs can be read aesthetically, an ar…

  • Rethinking Media and Technology

    Open Access•Paul Hillier•ARTICLE•Online Journal of Communication…•2015

    The presumption that communication technologies – TV, the Internet, social media – have fundamentally changed society has a deep cultural resonance. Indeed, the predominant framework for theorizing “media” – within both the academy and in popular culture more broadly – is rooted in technological determinist presumptions. The primary goal of this article is to challenge this framework, to demonstrate the ways it is incompatible with critical theor…

Art (6 works) · Computer Science (3 works) · History (3 works) · Visual arts (3 works) · Art history (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Political science (2 works) · Sociology (2 works)

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