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Rajmil Fischman

Biographic Data

ID1379262
NAMERajmil Fischman
GIVEN NAMESRajmil
FAMILY NAMEFischman
SIGNATUREFISCHMAN R
AFFILIATIONSKeele University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR1999
H-INDEX1
  • Global Village, Local Universe

    Rajmil Fischman•ARTICLE•Leonardo Music Journal•1999

    In this article, the author presents a personal view of his compositional identity as an instance of one of the innumerable possible outcomes within a civilization that has become global and individualistic at the same time. The author situates identity within the context of historical, political and social backgrounds and examines it from the point of view of the mechanics of its realization, social function and reach, and cultural baggage—inclu…

  • Sound processing in los dados eternos

    Rajmil Fischman•ARTICLE•Contemporary Music Review•1994

    Los Dados Eternos is a piece for oboe, tape and real-time live processing of the oboe by means of two Yamaha SPX1000 processors. The tape was produced using advanced DSP techniques, including sound transformation, spectral split transformation, spectral interpolation and dynamic filtering. However, the actual composition was approached in such a way that the sounds were a result of the musical intent, rather than merely a demonstration of the cap…

  • Music for the masses

    Rajmil Fischman•ARTICLE•Journal of New Music Research•1994•Cited by: 1•References: 4

    This article focuses on the relationship between electroacoustic music and its audience. Initially, the issue is addressed from a sociocultural point of view. This is followed by a discussion about the role of the composer, the educational environment and the audience in the achievement of successful communication of musical meaning. Finally, the tasks facing potential audiences when attempting to establish meaning and a strategy that may hopeful…

  • Music for the masses

    Rajmil Fischman•ARTICLE•Journal of New Music Research•1994•Cited by: 1•References: 4

    This article focuses on the relationship between electroacoustic music and its audience. Initially, the issue is addressed from a sociocultural point of view. This is followed by a discussion about the role of the composer, the educational environment and the audience in the achievement of successful communication of musical meaning. Finally, the tasks facing potential audiences when attempting to establish meaning and a strategy that may hopeful…

  • Sound processing in los dados eternos

    Rajmil Fischman•ARTICLE•Contemporary Music Review•1994

    Los Dados Eternos is a piece for oboe, tape and real-time live processing of the oboe by means of two Yamaha SPX1000 processors. The tape was produced using advanced DSP techniques, including sound transformation, spectral split transformation, spectral interpolation and dynamic filtering. However, the actual composition was approached in such a way that the sounds were a result of the musical intent, rather than merely a demonstration of the cap…

  • Music for the masses

    Rajmil Fischman•ARTICLE•Journal of New Music Research•1994•Cited by: 1•References: 4

    This article focuses on the relationship between electroacoustic music and its audience. Initially, the issue is addressed from a sociocultural point of view. This is followed by a discussion about the role of the composer, the educational environment and the audience in the achievement of successful communication of musical meaning. Finally, the tasks facing potential audiences when attempting to establish meaning and a strategy that may hopeful…

  • Global Village, Local Universe

    Rajmil Fischman•ARTICLE•Leonardo Music Journal•1999

    In this article, the author presents a personal view of his compositional identity as an instance of one of the innumerable possible outcomes within a civilization that has become global and individualistic at the same time. The author situates identity within the context of historical, political and social backgrounds and examines it from the point of view of the mechanics of its realization, social function and reach, and cultural baggage—inclu…

Art (3 works) · Musical (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · Epistemology (2 works) · Literature (2 works) · Mathematics (2 works) · Music Technology and Sound Studies (2 works) · Philosophy (2 works)

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