Gérard Grisey
Biographic Data
| ID | 1379325 |
|---|---|
| NAME | Gérard Grisey |
| GIVEN NAMES | Gérard |
| FAMILY NAME | Grisey |
| SIGNATURE | GRISEY G |
| AFFILIATIONS | University of California, Berkeley |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 2 |
Did you say spectral
(2000). Did you say spectral? Contemporary Music Review: Vol. 19, Music: Techniques, Aesthetics and Music, pp. 1-3
Tempus ex Machina
This article is divided into three sections (the skeleton of time, the flesh of time, and the skin of time) and clearly distinguishes conceptual (or Chronometric) time from perceptual (or psychological) time. The author firstly liquidates a few theoretical avatars such as rhythmic symmetry and then proposes a scale of complexity for duration that goes from order to disorder. The most important point is then addressed, namely, the absolute relativ…
Tempus ex Machina
This article is divided into three sections (the skeleton of time, the flesh of time, and the skin of time) and clearly distinguishes conceptual (or Chronometric) time from perceptual (or psychological) time. The author firstly liquidates a few theoretical avatars such as rhythmic symmetry and then proposes a scale of complexity for duration that goes from order to disorder. The most important point is then addressed, namely, the absolute relativ…
Did you say spectral
(2000). Did you say spectral? Contemporary Music Review: Vol. 19, Music: Techniques, Aesthetics and Music, pp. 1-3
Tempus ex Machina
This article is divided into three sections (the skeleton of time, the flesh of time, and the skin of time) and clearly distinguishes conceptual (or Chronometric) time from perceptual (or psychological) time. The author firstly liquidates a few theoretical avatars such as rhythmic symmetry and then proposes a scale of complexity for duration that goes from order to disorder. The most important point is then addressed, namely, the absolute relativ…
Did you say spectral
(2000). Did you say spectral? Contemporary Music Review: Vol. 19, Music: Techniques, Aesthetics and Music, pp. 1-3
Aesthetics (2 works) · Art (2 works) · Musical (2 works) · Visual arts (2 works) · Art history (1 works) · Cognitive psychology (1 works) · Communication (1 works) · Contemporary classical music (1 works) · Epistemology (1 works) · French Literature and Critical Theory (1 works)