Marie-Elisabeth Duchez
Biographic Data
| ID | 1379328 |
|---|---|
| NAME | Marie-Elisabeth Duchez |
| GIVEN NAMES | Marie-Elisabeth |
| FAMILY NAME | Duchez |
| SIGNATURE | DUCHEZ M |
| AFFILIATIONS | Université Paris-Panthéon-Assas |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 1989 |
| H-INDEX | 1 |
An historical and epistemological approach to the musical notion of “form-bearing” element
The perceptual emergence of a form-bearing — or “morphophoric” — musical element deriving from concrete conditions of musical production, and the articulation of this concept as derived from the cultural conditions in which it operates, are directly linked to the epistemological requirements of perceptual and conceptual knowledge as well as to the historical development of music and culture. The rational morphorphoric notion of pitch (perceptual …
Description grammaticale et description arithmetique des phenomenes musicaux
La repŕesentation spatio-verticale du caractère musical grave-aigu et l'élaboration de la notion de hauteur de son dans la conscience musicale occidentale
Marie-Elisabeth Duchez, La repŕesentation spatio-verticale du caractère musical grave-aigu et l'élaboration de la notion de hauteur de son dans la conscience musicale occidentale, Acta Musicologica, Vol. 51, Fasc. 1 (Jan. - Jun., 1979), pp. 54-73
Principe de la Mélodie et Origine des langues. Un brouillon inédit de Jean-Jacques Rousseau sur l'origine de la mélodie
Principe de la Mélodie et Origine des langues. Un brouillon inédit de Jean-Jacques Rousseau sur l'origine de la mélodie
La repŕesentation spatio-verticale du caractère musical grave-aigu et l'élaboration de la notion de hauteur de son dans la conscience musicale occidentale
Marie-Elisabeth Duchez, La repŕesentation spatio-verticale du caractère musical grave-aigu et l'élaboration de la notion de hauteur de son dans la conscience musicale occidentale, Acta Musicologica, Vol. 51, Fasc. 1 (Jan. - Jun., 1979), pp. 54-73
Description grammaticale et description arithmetique des phenomenes musicaux
An historical and epistemological approach to the musical notion of “form-bearing” element
The perceptual emergence of a form-bearing — or “morphophoric” — musical element deriving from concrete conditions of musical production, and the articulation of this concept as derived from the cultural conditions in which it operates, are directly linked to the epistemological requirements of perceptual and conceptual knowledge as well as to the historical development of music and culture. The rational morphorphoric notion of pitch (perceptual …
Art (4 works) · Humanities (3 works) · Historical and Literary Analyses (2 works) · Historical and Literary Studies (2 works) · Historical Linguistics and Language Studies (2 works) · Music Technology and Sound Studies (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Anthropology (1 works)