Wayan Sudirana
Biographic Data
| ID | 1379338 |
|---|---|
| NAME | Wayan Sudirana |
| GIVEN NAMES | Wayan |
| FAMILY NAME | Sudirana |
| SIGNATURE | SUDIRANA W |
| AFFILIATIONS | Institut Seni Indonesia Denpasar |
| ORCID | 0000-0003-2357-048X |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Analisis Karya Musique Concrete
Purpose: Musique concrete creation ‘The Genesis Chapter One’ explores the theme of the creation of the universe based on the Bible in Genesis 1:1-31. This composition encompasses natural soundscapes as sound sources and presenting the work in spatial audio. This project aims to articulate the aesthetics of musique concrete as a reference for future creations and to explore how communication is established with the audience through spatial audio t…
Searching for the Unusual: New Methods of Composing for Gamelan
The development of new musical compositions for Balinese gamelan has resulted in a rapid growth in contemporary music genres. Their methodologies have led to extraordinary creativity and the forming of individual compositional styles that exhibit a variety of new and innovative approaches to composing for Balinese gamelan. These new ways include: combining traditional compositional techniques with foreign musical techniques and scales, conducting…
Kidung: Integral and Structured Parts in the Implementation of Balinese Hindu Religious Ceremonies
Hindu religious ceremonies continue to be performed in Bali throughout the ages. A ceremony cannot be completed perfectly without the presence of the Kidung (hymn/sacred song), an integral component that cannot be separated. The implementation of the Yadnya ceremony is connected to the ceremony’s purpose. Panca Yadnya refers to these five types of ceremonies, divided by domain into Dewa Yadnya (ceremonies for Gods), Bhuta Yadnya (ceremonies for B…
Pluminasi as a New Composition Method in Contemporary Music | Pluminasi Sebagai Metode Komposisi Baru Pada Karya Musik Kontemporer
The paradigm that was born from a mistake and misunderstanding of something different seemed to create a dividing barrier. Stigma has become a barrier between tradition and contemporary which is essentially related to one another. It takes a different perspective to find a correlation that will straighten out the "misunderstanding" of two things that are assumed to be different and often clashed. Pluminasi is a contemporary music based on the wea…
Introduction to the Musical Composition “Telung Benang” | Pengantar Komposisi Karawitan “Telung Benang”
Telung Benang's musical artwork is inspired by the concept of rwa bhineda. Rwa bhineda is the balance of human life in a dualistic dimension, namely believing in the existence of two very powerful forces. This duality dimension concerns the difference between high-low, black-and-white, narrow-broad, and so on. The purpose of the creation of Telung Benang's artwork is to highlight two contradictory but interrelated characters (duality) into the mu…
Exploring Elaboration in Balinese Music
In previous publications, gamelan culture has often been associated with heterophonic characteristics. In this paper, I want to show its greater diversity through the analysis of several examples that represent the diversity of music and ensembles in Bali. I also want to demonstrate that the distinction between heterophonic and polyphonic has nothing to do with the melodic characteristics and melodic innovation of Balinese gamelan. In fact, much …
Answering Questions, Questioning Answers: Understanding Tradisi and Moderen in the Intellectual Process of Balinese New Music Creations
In Bali, compositional process in music was traditionally more intuitive than conceptual. The recreation of beauty in nature through musical expression and melodic ideas was and is still thought to be sufficient for many to form a musical repertoire. However, these examples may be perceived as naïve, straightforward, or simplistic expressions in comparison to newer styles of Balinese musical composition. This article discusses how the terms ‘trad…
Tradisi Versus Modern: Diskursus Pemahaman Istilah Tradisi dan Modern di Indonesia
Masyarakat menerapkan tradisi secara sistematis seperti perekat. Ketika yang asli tidak lagi seperti dulu, nostalgia mengasumsikan makna keseluruhannya. Budaya biasanya diproyeksikan ke masa lampau, dan yang lampu tersebut menjadi budaya. Pemahaman seperti ini kontradiktif dengan pemahaman arti dari tradisi itu sendiri. Tradisi tidak seharusnya diartikan sebagai sesuatu yang bulat atau sirkuler atau tidak bergerak, melainkan sesuatu yang berprose…
No prominent works on this page.
Tradisi Versus Modern: Diskursus Pemahaman Istilah Tradisi dan Modern di Indonesia
Masyarakat menerapkan tradisi secara sistematis seperti perekat. Ketika yang asli tidak lagi seperti dulu, nostalgia mengasumsikan makna keseluruhannya. Budaya biasanya diproyeksikan ke masa lampau, dan yang lampu tersebut menjadi budaya. Pemahaman seperti ini kontradiktif dengan pemahaman arti dari tradisi itu sendiri. Tradisi tidak seharusnya diartikan sebagai sesuatu yang bulat atau sirkuler atau tidak bergerak, melainkan sesuatu yang berprose…
Answering Questions, Questioning Answers: Understanding Tradisi and Moderen in the Intellectual Process of Balinese New Music Creations
In Bali, compositional process in music was traditionally more intuitive than conceptual. The recreation of beauty in nature through musical expression and melodic ideas was and is still thought to be sufficient for many to form a musical repertoire. However, these examples may be perceived as naïve, straightforward, or simplistic expressions in comparison to newer styles of Balinese musical composition. This article discusses how the terms ‘trad…
Exploring Elaboration in Balinese Music
In previous publications, gamelan culture has often been associated with heterophonic characteristics. In this paper, I want to show its greater diversity through the analysis of several examples that represent the diversity of music and ensembles in Bali. I also want to demonstrate that the distinction between heterophonic and polyphonic has nothing to do with the melodic characteristics and melodic innovation of Balinese gamelan. In fact, much …
Introduction to the Musical Composition “Telung Benang” | Pengantar Komposisi Karawitan “Telung Benang”
Telung Benang's musical artwork is inspired by the concept of rwa bhineda. Rwa bhineda is the balance of human life in a dualistic dimension, namely believing in the existence of two very powerful forces. This duality dimension concerns the difference between high-low, black-and-white, narrow-broad, and so on. The purpose of the creation of Telung Benang's artwork is to highlight two contradictory but interrelated characters (duality) into the mu…
Kidung: Integral and Structured Parts in the Implementation of Balinese Hindu Religious Ceremonies
Hindu religious ceremonies continue to be performed in Bali throughout the ages. A ceremony cannot be completed perfectly without the presence of the Kidung (hymn/sacred song), an integral component that cannot be separated. The implementation of the Yadnya ceremony is connected to the ceremony’s purpose. Panca Yadnya refers to these five types of ceremonies, divided by domain into Dewa Yadnya (ceremonies for Gods), Bhuta Yadnya (ceremonies for B…
Pluminasi as a New Composition Method in Contemporary Music | Pluminasi Sebagai Metode Komposisi Baru Pada Karya Musik Kontemporer
The paradigm that was born from a mistake and misunderstanding of something different seemed to create a dividing barrier. Stigma has become a barrier between tradition and contemporary which is essentially related to one another. It takes a different perspective to find a correlation that will straighten out the "misunderstanding" of two things that are assumed to be different and often clashed. Pluminasi is a contemporary music based on the wea…
Analisis Karya Musique Concrete
Purpose: Musique concrete creation ‘The Genesis Chapter One’ explores the theme of the creation of the universe based on the Bible in Genesis 1:1-31. This composition encompasses natural soundscapes as sound sources and presenting the work in spatial audio. This project aims to articulate the aesthetics of musique concrete as a reference for future creations and to explore how communication is established with the audience through spatial audio t…
Searching for the Unusual: New Methods of Composing for Gamelan
The development of new musical compositions for Balinese gamelan has resulted in a rapid growth in contemporary music genres. Their methodologies have led to extraordinary creativity and the forming of individual compositional styles that exhibit a variety of new and innovative approaches to composing for Balinese gamelan. These new ways include: combining traditional compositional techniques with foreign musical techniques and scales, conducting…
Art (8 works) · Sociology (5 works) · Aesthetics (4 works) · Cultural and Artistic Studies (4 works) · Philosophy (4 works) · Visual arts (4 works) · Computer Science (3 works) · Musical (3 works) · Musical composition (3 works) · Psychology (3 works)