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Koichi Samuels

Dados Biográficos

ID1379401
NOMEKoichi Samuels
PRENOMESKoichi
SOBRENOMESamuels
ASSINATURASAMUELS K
AFILIAÇÕESQueen's University Belfast
ORCID0000-0002-9216-3178
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2015
ANO MAIS RECENTE DE PUBLICAÇÃO2019
ÍNDICE H1
  • The Drake Music Project Northern Ireland

    Open Access•Koichi Samuels•ARTICLE•Social Inclusion•2019•Citada por: 3•Referências: 5

    Across the UK, a growing number of charity organisations, social enterprises, academic researchers and individuals have developed music technology-based music workshops and projects utilising Accessible Music Technology to address the issue of access to music-making for people with disabilities. In this article, I discuss my ethnographic study of The Drake Music Project Northern Ireland (DMNI), a charity which provides music workshop opportunitie…

  • Music Improvisation and Social Inclusion

    Franziska Schroeder, Koichi Samuels et al.•ARTICLE•Contemporary Music Review•2019•Referências: 1

    An invited, edited, double special issue for Routledge's "Contemporary Music Review" Journal (chief editor Prof Nelson). The issue is co-edited with Dr Samuels (Queen's University Belfast) and Dr Caines (University of Regina). The contract has been issued. The call went out on 1 February 2018, with over 75 proposals received. Final chapters were shortlisted and invited for a November 2018 deadline, with the envisaged final publication print-ready…

  • Performance without Barriers

    Koichi Samuels, Franziska Schroeder•ARTICLE•Contemporary Music Review•2019•Referências: 7

    The ‘Performance without Barriers’ research group (PwB), based at the Sonic Arts Research Centre at Queen’s University Belfast has been exploring the potential of sonic arts practices and music improvisation for enhancing social inclusion. To date, the group has focused primarily on research activities related to the inclusive potential of providing access to music improvisation for people with physical disabilities via the use of digital technol…

  • The Meanings in Making

    Koichi Samuels•ARTICLE•Leonardo Music Journal•2015

    Digital musical instruments and interfaces can be designed to enable people with disabilities to participate in creative music-making. Advances in personalized, open source technologies and low-cost DIY components have made customized musical tools easily accessible for use in inclusive music-making. In this article, the author discusses his research with the Drake Music Project Northern Ireland on making music-making more inclusive

  • The Drake Music Project Northern Ireland

    Open Access•Koichi Samuels•ARTICLE•Social Inclusion•2019•Citada por: 3•Referências: 5

    Across the UK, a growing number of charity organisations, social enterprises, academic researchers and individuals have developed music technology-based music workshops and projects utilising Accessible Music Technology to address the issue of access to music-making for people with disabilities. In this article, I discuss my ethnographic study of The Drake Music Project Northern Ireland (DMNI), a charity which provides music workshop opportunitie…

  • The Meanings in Making

    Koichi Samuels•ARTICLE•Leonardo Music Journal•2015

    Digital musical instruments and interfaces can be designed to enable people with disabilities to participate in creative music-making. Advances in personalized, open source technologies and low-cost DIY components have made customized musical tools easily accessible for use in inclusive music-making. In this article, the author discusses his research with the Drake Music Project Northern Ireland on making music-making more inclusive

  • The Drake Music Project Northern Ireland

    Open Access•Koichi Samuels•ARTICLE•Social Inclusion•2019•Citada por: 3•Referências: 5

    Across the UK, a growing number of charity organisations, social enterprises, academic researchers and individuals have developed music technology-based music workshops and projects utilising Accessible Music Technology to address the issue of access to music-making for people with disabilities. In this article, I discuss my ethnographic study of The Drake Music Project Northern Ireland (DMNI), a charity which provides music workshop opportunitie…

  • Music Improvisation and Social Inclusion

    Franziska Schroeder, Koichi Samuels et al.•ARTICLE•Contemporary Music Review•2019•Referências: 1

    An invited, edited, double special issue for Routledge's "Contemporary Music Review" Journal (chief editor Prof Nelson). The issue is co-edited with Dr Samuels (Queen's University Belfast) and Dr Caines (University of Regina). The contract has been issued. The call went out on 1 February 2018, with over 75 proposals received. Final chapters were shortlisted and invited for a November 2018 deadline, with the envisaged final publication print-ready…

  • Performance without Barriers

    Koichi Samuels, Franziska Schroeder•ARTICLE•Contemporary Music Review•2019•Referências: 7

    The ‘Performance without Barriers’ research group (PwB), based at the Sonic Arts Research Centre at Queen’s University Belfast has been exploring the potential of sonic arts practices and music improvisation for enhancing social inclusion. To date, the group has focused primarily on research activities related to the inclusive potential of providing access to music improvisation for people with physical disabilities via the use of digital technol…

Aesthetics (3 obras) · Art (3 obras) · Diverse Music Education Insights (3 obras) · Visual arts (3 obras) · Improvisation (2 obras) · Music technology (2 obras) · Musical (2 obras) · Advertising (1 obras) · Art history (1 obras) · Business (1 obras)

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