Lars Frydén
Dados Biográficos
| ID | 1379427 |
|---|---|
| NOME | Lars Frydén |
| PRENOMES | Lars |
| SOBRENOME | Frydén |
| ASSINATURA | FRYDÉN L |
| AFILIAÇÕES | KTH Royal Institute of Technology |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 6 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1959 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 1998 |
| ÍNDICE H | 2 |
Musical punctuation on the microlevel
In this investigation we use the term musical punctuation for the marking of melodic structure by commas inserted at the boundaries that separate small structural units. Two models are presented that automatically try to locate the positions of such commas. They both use the score as the input and operate with a short context of maximally five notes. The first model is based on a set of subrules. One group of subrules mark possible comma position…
Speech and music performance
Speech and music performance are two important systems for interhuman communication by means of acoustic signals. These signals must be adapted to the human perceptual and cognitive systems. Hence a comparitive analysis of speech and music performances is likely to shed light on these systems, particularly regarding basic requirements for acoustic communication. Two computer programs are compared, one for text-to-speech conversion and one for not…
Rules for automated performance of ensemble music
Recently developed parts of a computer program are presented that contain a rule system which automatically converts music scores to musical performance, and which, in a sense, can be regarded as a model of a musically gifted player. The development of the rule system has followed the analysis-by-synthesis strategy; various rules have been formulated according to the suggestions of a professional string quartet violinist and teacher of ensemble p…
Airs and Essays
Assagi a Violino Solo
Rules for automated performance of ensemble music
Recently developed parts of a computer program are presented that contain a rule system which automatically converts music scores to musical performance, and which, in a sense, can be regarded as a model of a musically gifted player. The development of the rule system has followed the analysis-by-synthesis strategy; various rules have been formulated according to the suggestions of a professional string quartet violinist and teacher of ensemble p…
Speech and music performance
Speech and music performance are two important systems for interhuman communication by means of acoustic signals. These signals must be adapted to the human perceptual and cognitive systems. Hence a comparitive analysis of speech and music performances is likely to shed light on these systems, particularly regarding basic requirements for acoustic communication. Two computer programs are compared, one for text-to-speech conversion and one for not…
Musical punctuation on the microlevel
In this investigation we use the term musical punctuation for the marking of melodic structure by commas inserted at the boundaries that separate small structural units. Two models are presented that automatically try to locate the positions of such commas. They both use the score as the input and operate with a short context of maximally five notes. The first model is based on a set of subrules. One group of subrules mark possible comma position…
Assagi a Violino Solo
Airs and Essays
Speech and music performance
Speech and music performance are two important systems for interhuman communication by means of acoustic signals. These signals must be adapted to the human perceptual and cognitive systems. Hence a comparitive analysis of speech and music performances is likely to shed light on these systems, particularly regarding basic requirements for acoustic communication. Two computer programs are compared, one for text-to-speech conversion and one for not…
Rules for automated performance of ensemble music
Recently developed parts of a computer program are presented that contain a rule system which automatically converts music scores to musical performance, and which, in a sense, can be regarded as a model of a musically gifted player. The development of the rule system has followed the analysis-by-synthesis strategy; various rules have been formulated according to the suggestions of a professional string quartet violinist and teacher of ensemble p…
Musical punctuation on the microlevel
In this investigation we use the term musical punctuation for the marking of melodic structure by commas inserted at the boundaries that separate small structural units. Two models are presented that automatically try to locate the positions of such commas. They both use the score as the input and operate with a short context of maximally five notes. The first model is based on a set of subrules. One group of subrules mark possible comma position…
Computer Science (4 obras) · Music Technology and Sound Studies (3 obras) · Speech recognition (3 obras) · Art (2 obras) · Artificial Intelligence (2 obras) · Communication (2 obras) · History (2 obras) · Melody (2 obras) · Musical (2 obras) · Natural language processing (2 obras)