Uwe Seifert
Biographic Data
| ID | 1379484 |
|---|---|
| NAME | Uwe Seifert |
| GIVEN NAMES | Uwe |
| FAMILY NAME | Seifert |
| SIGNATURE | SEIFERT U |
| AFFILIATIONS | Universität Hamburg |
| ORCID | 0000-0002-3252-0399 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Hierarchical control as a shared neurocognitive mechanism for language and music
Paradoxes of Interactivity
Current findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the scienc…
Embodiment
This article deals with the idea and strategy of embodiment in algorithmic sound generation mediated by musical interfaces. Some strategies of integrating the physical body in the context of interactive algorithmic sound synthesis give rise to an extension and immaterialization of the physical body that seems to deviate from ‘embodiment’. In order to discuss ‘embodiment’, different uses of the term and their relations are considered, focusing on …
On rhythm perception
The first part of this article discusses theoretical issues in rhythm perception, and in particular the so‐called Derler system which has been employed in the interpretation of, mainly, non‐Western rhythmic phenomena. This system can be related to theories of time quanta perception in cognitive neuropsychology. Rhythm perception and theory serve as examples of how to combine results from different disciplines to obtain a unified framework for fur…
Zu einigen Ansätzen und Verfahren in neueren musiktheoretischen Konzepten
Paradoxes of Interactivity
Current findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the scienc…
Zu einigen Ansätzen und Verfahren in neueren musiktheoretischen Konzepten
On rhythm perception
The first part of this article discusses theoretical issues in rhythm perception, and in particular the so‐called Derler system which has been employed in the interpretation of, mainly, non‐Western rhythmic phenomena. This system can be related to theories of time quanta perception in cognitive neuropsychology. Rhythm perception and theory serve as examples of how to combine results from different disciplines to obtain a unified framework for fur…
Embodiment
This article deals with the idea and strategy of embodiment in algorithmic sound generation mediated by musical interfaces. Some strategies of integrating the physical body in the context of interactive algorithmic sound synthesis give rise to an extension and immaterialization of the physical body that seems to deviate from ‘embodiment’. In order to discuss ‘embodiment’, different uses of the term and their relations are considered, focusing on …
Paradoxes of Interactivity
Current findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the scienc…
Hierarchical control as a shared neurocognitive mechanism for language and music
Computer Science (4 works) · Art (3 works) · Cognitive science (3 works) · Psychology (3 works) · Cognition (2 works) · Cognitive psychology (2 works) · Neuropsychology (2 works) · Neuroscience (2 works) · Neuroscience and Music Perception (2 works) · Acoustics (1 works)