Robert Hasegawa
Biographic Data
| ID | 1379501 |
|---|---|
| NAME | Robert Hasegawa |
| GIVEN NAMES | Robert |
| FAMILY NAME | Hasegawa |
| SIGNATURE | HASEGAWA R |
| AFFILIATIONS | University of Rochester |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today
This special issue presents the perspectives of five composers—Hilda Paredes, Andile Khumalo, Marisol Jiménez, Hildegard Westerkamp, and Philippe Manoury—on music and politics today. Originating in the online lecture series ‘Poetics and Politics of Twenty-First-Century Music’, presented in 2021–22 by Universität Bern, McGill University, and Université de Montréal, the articles in this issue expand the composers’ original lectures into statements …
Musical Composition in the Context of Globalization
Musical Composition in the Context of Globalization: New Perspectives on Music History of the 20th and 21st Century, by Christian Utz, Translated by Laurence Sinclair Willis. Bielefeld, Transcript Verlag, 2021, 527 pages. Un article de la revue Circuit (L’orgue à bouche entre Extrême-Orient et Occident : l’invention d’un répertoire contemporain) diffusée par la plateforme Érudit
Un siècle d’écrits réflexifs sur la composition musicale
Un siècle d’écrits réflexifs sur la composition musicale : anthologie d’auto-analyses, de Janáček à nos jours, de Nicolas Donin (dir.), Genève, Droz/Haute école de musique de Genève, 2019, 717 pages. Un article de la revue Circuit (Quelle norme ?) diffusée par la plateforme Érudit
Introduction. Les voies de la pansonorité
utilisation que vous pouvez consulter en ligne
György Ligeti
György Ligeti: Of Foreign Lands and Strange Sounds (Ed. Louise Duchesneau and Wolfgang Marx), Woodbridge, The Boydell Press, 2011, 336 pages. Un article de la revue Circuit (Préservation du patrimoine culturel contemporain) diffusée par la plateforme Érudit
Gérard Grisey and the 'Nature'of Harmony
Gérard Grisey (1946-1998) was a founder of the influential 'spectral' movement. Reacting against the abstractions of serialism, spectral composers derived their musical material from the physics of sound and the mechanisms of aural perception. The present study explores the tensions between Grisey's natural sonic models and their alterations and distortions in his music. One common spectral technique is 'instrumental synthesis'- the scoring for i…
Introduction
In August 2006, the new music world lost one of its most adventurous and brilliant composers. James Tenney (1934 – 2006) was a pioneer of computer music, the author of witty yet profound verbal sco
Tone representation and just intervals in contemporary music
Simple integer ratios between frequencies (just intervals) have historically been invoked as the basis of musical harmony. Hugo Riemann's theory of Tonvorstellung proposes that we mentally 'represent' pitches as members of justly tuned triads. Broadening the scope of Riemann's theory to include more complex interval ratios, James Tenney argues that we understand heard intervals as approximations, within a tolerance range, of referential just inte…
Twelve-note composition
Atonality
Tone representation and just intervals in contemporary music
Simple integer ratios between frequencies (just intervals) have historically been invoked as the basis of musical harmony. Hugo Riemann's theory of Tonvorstellung proposes that we mentally 'represent' pitches as members of justly tuned triads. Broadening the scope of Riemann's theory to include more complex interval ratios, James Tenney argues that we understand heard intervals as approximations, within a tolerance range, of referential just inte…
Gérard Grisey and the 'Nature'of Harmony
Gérard Grisey (1946-1998) was a founder of the influential 'spectral' movement. Reacting against the abstractions of serialism, spectral composers derived their musical material from the physics of sound and the mechanisms of aural perception. The present study explores the tensions between Grisey's natural sonic models and their alterations and distortions in his music. One common spectral technique is 'instrumental synthesis'- the scoring for i…
Twelve-note composition
Atonality
Tone representation and just intervals in contemporary music
Simple integer ratios between frequencies (just intervals) have historically been invoked as the basis of musical harmony. Hugo Riemann's theory of Tonvorstellung proposes that we mentally 'represent' pitches as members of justly tuned triads. Broadening the scope of Riemann's theory to include more complex interval ratios, James Tenney argues that we understand heard intervals as approximations, within a tolerance range, of referential just inte…
Introduction
In August 2006, the new music world lost one of its most adventurous and brilliant composers. James Tenney (1934 – 2006) was a pioneer of computer music, the author of witty yet profound verbal sco
Gérard Grisey and the 'Nature'of Harmony
Gérard Grisey (1946-1998) was a founder of the influential 'spectral' movement. Reacting against the abstractions of serialism, spectral composers derived their musical material from the physics of sound and the mechanisms of aural perception. The present study explores the tensions between Grisey's natural sonic models and their alterations and distortions in his music. One common spectral technique is 'instrumental synthesis'- the scoring for i…
György Ligeti
György Ligeti: Of Foreign Lands and Strange Sounds (Ed. Louise Duchesneau and Wolfgang Marx), Woodbridge, The Boydell Press, 2011, 336 pages. Un article de la revue Circuit (Préservation du patrimoine culturel contemporain) diffusée par la plateforme Érudit
Introduction. Les voies de la pansonorité
utilisation que vous pouvez consulter en ligne
Un siècle d’écrits réflexifs sur la composition musicale
Un siècle d’écrits réflexifs sur la composition musicale : anthologie d’auto-analyses, de Janáček à nos jours, de Nicolas Donin (dir.), Genève, Droz/Haute école de musique de Genève, 2019, 717 pages. Un article de la revue Circuit (Quelle norme ?) diffusée par la plateforme Érudit
Musical Composition in the Context of Globalization
Musical Composition in the Context of Globalization: New Perspectives on Music History of the 20th and 21st Century, by Christian Utz, Translated by Laurence Sinclair Willis. Bielefeld, Transcript Verlag, 2021, 527 pages. Un article de la revue Circuit (L’orgue à bouche entre Extrême-Orient et Occident : l’invention d’un répertoire contemporain) diffusée par la plateforme Érudit
Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today
This special issue presents the perspectives of five composers—Hilda Paredes, Andile Khumalo, Marisol Jiménez, Hildegard Westerkamp, and Philippe Manoury—on music and politics today. Originating in the online lecture series ‘Poetics and Politics of Twenty-First-Century Music’, presented in 2021–22 by Universität Bern, McGill University, and Université de Montréal, the articles in this issue expand the composers’ original lectures into statements …
Art (7 works) · Literature (5 works) · Musical (4 works) · Art history (3 works) · History (3 works) · Humanities (3 works) · Musicology and Musical Analysis (3 works) · Philosophy (3 works) · Visual arts (3 works) · Acoustics (2 works)