Charles Kronengold
Biographic Data
| ID | 1379532 |
|---|---|
| NAME | Charles Kronengold |
| GIVEN NAMES | Charles |
| FAMILY NAME | Kronengold |
| SIGNATURE | KRONENGOLD C |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Living Genres in Late Modernity
Harpsichords (and People) at the Limits of Mediation Theory
The harpsichord fad of the 1960s and early 70s provides a roadmap for assessing the strengths and limitations of actor-network theory. The 60s harpsichord was a constellation of heterogeneous material and discursive effects; its impact on changing genres, like pop, soul, jazz, and new music, was broad but not deep. As such the harpsichord fad shows that notions like actor, agency, and affordance can be too strong: too reliant on clarity of functi…
Accidents, Hooks and Theory
records often include accidents. i suggest this tells us something about the flexibility of musical practices and the limits of theories. musical 'hooks' provide useful test-cases because the hook is normally considered the least accidental part of a song. we imagine it emerging fully formed in a moment of inspiration - the catchy phrase that comes into a songwriter's head - or at least of calculation: 'i'll see your vibraphone and raise you a me…
Accidents, Hooks and Theory
records often include accidents. i suggest this tells us something about the flexibility of musical practices and the limits of theories. musical 'hooks' provide useful test-cases because the hook is normally considered the least accidental part of a song. we imagine it emerging fully formed in a moment of inspiration - the catchy phrase that comes into a songwriter's head - or at least of calculation: 'i'll see your vibraphone and raise you a me…
Accidents, Hooks and Theory
records often include accidents. i suggest this tells us something about the flexibility of musical practices and the limits of theories. musical 'hooks' provide useful test-cases because the hook is normally considered the least accidental part of a song. we imagine it emerging fully formed in a moment of inspiration - the catchy phrase that comes into a songwriter's head - or at least of calculation: 'i'll see your vibraphone and raise you a me…
Harpsichords (and People) at the Limits of Mediation Theory
The harpsichord fad of the 1960s and early 70s provides a roadmap for assessing the strengths and limitations of actor-network theory. The 60s harpsichord was a constellation of heterogeneous material and discursive effects; its impact on changing genres, like pop, soul, jazz, and new music, was broad but not deep. As such the harpsichord fad shows that notions like actor, agency, and affordance can be too strong: too reliant on clarity of functi…
Living Genres in Late Modernity
Art (2 works) · Epistemology (2 works) · Philosophy (2 works) · Visual arts (2 works) · Accidental (1 work) · Acoustics (1 work) · Aesthetics (1 work) · Artificial Intelligence (1 work) · Computer Science (1 work) · Contingency (1 work)