Andrew Hugill
Biographic Data
| ID | 1379548 |
|---|---|
| NAME | Andrew Hugill |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Hugill |
| SIGNATURE | HUGILL A |
| AFFILIATIONS | University of Leicester |
| ORCID | 0000-0001-7305-5246 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The continuous in motion
This introduction sets out the key themes of this special issue of Interdisciplinary Science Reviews which is devoted to Music and/as Science. After identifying some initial provocative questions, it outlines the interdisciplinary, methodological and epistemological aspects of the various articles in the journal. It concludes with some personal reflections on the author’s own involvement in music over more than fifty years
Aural Diversity
Internet music
This article provides a summary and overview of the key aspects of Internet music, as well as an introduction to the issue of Contemporary Music Review on the subject. It examines popular conceptions of Internet music and seeks to define the topic by exploring some music that draws inspiration from networking without actually being Internet music itself. This article describes some basic Internet music concepts and attempts to classify it into va…
From online symphonies to MusiMOO
This article describes several projects which make creative use of the Internet in music and education, undertaken by the author since 1995. These range from collaborative composition projects to the use of virtual environments. Participants have included schoolchildren, university undergraduate and postgraduate students, adult learners, musicians and composers. In all cases, the Internet was used to explore new methods of music-making, compositi…
Mercy
Mercy as a personal vision for music leaving the twentieth century. Mercy in the Middle Ages and today. Mercy-killing, or voluntary euthanasia. Mercy and Justice. Mercy, Compassion and Pity defined. Mercy and the 14th Century pieta paintings. Bacon/Shakespeare. Sadomasochism and the power exchange. The Operation Spanner case. Chess and the etiquette of the draw. The OuLiPo and Perec, in particular La Disparition. Mercy in the composer/performer/a…
The continuous in motion
This introduction sets out the key themes of this special issue of Interdisciplinary Science Reviews which is devoted to Music and/as Science. After identifying some initial provocative questions, it outlines the interdisciplinary, methodological and epistemological aspects of the various articles in the journal. It concludes with some personal reflections on the author’s own involvement in music over more than fifty years
Mercy
Mercy as a personal vision for music leaving the twentieth century. Mercy in the Middle Ages and today. Mercy-killing, or voluntary euthanasia. Mercy and Justice. Mercy, Compassion and Pity defined. Mercy and the 14th Century pieta paintings. Bacon/Shakespeare. Sadomasochism and the power exchange. The Operation Spanner case. Chess and the etiquette of the draw. The OuLiPo and Perec, in particular La Disparition. Mercy in the composer/performer/a…
Internet music
This article provides a summary and overview of the key aspects of Internet music, as well as an introduction to the issue of Contemporary Music Review on the subject. It examines popular conceptions of Internet music and seeks to define the topic by exploring some music that draws inspiration from networking without actually being Internet music itself. This article describes some basic Internet music concepts and attempts to classify it into va…
From online symphonies to MusiMOO
This article describes several projects which make creative use of the Internet in music and education, undertaken by the author since 1995. These range from collaborative composition projects to the use of virtual environments. Participants have included schoolchildren, university undergraduate and postgraduate students, adult learners, musicians and composers. In all cases, the Internet was used to explore new methods of music-making, compositi…
The continuous in motion
This introduction sets out the key themes of this special issue of Interdisciplinary Science Reviews which is devoted to Music and/as Science. After identifying some initial provocative questions, it outlines the interdisciplinary, methodological and epistemological aspects of the various articles in the journal. It concludes with some personal reflections on the author’s own involvement in music over more than fifty years
Aural Diversity
Art (3 works) · Computer Science (3 works) · Music Technology and Sound Studies (3 works) · Literature (2 works) · Multimedia (2 works) · Music education (2 works) · Musical composition (2 works) · Neuroscience and Music Perception (2 works) · Philosophy (2 works) · Sociology (2 works)