David Neumeyer

Biographic Data

ID1379592
NAMEDavid Neumeyer
GIVEN NAMESDavid
FAMILY NAMENeumeyer
SIGNATURENEUMEYER D
AFFILIATIONSThe University of Texas at Austin
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS6
AUTHOR COUNT11
EDITOR COUNT2
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2020
H-INDEX1

  • North, Alex

    Clifford McCarty, David NeumeyerCHAPTERThe new Grove dictionary of music…2020

  • The Oxford Handbook of Film Music Studies

    David NeumeyerBOOKThe Oxford Handbook of Film Music…2013

    This title gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history genre and medium, analysis and criticism, and interpretation.

  • D escription and I nterpretation: F red L erdahl's T onal P itch S pace and L inear A nalysis

    Open AccessDavid NeumeyerARTICLEMusic Analysis2006References: 9

  • The Contredanse, Classical Finales, and Caplin's Formal Functions

    Open AccessDavid NeumeyerARTICLEMusic Theory Online2006Cited by: 1References: 11

    Formal designs employing 2, 4, 8, and 16 measure units were basic to eighteenth-century music for dancing. Although the menuet was more flexible, the contredanse was firmly rooted in this "quadratic syntax." Style statistics, expressed in William Caplin's terms for formal functions, were derived from music in dance manuals held by the Library of Congress and reproduced on its American Memory website in order to provide the background for analyses…

  • Merging Genres in the 1940s: The Musical and the Dramatic Feature Film

    David NeumeyerARTICLEAmerican Music2004

    of the conference paper version of this article. 3. The parts for Knock on Wood show the song's design as a four-bar intro, a sixteen-bar A section marked with repeats (for unhappy), eight instrumental bars, and another iteration of the A section (for happy). The eight instrumental bars were dropped in the film. (The parts are among the musical materials for Casablanca, Warner Brothers Collection, University of Southern California.) 4. Martin Mar…

  • North, Alex

    Clifford McCarty, David NeumeyerCHAPTERThe new Grove dictionary of music…2001

  • Performances in early Hollywood sound films: Source music, background music, and the integrated sound track

    David NeumeyerARTICLEContemporary Music Review2000Cited by: 4References: 8

    (2000). Performances in early Hollywood sound films: Source music, background music, and the integrated sound track. Contemporary Music Review: Vol. 19, Traditions, Institutions and American Popular Music, pp. 37-62

  • Hindemith, Hartmann and Henze

    Open AccessDavid Neumeyer, Guy RickardsARTICLENotes1997

    War and revolution dancing on a volcano the wellspring of artistic intuition a trail of unending misery ruin and resurgence new perspective the politics of commitment

  • Commentary on Neumeyer (MTO 0.1)

    Open AccessDavid NeumeyerARTICLEMusic Theory Online1993

  • Schoenberg at the Movies: Dodecaphony and Film

    Open AccessDavid NeumeyerARTICLEMusic Theory Online1993Cited by: 1

    Composers used the twelve-tone method in film scores from the 1950's and 60's. This essay, however, focuses on a much earlier work: Schoenberg's Begleitungsmusik zu einer Lichtspielszene, Op. 34 (1930), which was, however, commissioned for a cinema-music library, not a specific film. I apply simple commutation tests to gauge how Opus 34 might actually function as background music, and I assess the implications of questions that arise about musica…

  • The Music of Paul Hindemith

    Eckhart Richter, David NeumeyerARTICLEAmerican Music1991

  • The Music of Paul Hindemith

    Stephen Hinton, David NeumeyerARTICLEMusic Analysis1988

  • The Music of Paul Hindemith

    Glenn Stanley, David NeumeyerARTICLEGerman Studies Review1987