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Kenneth R Culton

Biographic Data

ID1380117
NAMEKenneth R Culton
GIVEN NAMESKenneth R
FAMILY NAMECulton
SIGNATURECULTON K R
AFFILIATIONSNiagara University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS12
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Shifting Identifications among Religious and Non-Religious Emerging Adults at a Northeastern U.S. Mainstream Denominational College

    Kenneth R Culton•ARTICLE•Religious Education•2022

    Little is known about the effect of various social contexts on the development of belief for emerging adults. Specifically, college has been shown to both diminish and strengthen beliefs. I show that identifying as religious or non-religious is largely decoupled from beliefs and practices among emerging adults at a mainstream denominational college. This particular social context is one where beliefs, of many stripes, are seen to be admirable. I …

  • Breaking the Carnival Mirror

    Open Access•Kenneth R Culton, José A Muñoz•ARTICLE•Humanity & Society•2018•Cited by: 1•References: 28

    We present a reflexive paper assignment calling for students to report on their own family and/or personal experiences in order to answer the question, “From where does the greatest harm arise?” We find that, through the process of answering this question and sharing findings in class, students’ conception of criminality is broadened. Institutional forms of deviance and white-collar crime come to be understood as the real commonplace sources of h…

  • Reinventing Political Culture

    Open Access•Kenneth R Culton•ARTICLE•Contemporary Sociology A Journal…•2013•Cited by: 7

  • The Growth and Disruption of a “Free Space”

    Open Access•Kenneth R Culton, Ben Holtzman•ARTICLE•Space and Culture•2010•Cited by: 3•References: 5

    This article builds on the literature on “free spaces.” The authors address several under examined aspects of this concept through an exploration of the Long Island Do It Yourself (DIY) punk scene. The DIY scene can be understood as a prefigurative space where particular values were espoused and celebrated. The authors analyze how participants understood the free space as well as the specific values that came along with identifying themselves as …

  • Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures

    Open Access•Kenneth R Culton•ARTICLE•Contemporary Sociology A Journal…•2008•Cited by: 1

  • Thompson, Stacy. Punk Productions

    Open Access•Kenneth R Culton, Benjamin Holtzman•ARTICLE•Journal of Popular Music Studies•2005

  • Reinventing Political Culture

    Open Access•Kenneth R Culton•ARTICLE•Contemporary Sociology A Journal…•2013•Cited by: 7

  • The Growth and Disruption of a “Free Space”

    Open Access•Kenneth R Culton, Ben Holtzman•ARTICLE•Space and Culture•2010•Cited by: 3•References: 5

    This article builds on the literature on “free spaces.” The authors address several under examined aspects of this concept through an exploration of the Long Island Do It Yourself (DIY) punk scene. The DIY scene can be understood as a prefigurative space where particular values were espoused and celebrated. The authors analyze how participants understood the free space as well as the specific values that came along with identifying themselves as …

  • Breaking the Carnival Mirror

    Open Access•Kenneth R Culton, José A Muñoz•ARTICLE•Humanity & Society•2018•Cited by: 1•References: 28

    We present a reflexive paper assignment calling for students to report on their own family and/or personal experiences in order to answer the question, “From where does the greatest harm arise?” We find that, through the process of answering this question and sharing findings in class, students’ conception of criminality is broadened. Institutional forms of deviance and white-collar crime come to be understood as the real commonplace sources of h…

  • Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures

    Open Access•Kenneth R Culton•ARTICLE•Contemporary Sociology A Journal…•2008•Cited by: 1

  • Thompson, Stacy. Punk Productions

    Open Access•Kenneth R Culton, Benjamin Holtzman•ARTICLE•Journal of Popular Music Studies•2005

  • Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures

    Open Access•Kenneth R Culton•ARTICLE•Contemporary Sociology A Journal…•2008•Cited by: 1

  • The Growth and Disruption of a “Free Space”

    Open Access•Kenneth R Culton, Ben Holtzman•ARTICLE•Space and Culture•2010•Cited by: 3•References: 5

    This article builds on the literature on “free spaces.” The authors address several under examined aspects of this concept through an exploration of the Long Island Do It Yourself (DIY) punk scene. The DIY scene can be understood as a prefigurative space where particular values were espoused and celebrated. The authors analyze how participants understood the free space as well as the specific values that came along with identifying themselves as …

  • Reinventing Political Culture

    Open Access•Kenneth R Culton•ARTICLE•Contemporary Sociology A Journal…•2013•Cited by: 7

  • Breaking the Carnival Mirror

    Open Access•Kenneth R Culton, José A Muñoz•ARTICLE•Humanity & Society•2018•Cited by: 1•References: 28

    We present a reflexive paper assignment calling for students to report on their own family and/or personal experiences in order to answer the question, “From where does the greatest harm arise?” We find that, through the process of answering this question and sharing findings in class, students’ conception of criminality is broadened. Institutional forms of deviance and white-collar crime come to be understood as the real commonplace sources of h…

  • Shifting Identifications among Religious and Non-Religious Emerging Adults at a Northeastern U.S. Mainstream Denominational College

    Kenneth R Culton•ARTICLE•Religious Education•2022

    Little is known about the effect of various social contexts on the development of belief for emerging adults. Specifically, college has been shown to both diminish and strengthen beliefs. I show that identifying as religious or non-religious is largely decoupled from beliefs and practices among emerging adults at a mainstream denominational college. This particular social context is one where beliefs, of many stripes, are seen to be admirable. I …

Political science (5 works) · Sociology (5 works) · Law (4 works) · Art (3 works) · Computer Science (3 works) · Law (3 works) · Art history (2 works) · Epistemology (2 works) · History (2 works) · Ideology (2 works)

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