Paul Clogher
Biographic Data
| ID | 1382650 |
|---|---|
| NAME | Paul Clogher |
| GIVEN NAMES | Paul |
| FAMILY NAME | Clogher |
| SIGNATURE | CLOGHER P |
| AFFILIATIONS | Waterford Institute of Technology |
| ORCID | 0000-0001-5745-9849 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
One Long Kiss
Against the backdrop of the dialogue between theology, cinema, and image culture more broadly, this article explores Paul Schrader's 2017 film First Reformed as an experiment in cinematic theology. His 1972 work Transcendental Style in Film: Ozu, Bresson, Dreyer outlines the contours of a cross-cultural, cross-religious model of spiritual cinema and remains an influential text within both film studies and theology. While much of his career as bot…
The “Space Between”
Rooted in Italian neorealism, Marxist theory, and centuries of Christian art and music, Pier Paolo Pasolini’s Il Vangelo secondo Matteo reactivates the Gospel against the backdrop of Italian Marxism and social life in the mid-twentieth century. Through a hermeneutical reflection, this paper argues for the film as a central moment in the mediation and reception of the Christian story. Pasolini’s transgressive and poetic cinema partakes in and expa…
Moving Texts
The Hollywood Jesus epics re-visualize the gospel story against the anxious backdrops of secularization, cultural pluralism, and moral skepticism. While these epics are often derided for their lack of theological insight, cultural awareness, or aesthetic taste, this article argues for a re-appreciation of the genre's internal pluralism and hermeneutical significance. Focusing on Cecil B. DeMille's The King of Kings (1927) and Nicholas Ray's King …
A genealogy of critique
This article addresses contemporary concerns about critique through an interpretation of the "writing prophets." This approach draws on Foucauldian genealogy and suggests that alongside Greek parrhesia, Old Testament prophecy is a key forerunner of contemporary critical discourses. Our analysis draws upon Weber's interpretative historical sociology and Gadamerian hermeneutics but shifts the emphasis from charisma to critique, through a direct eng…
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A genealogy of critique
This article addresses contemporary concerns about critique through an interpretation of the "writing prophets." This approach draws on Foucauldian genealogy and suggests that alongside Greek parrhesia, Old Testament prophecy is a key forerunner of contemporary critical discourses. Our analysis draws upon Weber's interpretative historical sociology and Gadamerian hermeneutics but shifts the emphasis from charisma to critique, through a direct eng…
Moving Texts
The Hollywood Jesus epics re-visualize the gospel story against the anxious backdrops of secularization, cultural pluralism, and moral skepticism. While these epics are often derided for their lack of theological insight, cultural awareness, or aesthetic taste, this article argues for a re-appreciation of the genre's internal pluralism and hermeneutical significance. Focusing on Cecil B. DeMille's The King of Kings (1927) and Nicholas Ray's King …
The “Space Between”
Rooted in Italian neorealism, Marxist theory, and centuries of Christian art and music, Pier Paolo Pasolini’s Il Vangelo secondo Matteo reactivates the Gospel against the backdrop of Italian Marxism and social life in the mid-twentieth century. Through a hermeneutical reflection, this paper argues for the film as a central moment in the mediation and reception of the Christian story. Pasolini’s transgressive and poetic cinema partakes in and expa…
One Long Kiss
Against the backdrop of the dialogue between theology, cinema, and image culture more broadly, this article explores Paul Schrader's 2017 film First Reformed as an experiment in cinematic theology. His 1972 work Transcendental Style in Film: Ozu, Bresson, Dreyer outlines the contours of a cross-cultural, cross-religious model of spiritual cinema and remains an influential text within both film studies and theology. While much of his career as bot…
Literature (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Art (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Gospel (2 works) · Hermeneutics (2 works) · Movie theater (2 works) · Religious studies (2 works)