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Lisa Parolo

Biographic Data

ID1383489
NAMELisa Parolo
GIVEN NAMESLisa
FAMILY NAMEParolo
SIGNATUREPAROLO L
ORCID0000-0002-3084-9916
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Michelangelo Pistoletto. The Minus Objects. 1965-1966

    Lisa Parolo•ARTICLE•Critique d’art•2018

    The catalogue Michelangelo Pistoletto. The Minus Objects. 1965-1966 is in itself an ‘artistic’ object realized in strict collaboration with the artist. It is divided in six sections. “Introduction” (p. 7-15), “Essay” (p. 81-111), “Conversations” (p. 129-159), “History” (p.161-175) deepen from historical and critical perspectives Pistoletto’s body of works entitled Oggetti in meno (Minus Objects), privileging the artist’s point of view present bot…

  • CyberArts 2017. Prix Ars Electronica

    Lisa Parolo•ARTICLE•Critique d’art•2018

    The catalogue CyberArts 2017. Prix Ars Electronica edited by Gerfried Stocker, Christine Schöpf and Hannes Leopoldseder contains texts by the winning artists, statements by the jury and illustrations of the works honored for the 38th edition of the Festival Prix Ars Electronica 2017. The Festival was dedicated to the Artificial Intelligence and the ‘other I’. We live in a world signed by uncertainty, not only in technology, but also in political …

  • AI, Artificial Intelligence, Das andere Ich

    Lisa Parolo•ARTICLE•Critique d’art•2018

    The lavishly illustrated catalogue AI, Artificial Intelligence, Das andere Ich edited by Gerfried Stocker, Christine Schöpf and Hannes Leopoldseder, is published in occasion of the 38th edition of Ars Electronica, the Festival for Art, Technology and Society in Linz (September 7-11, 2017). As suggested by the title, this very last edition of the Festival is dedicated to the analysis of Artificial Intelligence, as an ‘Other I’, «a universal metaph…

No prominent works on this page.

  • Michelangelo Pistoletto. The Minus Objects. 1965-1966

    Lisa Parolo•ARTICLE•Critique d’art•2018

    The catalogue Michelangelo Pistoletto. The Minus Objects. 1965-1966 is in itself an ‘artistic’ object realized in strict collaboration with the artist. It is divided in six sections. “Introduction” (p. 7-15), “Essay” (p. 81-111), “Conversations” (p. 129-159), “History” (p.161-175) deepen from historical and critical perspectives Pistoletto’s body of works entitled Oggetti in meno (Minus Objects), privileging the artist’s point of view present bot…

  • CyberArts 2017. Prix Ars Electronica

    Lisa Parolo•ARTICLE•Critique d’art•2018

    The catalogue CyberArts 2017. Prix Ars Electronica edited by Gerfried Stocker, Christine Schöpf and Hannes Leopoldseder contains texts by the winning artists, statements by the jury and illustrations of the works honored for the 38th edition of the Festival Prix Ars Electronica 2017. The Festival was dedicated to the Artificial Intelligence and the ‘other I’. We live in a world signed by uncertainty, not only in technology, but also in political …

  • AI, Artificial Intelligence, Das andere Ich

    Lisa Parolo•ARTICLE•Critique d’art•2018

    The lavishly illustrated catalogue AI, Artificial Intelligence, Das andere Ich edited by Gerfried Stocker, Christine Schöpf and Hannes Leopoldseder, is published in occasion of the 38th edition of Ars Electronica, the Festival for Art, Technology and Society in Linz (September 7-11, 2017). As suggested by the title, this very last edition of the Festival is dedicated to the analysis of Artificial Intelligence, as an ‘Other I’, «a universal metaph…

Art (2 works) · Art, Technology, and Culture (2 works) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Computer Science (1 work) · Geometry (1 work) · Italian Fascism and Post-war Society (1 work) · Linguistics (1 work) · Mathematics (1 work) · Philosophy (1 work)

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