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Isabelle Graw

Biographic Data

ID1383535
NAMEIsabelle Graw
GIVEN NAMESIsabelle
FAMILY NAMEGraw
SIGNATUREGRAW I
AFFILIATIONSHochschule für bildende Künste
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Quando a vida sai para trabalhar

    Open Access•Isabelle Graw, Sônia Salzstein•ARTICLE•ARS (São Paulo•2017

    O texto discute a fusão contínua entre as esferas pública e privada na obra de Warhol, divisando em tal fusão a matriz de uma "cultura de celebridades", esse fenômeno da sociedade contemporânea auspiciado pelo regime biopolítico e pelo mundo pós-fordista que seriam mais tarde descritos por autores como Antonio Negri e Michael Hardt. Focalizando principalmente os experimentos de Warhol na Factory, estúdio que ele manteve entre 1963 e 1968, a autor…

  • When Life Goes to Work

    Isabelle Graw•ARTICLE•October•2010•Cited by: 1

    Warhol seems more alive, more present, closer to us than ever. One need only think of the title of the present conference—“Andy Eighty?”—which calls him by his first name, referring to and questioning the assumption that we can entertain an intimate relationship with him. But why does Warhol’s production still seem so topical, so up to date? What is it that allows for this particular past to reach into our present with such insistence? I will beg…

  • Just Being Doesn't Amount to Anything (Some Themes in Bruce Nauman's Work)

    Isabelle Graw, Dorothea Von Moltke•ARTICLE•October•1995

    My purpose here is to examine the reception of Bruce Nauman's work in order to clarify the interest it generates in its audience.1 I decided from the outset to regard Nauman as an artist who does not threaten the consciousness of the educated bourgeois individual, who shows psychological abysses that enable that individual to experience the absurdity of his or her own existence. In retrospect, I find this view necessarily self-confirming. Put dif…

  • When Life Goes to Work

    Isabelle Graw•ARTICLE•October•2010•Cited by: 1

    Warhol seems more alive, more present, closer to us than ever. One need only think of the title of the present conference—“Andy Eighty?”—which calls him by his first name, referring to and questioning the assumption that we can entertain an intimate relationship with him. But why does Warhol’s production still seem so topical, so up to date? What is it that allows for this particular past to reach into our present with such insistence? I will beg…

  • Just Being Doesn't Amount to Anything (Some Themes in Bruce Nauman's Work)

    Isabelle Graw, Dorothea Von Moltke•ARTICLE•October•1995

    My purpose here is to examine the reception of Bruce Nauman's work in order to clarify the interest it generates in its audience.1 I decided from the outset to regard Nauman as an artist who does not threaten the consciousness of the educated bourgeois individual, who shows psychological abysses that enable that individual to experience the absurdity of his or her own existence. In retrospect, I find this view necessarily self-confirming. Put dif…

  • When Life Goes to Work

    Isabelle Graw•ARTICLE•October•2010•Cited by: 1

    Warhol seems more alive, more present, closer to us than ever. One need only think of the title of the present conference—“Andy Eighty?”—which calls him by his first name, referring to and questioning the assumption that we can entertain an intimate relationship with him. But why does Warhol’s production still seem so topical, so up to date? What is it that allows for this particular past to reach into our present with such insistence? I will beg…

  • Quando a vida sai para trabalhar

    Open Access•Isabelle Graw, Sônia Salzstein•ARTICLE•ARS (São Paulo•2017

    O texto discute a fusão contínua entre as esferas pública e privada na obra de Warhol, divisando em tal fusão a matriz de uma "cultura de celebridades", esse fenômeno da sociedade contemporânea auspiciado pelo regime biopolítico e pelo mundo pós-fordista que seriam mais tarde descritos por autores como Antonio Negri e Michael Hardt. Focalizando principalmente os experimentos de Warhol na Factory, estúdio que ele manteve entre 1963 e 1968, a autor…

Art (3 works) · Art, Politics, and Modernism (3 works) · Art history (2 works) · Engineering (2 works) · Philosophy (2 works) · Work (physics (2 works) · Aesthetics (1 works) · Art, Technology, and Culture (1 works) · Contemporary Literature and Criticism (1 works) · Cultural Industries and Urban Development (1 works)

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