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Svitlana Biedarieva

Biographic Data

ID1383575
NAMESvitlana Biedarieva
GIVEN NAMESSvitlana
FAMILY NAMEBiedarieva
SIGNATUREBIEDARIEVA S
AFFILIATIONSArtistic Realization Technologies
ORCID0009-0006-8866-2675
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS1
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Makov, Pavlo

    Svitlana Biedarieva•CHAPTER•2025

  • Roytburd [Roitburd; Rojtburd], Oleksandr

    Svitlana Biedarieva•CHAPTER•2025

  • Ukrainian New Wave

    Svitlana Biedarieva•CHAPTER•2025

  • Conclusion

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • Ruin and Reconstruction

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • Introduction

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • (R)evolution of Identity

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • Ambicoloniality and War

    Open Access•Svitlana Biedarieva•BOOK•Ambicoloniality and War•2024

  • Dekolonizacja i wyzwolenie w sztuce ukraińskiej

    Open Access•Svitlana Biedarieva•ARTICLE•Konteksty Polska Sztuka Ludowa•2024

    Wiele prac stworzonych przez ukraińskich artystów w ciągu ostatnich ośmiu lat odzwierciedla kondycję postkolonialną i traumatyczne wspomnienia uwikłania Ukrainy i Rosji przed i przez cały XX wiek. Jednak odkąd rosyjskie bomby zaczęły spadać na ukraińskie miasta, zabijając cywilów, w tym dzieci, i niszcząc tysiące ukraińskich domów, a następnie wyewoluowały w pełnoskalową rosyjską inwazję (luty 2022 roku), zrozumienie tego postkolonialnego uwikłan…

  • The Morphology of War I

    Open Access•Svitlana Biedarieva•ARTICLE•Daedalus•2023

    The Morphology of War was conceived in 2017 as a project of large-scale digital murals. It focuses on the idea that each society gives birth to its own monsters. In a time of war and under the influence of propaganda, they procreate. Friends change their form and become enemies-unfamiliar, grotesque, and potentially dangerous. They experience severe morphological changes. This project reflects the ugliness of Russian military aggression and the i…

  • Art Communities at Risk

    Svitlana Biedarieva•ARTICLE•October•2022

    This text analyses the impact of Russia's war against Ukraine on Ukrainian art and features interviews with five Ukrainian artists: Alevtina Kakhidze, Maria Kulikovska, Lia Dostlieva, Andrii Dostliev, and Piotr Armianovski. The artists speak about their experiences of displacement and migration following the annexation of Crimea and the occupation of parts of Donbas in 2014 as well as their premonitions of the full-scale Russian invasion that was…

  • Cuauhtémoc Medina

    Svitlana Biedarieva•ARTICLE•Critique d’art•2019

    Cuauhtémoc Medina © Power Station of Art, d.r. Basé à Mexico, Cuauhtémoc Medina est un commissaire d’exposition, critique et historien de l’art de renommée internationale. En 2019, il a été nommé commissaire de la 12e Biennale de Shanghai, l’un des évènements majeurs en Chine. La thématique centrale de la biennale, sélectionnée par Medina, est la notion de Proregress, terme issu de la contraction de progress et regress, comme la réinterprétation …

  • Boichukism

    Svitlana Biedarieva•ARTICLE•Critique d’art•2018

    The catalogue of the exhibition Boichukism: Project of the Grandiose Style at the Mystetskyi Arsenal presents an attempt of art historical recovery of the forgotten masterpieces of Ukrainian monumental art. A large part of Ukrainian artistic legacy was lost during the 1930s. From a poetic metaphor, the term “executed Renaissance” became an accepted notion for the whole generation of intellectuals, writers, artists, and poets who were repressed in…

  • The Street Artist as Translator

    Open Access•Svitlana Biedarieva•ARTICLE•Space and Culture•2015•Cited by: 1

    In the article, the position of the street artist as translator is analyzed on the basis of the concept of the semiosphere developed by the Russian-Estonian semiotician Yuri Lotman. The methodological framework of the Tartu-Moscow school of semiotics is applied to the phenomenon of contemporary public art. The process of translation between texts in urban space is illustrated by examples of works of art that use modifications of the same object—a…

  • The Street Artist as Translator

    Open Access•Svitlana Biedarieva•ARTICLE•Space and Culture•2015•Cited by: 1

    In the article, the position of the street artist as translator is analyzed on the basis of the concept of the semiosphere developed by the Russian-Estonian semiotician Yuri Lotman. The methodological framework of the Tartu-Moscow school of semiotics is applied to the phenomenon of contemporary public art. The process of translation between texts in urban space is illustrated by examples of works of art that use modifications of the same object—a…

  • The Street Artist as Translator

    Open Access•Svitlana Biedarieva•ARTICLE•Space and Culture•2015•Cited by: 1

    In the article, the position of the street artist as translator is analyzed on the basis of the concept of the semiosphere developed by the Russian-Estonian semiotician Yuri Lotman. The methodological framework of the Tartu-Moscow school of semiotics is applied to the phenomenon of contemporary public art. The process of translation between texts in urban space is illustrated by examples of works of art that use modifications of the same object—a…

  • Boichukism

    Svitlana Biedarieva•ARTICLE•Critique d’art•2018

    The catalogue of the exhibition Boichukism: Project of the Grandiose Style at the Mystetskyi Arsenal presents an attempt of art historical recovery of the forgotten masterpieces of Ukrainian monumental art. A large part of Ukrainian artistic legacy was lost during the 1930s. From a poetic metaphor, the term “executed Renaissance” became an accepted notion for the whole generation of intellectuals, writers, artists, and poets who were repressed in…

  • Cuauhtémoc Medina

    Svitlana Biedarieva•ARTICLE•Critique d’art•2019

    Cuauhtémoc Medina © Power Station of Art, d.r. Basé à Mexico, Cuauhtémoc Medina est un commissaire d’exposition, critique et historien de l’art de renommée internationale. En 2019, il a été nommé commissaire de la 12e Biennale de Shanghai, l’un des évènements majeurs en Chine. La thématique centrale de la biennale, sélectionnée par Medina, est la notion de Proregress, terme issu de la contraction de progress et regress, comme la réinterprétation …

  • Art Communities at Risk

    Svitlana Biedarieva•ARTICLE•October•2022

    This text analyses the impact of Russia's war against Ukraine on Ukrainian art and features interviews with five Ukrainian artists: Alevtina Kakhidze, Maria Kulikovska, Lia Dostlieva, Andrii Dostliev, and Piotr Armianovski. The artists speak about their experiences of displacement and migration following the annexation of Crimea and the occupation of parts of Donbas in 2014 as well as their premonitions of the full-scale Russian invasion that was…

  • The Morphology of War I

    Open Access•Svitlana Biedarieva•ARTICLE•Daedalus•2023

    The Morphology of War was conceived in 2017 as a project of large-scale digital murals. It focuses on the idea that each society gives birth to its own monsters. In a time of war and under the influence of propaganda, they procreate. Friends change their form and become enemies-unfamiliar, grotesque, and potentially dangerous. They experience severe morphological changes. This project reflects the ugliness of Russian military aggression and the i…

  • Conclusion

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • Ruin and Reconstruction

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • Introduction

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • (R)evolution of Identity

    Open Access•Svitlana Biedarieva•CHAPTER•Ambicoloniality and War•2024

  • Ambicoloniality and War

    Open Access•Svitlana Biedarieva•BOOK•Ambicoloniality and War•2024

  • Dekolonizacja i wyzwolenie w sztuce ukraińskiej

    Open Access•Svitlana Biedarieva•ARTICLE•Konteksty Polska Sztuka Ludowa•2024

    Wiele prac stworzonych przez ukraińskich artystów w ciągu ostatnich ośmiu lat odzwierciedla kondycję postkolonialną i traumatyczne wspomnienia uwikłania Ukrainy i Rosji przed i przez cały XX wiek. Jednak odkąd rosyjskie bomby zaczęły spadać na ukraińskie miasta, zabijając cywilów, w tym dzieci, i niszcząc tysiące ukraińskich domów, a następnie wyewoluowały w pełnoskalową rosyjską inwazję (luty 2022 roku), zrozumienie tego postkolonialnego uwikłan…

  • Makov, Pavlo

    Svitlana Biedarieva•CHAPTER•2025

  • Roytburd [Roitburd; Rojtburd], Oleksandr

    Svitlana Biedarieva•CHAPTER•2025

  • Ukrainian New Wave

    Svitlana Biedarieva•CHAPTER•2025

Art (5 works) · Decolonial Thought and Epistemologies (4 works) · Aesthetics (3 works) · Computer Science (3 works) · History (3 works) · History (3 works) · Linguistics (3 works) · Philosophy (3 works) · Eastern European Communism and Reforms (2 works) · Geography (2 works)

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