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Tadeusz Kantor

Biographic Data

ID1383659
NAMETadeusz Kantor
GIVEN NAMESTadeusz
FAMILY NAMEKantor
SIGNATUREKANTOR T
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS2
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Le Groupe des jeunes artistes plasticiens, une seconde fois

    Tadeusz Kantor, Mięczysław Porębski•ARTICLE•Critique d’art•2017

    Pro domo sua La situation est dorénavant suffisamment mûre pour qu’un tel titre soit justifié, mais aussi indispensable. Justifié dans un cercle d’actions en train de se constituer, d’intentions et de conscience se précisant de plus en plus fortement et distinctement autour de jeunes plasticiens – car c’est de leur domus qu’il est ici question – ; indispensable face à l’indifférence et à l’incompréhension du rôle de la jeune génération dans la vi…

  • Unbalancing Acts

    Jeff Lawson, Richard Foreman et al.•ARTICLE•TDR/The Drama Review•1996

  • A Journey through Other Spaces

    Christine Kiebuzinska, Tadeusz Kantor et al.•ARTICLE•Theatre Journal•1995•Cited by: 1

  • Texts, Essays, and Intimate Commentaries

    Tadeusz Kantor•ARTICLE•Performing Arts Journal•1994

  • A Journey through Other Spaces

    Katarzyna Zechenter, Tadeusz Kantor et al.•ARTICLE•The Slavic and East European…•1994

  • Wielopole/Wielopole

    Christine Kiebuzinska, Tadeusz Kantor et al.•ARTICLE•Theatre Journal•1993•Cited by: 1

  • Poems

    Tadeusz Kantor, Michal Kobialka•ARTICLE•Performing Arts Journal•1991

  • Poems

    Tadeusz Kantor, Michal Kobialka•ARTICLE•Performing Arts Journal•1991

  • Before the End of the Twentieth Century

    Tadeusz Kantor, Michal Kobialka•ARTICLE•TDR/The Drama Review•1991

    But there is only time to address the highlights of surrealism. Not only will we travel to the regions of aesthetics, but also to the regions of civilization, that is, of spiritual and intellectual transformations of a human being and society. By so doing, we will stay faithful to the spirit of surrealism which refused to be merely an aesthetic movement. Surrealism defined the function of art in broad terms

  • I Shall Never Return

    Steven Hart, Tadeusz Kantor•ARTICLE•Theatre Journal•1988

  • Let the Artists Die? An Interview with Tadeusz Kantor

    Michal Kobialka, Tadeusz Kantor•ARTICLE•The Drama Review TDR•1986

  • Let the Artists Die

    Steven Hart, Tadeusz Kantor•ARTICLE•Theatre Journal•1986

  • Wielopole - Wielopole

    Mohammad Kowsar, Tadeusz Kantor•ARTICLE•Theatre Journal•1982

  • Bingo and the Bundle

    Malcolm Hay, Edward Bond et al.•ARTICLE•Performing Arts Journal•1979

  • The Dead Class

    Eileen Fischer, Tadeusz Kantor•ARTICLE•Theatre Journal•1979

  • A Journey through Other Spaces

    Christine Kiebuzinska, Tadeusz Kantor et al.•ARTICLE•Theatre Journal•1995•Cited by: 1

  • Wielopole/Wielopole

    Christine Kiebuzinska, Tadeusz Kantor et al.•ARTICLE•Theatre Journal•1993•Cited by: 1

  • Bingo and the Bundle

    Malcolm Hay, Edward Bond et al.•ARTICLE•Performing Arts Journal•1979

  • The Dead Class

    Eileen Fischer, Tadeusz Kantor•ARTICLE•Theatre Journal•1979

  • Wielopole - Wielopole

    Mohammad Kowsar, Tadeusz Kantor•ARTICLE•Theatre Journal•1982

  • Let the Artists Die? An Interview with Tadeusz Kantor

    Michal Kobialka, Tadeusz Kantor•ARTICLE•The Drama Review TDR•1986

  • Let the Artists Die

    Steven Hart, Tadeusz Kantor•ARTICLE•Theatre Journal•1986

  • I Shall Never Return

    Steven Hart, Tadeusz Kantor•ARTICLE•Theatre Journal•1988

  • Poems

    Tadeusz Kantor, Michal Kobialka•ARTICLE•Performing Arts Journal•1991

  • Poems

    Tadeusz Kantor, Michal Kobialka•ARTICLE•Performing Arts Journal•1991

  • Before the End of the Twentieth Century

    Tadeusz Kantor, Michal Kobialka•ARTICLE•TDR/The Drama Review•1991

    But there is only time to address the highlights of surrealism. Not only will we travel to the regions of aesthetics, but also to the regions of civilization, that is, of spiritual and intellectual transformations of a human being and society. By so doing, we will stay faithful to the spirit of surrealism which refused to be merely an aesthetic movement. Surrealism defined the function of art in broad terms

  • Wielopole/Wielopole

    Christine Kiebuzinska, Tadeusz Kantor et al.•ARTICLE•Theatre Journal•1993•Cited by: 1

  • Texts, Essays, and Intimate Commentaries

    Tadeusz Kantor•ARTICLE•Performing Arts Journal•1994

  • A Journey through Other Spaces

    Katarzyna Zechenter, Tadeusz Kantor et al.•ARTICLE•The Slavic and East European…•1994

  • A Journey through Other Spaces

    Christine Kiebuzinska, Tadeusz Kantor et al.•ARTICLE•Theatre Journal•1995•Cited by: 1

  • Unbalancing Acts

    Jeff Lawson, Richard Foreman et al.•ARTICLE•TDR/The Drama Review•1996

  • Le Groupe des jeunes artistes plasticiens, une seconde fois

    Tadeusz Kantor, Mięczysław Porębski•ARTICLE•Critique d’art•2017

    Pro domo sua La situation est dorénavant suffisamment mûre pour qu’un tel titre soit justifié, mais aussi indispensable. Justifié dans un cercle d’actions en train de se constituer, d’intentions et de conscience se précisant de plus en plus fortement et distinctement autour de jeunes plasticiens – car c’est de leur domus qu’il est ici question – ; indispensable face à l’indifférence et à l’incompréhension du rôle de la jeune génération dans la vi…

Art (10 works) · History (8 works) · History (5 works) · Computer Science (4 works) · Art, Politics, and Modernism (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Communism, Protests, Social Movements (2 works) · Die (integrated circuit (2 works)

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