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Evelyn Nien-Ming Ch’ien

Biographic Data

ID1383830
NAMEEvelyn Nien-Ming Ch’ien
GIVEN NAMESEvelyn Nien-Ming
FAMILY NAMECh’ien
SIGNATURECH’IEN E N
AFFILIATIONSLyon 1 Université
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Reinventing Translation

    Evelyn Nien-Ming Ch’ien, Evelyn Ch'ien•ARTICLE•CR The New Centennial Review•2016

    Research Article| March 01 2016 Reinventing Translation: Icons and Dictionaries Evelyn Nien-Ming Ch’ien Evelyn Nien-Ming Ch’ien Jean Moulin Université Lyon III, Lyon, France Search for other works by this author on: This Site Google CR: The New Centennial Review (2016) 16 (1): 37–64. https://doi.org/10.14321/crnewcentrevi.16.1.0037 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Evelyn Nien-Ming C…

  • Creative technology and rap

    Open Access•Evelyn Nien-Ming Ch’ien, EVELYN CH’IEN•ARTICLE•World Englishes•2011

    This paper describes how a linguistic form, rap, can evolve in tandem with technological advances and manifest human‐machine creativity. Rather than assuming that the interplay between machines and technology makes humans robotic or machine‐like, the paper explores how the pressure of executing artistic visions using technology can drive humans—in this case rappers and scratchers—to be extremely creative. Technology, which is largely the source f…

  • English is getting weirder, and so R wee

    Open Access•Evelyn Nien-Ming Ch’ien, Evelyn Nien-Ming Ch'Ien•ARTICLE•English Today•2008

    An exploration of how technology is making English – and the human race – evolve. In The Dead Emcee Scrolls , poet and rap artist Saul Williams describes how his writing was transformed by a dance club experience in which the club's beats reset his biorhythms. He writes, Hail Mary. Mother of God. / Got the whole host of angels in my iPod (Williams, 2006:16). Then, later, Neck back jump kiss BREAK. / Uprock freeze pop lock BREAK. / Don't stop don'…

  • Symbolic Revolutions

    Evelyn Nien-Ming Ch’ien, Evelyn Nien-Ming Ch'Ien•ARTICLE•Wasafiri•2008

  • Intimate Decisions

    Evelyn Nien-Ming Ch’ien, Evelyn Nien-Ming Ch''Ien et al.•ARTICLE•CR The New Centennial Review•2006

    Intimate Decisions:Racial Profiling after September 11 and in the Case of Wen Ho Lee Evelyn Nien-Ming Ch’ien (bio) [T]he category of men who formulate claims, and everything else, the men who have the monopoly of language, is a category of privileged people. Simone Weil This article argues for a more intimate1 representation of minority groups by the media, focusing on the case of Wen Ho Lee. It outlines the role of intimacy in the formation of m…

No prominent works on this page.

  • Intimate Decisions

    Evelyn Nien-Ming Ch’ien, Evelyn Nien-Ming Ch''Ien et al.•ARTICLE•CR The New Centennial Review•2006

    Intimate Decisions:Racial Profiling after September 11 and in the Case of Wen Ho Lee Evelyn Nien-Ming Ch’ien (bio) [T]he category of men who formulate claims, and everything else, the men who have the monopoly of language, is a category of privileged people. Simone Weil This article argues for a more intimate1 representation of minority groups by the media, focusing on the case of Wen Ho Lee. It outlines the role of intimacy in the formation of m…

  • English is getting weirder, and so R wee

    Open Access•Evelyn Nien-Ming Ch’ien, Evelyn Nien-Ming Ch'Ien•ARTICLE•English Today•2008

    An exploration of how technology is making English – and the human race – evolve. In The Dead Emcee Scrolls , poet and rap artist Saul Williams describes how his writing was transformed by a dance club experience in which the club's beats reset his biorhythms. He writes, Hail Mary. Mother of God. / Got the whole host of angels in my iPod (Williams, 2006:16). Then, later, Neck back jump kiss BREAK. / Uprock freeze pop lock BREAK. / Don't stop don'…

  • Symbolic Revolutions

    Evelyn Nien-Ming Ch’ien, Evelyn Nien-Ming Ch'Ien•ARTICLE•Wasafiri•2008

  • Creative technology and rap

    Open Access•Evelyn Nien-Ming Ch’ien, EVELYN CH’IEN•ARTICLE•World Englishes•2011

    This paper describes how a linguistic form, rap, can evolve in tandem with technological advances and manifest human‐machine creativity. Rather than assuming that the interplay between machines and technology makes humans robotic or machine‐like, the paper explores how the pressure of executing artistic visions using technology can drive humans—in this case rappers and scratchers—to be extremely creative. Technology, which is largely the source f…

  • Reinventing Translation

    Evelyn Nien-Ming Ch’ien, Evelyn Ch'ien•ARTICLE•CR The New Centennial Review•2016

    Research Article| March 01 2016 Reinventing Translation: Icons and Dictionaries Evelyn Nien-Ming Ch’ien Evelyn Nien-Ming Ch’ien Jean Moulin Université Lyon III, Lyon, France Search for other works by this author on: This Site Google CR: The New Centennial Review (2016) 16 (1): 37–64. https://doi.org/10.14321/crnewcentrevi.16.1.0037 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Evelyn Nien-Ming C…

Art (4 works) · Computer Science (4 works) · History (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works) · Linguistics (2 works) · Media studies (2 works)

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