Julian Orbon
Biographic Data
| ID | 1383928 |
|---|---|
| NAME | Julian Orbon |
| GIVEN NAMES | Julian |
| FAMILY NAME | Orbon |
| SIGNATURE | ORBON J |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
In the Essence of Styles
IN THE PROLOGUE TO KAFKA'S AMERIKA, VOGELMAN, AFTER HIS APPROPRIATE recollection of Dostoyevsky, cites J. S. Bach. The strangeness of this quote moves us. Eisenstein also moves us when he talks about the whiteness of Moby Dick. Taking these relationships as our point of departure, we name two essences: exactitude and infinity, which define for us the vulnerability of man in this world. Upon this foundation, upon the exact notion of the infinity o…
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
In the Essence of Styles
IN THE PROLOGUE TO KAFKA'S AMERIKA, VOGELMAN, AFTER HIS APPROPRIATE recollection of Dostoyevsky, cites J. S. Bach. The strangeness of this quote moves us. Eisenstein also moves us when he talks about the whiteness of Moby Dick. Taking these relationships as our point of departure, we name two essences: exactitude and infinity, which define for us the vulnerability of man in this world. Upon this foundation, upon the exact notion of the infinity o…
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Art (2 works) · Literature (2 works) · Political science (2 works) · 20th century (1 work) · Art history (1 work) · biography (1 work) · Carlos Chávez (1899-1978) (1 work) · CITES (1 work) · Composers (1 work) · Criticism and interpretation (1 work)