Stephanie Takaragawa
Biographic Data
| ID | 139300 |
|---|---|
| NAME | Stephanie Takaragawa |
| GIVEN NAMES | Stephanie |
| FAMILY NAME | Takaragawa |
| SIGNATURE | TAKARAGAWA S |
| AFFILIATIONS | Chapman University |
| ORCID | 0000-0002-8756-9456 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 40 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 2 |
Bad Habitus
The recent reframing of the Visual Anthropology section in American Anthropologist was motivated by a sense that new technologies have democratizing power and that through multimodal forms we can address a shift toward engagement and collaboration in anthropological research (Collins, Durington, and Gill 2017). Our purpose in this essay is to engage and expand the discussion raised by Samuel Collins, Matthew Durington, and Harjant Gill in their 2…
Exploring the Links of Contemporary Art and Anthropology
The ethnographic turn and sensory ethnography have become the impetus to re-examine anthropology as a discipline, its boundaries, and its epistemologies. Recent work has drawn attention to similarities between ethnographic practice and contemporary art, and generative work towards explicative ethnography, through new communicative visual, sensorial, and aural forms. Contemporary artist Lia Halloran's exploration of generative notions of “scientis…
Not for Sale
On March 5, 2015, Eve M. Kahn's “Newsworthy Notes” in the Antiques section of the New York Times included an announcement for a local auction alongside two short articles, “Remembering Ragtime” and
A Handmade Life
Air Pressure
Between Art and Anthropology
Additional informationNotes on contributorsStephanie TakaragawaDepartment of Sociology, Chapman University, Orange, CA, USA [email protected]
Ethnographic Terminalia
Ethnographic Terminalia is a collective project that brings together art and anthropology within the gallery space. This article traces the origin of the project, its past and current exhibitions, and situates for the reader the scope of how various projects from installations, to sound works, sculptures, photography, film, community‐based works, material culture, and performance transcend the borders of art and anthropology. The essays that foll…
Ethnographic Terminalia 2010
The projects presented in Ethnographic Terminalia 2010: New Orleans—27 Works contextualize each work within the 2010 exhibition installed in New Orleans at the Du Mois Gallery. The summary of each project in this article captures the methodology of research that informs the conversation between art and anthropology, as well as demonstrating the full scope of the exhibition that includes works from film to photography, material culture, installati…
The Japanese American National Museum and the Construetion of Identity
Art and Agency An Anthropological Theory
Art and Agency: An Anthropological Theory. Alfred Gell. Oxford:Clarendon Press, 1998. 296 pp. 106 ill
Bad Habitus
The recent reframing of the Visual Anthropology section in American Anthropologist was motivated by a sense that new technologies have democratizing power and that through multimodal forms we can address a shift toward engagement and collaboration in anthropological research (Collins, Durington, and Gill 2017). Our purpose in this essay is to engage and expand the discussion raised by Samuel Collins, Matthew Durington, and Harjant Gill in their 2…
Ethnographic Terminalia
Ethnographic Terminalia is a collective project that brings together art and anthropology within the gallery space. This article traces the origin of the project, its past and current exhibitions, and situates for the reader the scope of how various projects from installations, to sound works, sculptures, photography, film, community‐based works, material culture, and performance transcend the borders of art and anthropology. The essays that foll…
Not for Sale
On March 5, 2015, Eve M. Kahn's “Newsworthy Notes” in the Antiques section of the New York Times included an announcement for a local auction alongside two short articles, “Remembering Ragtime” and
Air Pressure
Art and Agency An Anthropological Theory
Art and Agency: An Anthropological Theory. Alfred Gell. Oxford:Clarendon Press, 1998. 296 pp. 106 ill
Art and Agency An Anthropological Theory
Art and Agency: An Anthropological Theory. Alfred Gell. Oxford:Clarendon Press, 1998. 296 pp. 106 ill
The Japanese American National Museum and the Construetion of Identity
Ethnographic Terminalia
Ethnographic Terminalia is a collective project that brings together art and anthropology within the gallery space. This article traces the origin of the project, its past and current exhibitions, and situates for the reader the scope of how various projects from installations, to sound works, sculptures, photography, film, community‐based works, material culture, and performance transcend the borders of art and anthropology. The essays that foll…
Ethnographic Terminalia 2010
The projects presented in Ethnographic Terminalia 2010: New Orleans—27 Works contextualize each work within the 2010 exhibition installed in New Orleans at the Du Mois Gallery. The summary of each project in this article captures the methodology of research that informs the conversation between art and anthropology, as well as demonstrating the full scope of the exhibition that includes works from film to photography, material culture, installati…
Air Pressure
Between Art and Anthropology
Additional informationNotes on contributorsStephanie TakaragawaDepartment of Sociology, Chapman University, Orange, CA, USA [email protected]
A Handmade Life
Not for Sale
On March 5, 2015, Eve M. Kahn's “Newsworthy Notes” in the Antiques section of the New York Times included an announcement for a local auction alongside two short articles, “Remembering Ragtime” and
Exploring the Links of Contemporary Art and Anthropology
The ethnographic turn and sensory ethnography have become the impetus to re-examine anthropology as a discipline, its boundaries, and its epistemologies. Recent work has drawn attention to similarities between ethnographic practice and contemporary art, and generative work towards explicative ethnography, through new communicative visual, sensorial, and aural forms. Contemporary artist Lia Halloran's exploration of generative notions of “scientis…
Bad Habitus
The recent reframing of the Visual Anthropology section in American Anthropologist was motivated by a sense that new technologies have democratizing power and that through multimodal forms we can address a shift toward engagement and collaboration in anthropological research (Collins, Durington, and Gill 2017). Our purpose in this essay is to engage and expand the discussion raised by Samuel Collins, Matthew Durington, and Harjant Gill in their 2…
Sociology (7 works) · Anthropology (6 works) · Art (6 works) · History (5 works) · Computer Science (4 works) · History (4 works) · Museums and Cultural Heritage (4 works) · Photography and Visual Culture (4 works) · Art history (3 works) · Cultural Heritage Management and Preservation (3 works)