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Victoria Dickenson

Biographic Data

ID1394529
NAMEVictoria Dickenson
GIVEN NAMESVictoria
FAMILY NAMEDickenson
SIGNATUREDICKENSON V
AFFILIATIONSMcCord Museum
ORCID0000-0001-5537-477X
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS2
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Trust, value, and public opinion

    Open Access•Victoria Dickenson•ARTICLE•Curator The Museum Journal•2024

    How do museum professionals know that the institutions they serve are valued by the public? And who are the public or publics being served? Why should museums be trusted? It can be argued that one of the most important elements of professional knowledge is an understanding of the publics we serve and what the people who constitute these publics value in, and about museums. Despite its importance, the question has been little studied. This paper u…

  • Lady Gwillim and the birds of Madras

    Open Access•Victoria Dickenson•ARTICLE•Notes and Records the Royal…•2023

    In 1924 Casey Wood, founder of the Blacker Wood Library at McGill University in Montreal, acquired a large portfolio of paintings of Indian birds from an antiquarian dealer in London, England. In addition to 121 watercolours of birds, the portfolio contained a dozen botanical sketches and 31 watercolours of Indian fish. After further research, Wood concluded that the birds had been painted by Lady Elizabeth Gwillim (1763–1807), the wife of a Supr…

  • Taylor White's ‘paper museum’

    Open Access•Victoria Dickenson, Jennifer Garland•ARTICLE•Notes and Records the Royal…•2021

    For almost 40 years, the British jurist and Fellow of the Royal Society Taylor White (1701–1772) actively engaged in commissioning artists to paint plants and animals for his ‘paper museum’. White amassed a collection of almost 1000 drawings of birds, mammals, fish, amphibians and reptiles, acquired by McGill University in 1927. His first recorded purchase was a watercolour by George Edwards (1694–1773). He also acquired works from Eleazar Albin …

  • Introduction

    Open Access•Victoria Dickenson•ARTICLE•Notes and Records the Royal…•2021

  • Obliging and curious

    Open Access•Victoria Dickenson•ARTICLE•Notes and Records the Royal…•2021

    Taylor White (1701-1772) was by profession a barrister and judge, active in public life in London. His life as a jurist and as the long-serving treasurer of the Foundling Hospital is documented in the records of his public appointments and in his own official correspondence. This article reveals the other Taylor White, a Fellow of the Royal Society (1725), and an active participant in the practice of science in the mid eighteenth century. White a…

  • A Summer in Newfoundland

    Victoria Dickenson•ARTICLE•Gastronomica The Journal of Food…•2020

    Research Article| February 01 2020 A Summer in Newfoundland: Living Somewhat Locally Victoria Dickenson Victoria Dickenson After a long career in museums, Victoria Dickenson has returned to first loves—old books and new histories. She is Adjunct Professor, Rare Books and Special Collections, McGill University Library, specializing in the history of natural history, with an avid interest in culinary history, and a strong desire to be in the kitche…

  • The contemporary museum

    Victoria Dickenson•ARTICLE•Museum Management and Curatorship•2019•References: 1

  • Call the lost dream back

    Victoria Dickenson•ARTICLE•Museum Management and Curatorship•2011

  • A Veritable Scoff

    Open Access•Victoria Dickenson•ARTICLE•Cuizine The Journal of Canadian…•2010

    A Veritable Scoff: Sources on Foodways and Nutrition in Newfoundland and Labrador, Maura Hanrahan and Marg Ewtushik, Flanker Press, 2001, 110 pages. Un article de la revue Cuizine (Volume 2, numéro 1, 2009) diffusée par la plateforme Érudit

  • Cartier, Champlain, and the Fruits of the New World

    Open Access•Victoria Dickenson•ARTICLE•Scientia Canadensis Canadian…•2009•Cited by: 2•References: 1

    Much has been written of the Columbian exchange, the transfer between New World and Old of people, pathogens, flora and fauna. The biota of two hemispheres, once seemingly irredeemably separated, were interpenetrated, both through accident and through human agency. Part of this exchange involved medicinal and food plants, discovered in the New World and adopted into the Old. This paper examines the translation of a number of New World plants that…

  • Introduction. Natural Science in the New World

    Open Access•Victoria Dickenson, Elsbeth Heaman•ARTICLE•Scientia Canadensis Canadian…•2008

  • A Trip to China

    Victoria Dickenson•ARTICLE•Museum Management and Curatorship•2007

  • Canadian Content

    Victoria Dickenson•ARTICLE•Canadian Journal of Communication•2002

    This article asserts that to make Canada's presence felt, we must understand the importance of the base-level information held by the country's preserving institutions (museums, libraries, and archives), and government must fund them to make their rich database content accessible on-line. The author suggests that Canada's meagre Internet presence can be strengthened by developing authoritative databases of Canadian literature, history, and art in…

  • Cartier, Champlain, and the Fruits of the New World

    Open Access•Victoria Dickenson•ARTICLE•Scientia Canadensis Canadian…•2009•Cited by: 2•References: 1

    Much has been written of the Columbian exchange, the transfer between New World and Old of people, pathogens, flora and fauna. The biota of two hemispheres, once seemingly irredeemably separated, were interpenetrated, both through accident and through human agency. Part of this exchange involved medicinal and food plants, discovered in the New World and adopted into the Old. This paper examines the translation of a number of New World plants that…

  • Canadian Content

    Victoria Dickenson•ARTICLE•Canadian Journal of Communication•2002

    This article asserts that to make Canada's presence felt, we must understand the importance of the base-level information held by the country's preserving institutions (museums, libraries, and archives), and government must fund them to make their rich database content accessible on-line. The author suggests that Canada's meagre Internet presence can be strengthened by developing authoritative databases of Canadian literature, history, and art in…

  • A Trip to China

    Victoria Dickenson•ARTICLE•Museum Management and Curatorship•2007

  • Introduction. Natural Science in the New World

    Open Access•Victoria Dickenson, Elsbeth Heaman•ARTICLE•Scientia Canadensis Canadian…•2008

  • Cartier, Champlain, and the Fruits of the New World

    Open Access•Victoria Dickenson•ARTICLE•Scientia Canadensis Canadian…•2009•Cited by: 2•References: 1

    Much has been written of the Columbian exchange, the transfer between New World and Old of people, pathogens, flora and fauna. The biota of two hemispheres, once seemingly irredeemably separated, were interpenetrated, both through accident and through human agency. Part of this exchange involved medicinal and food plants, discovered in the New World and adopted into the Old. This paper examines the translation of a number of New World plants that…

  • A Veritable Scoff

    Open Access•Victoria Dickenson•ARTICLE•Cuizine The Journal of Canadian…•2010

    A Veritable Scoff: Sources on Foodways and Nutrition in Newfoundland and Labrador, Maura Hanrahan and Marg Ewtushik, Flanker Press, 2001, 110 pages. Un article de la revue Cuizine (Volume 2, numéro 1, 2009) diffusée par la plateforme Érudit

  • Call the lost dream back

    Victoria Dickenson•ARTICLE•Museum Management and Curatorship•2011

  • The contemporary museum

    Victoria Dickenson•ARTICLE•Museum Management and Curatorship•2019•References: 1

  • A Summer in Newfoundland

    Victoria Dickenson•ARTICLE•Gastronomica The Journal of Food…•2020

    Research Article| February 01 2020 A Summer in Newfoundland: Living Somewhat Locally Victoria Dickenson Victoria Dickenson After a long career in museums, Victoria Dickenson has returned to first loves—old books and new histories. She is Adjunct Professor, Rare Books and Special Collections, McGill University Library, specializing in the history of natural history, with an avid interest in culinary history, and a strong desire to be in the kitche…

  • Taylor White's ‘paper museum’

    Open Access•Victoria Dickenson, Jennifer Garland•ARTICLE•Notes and Records the Royal…•2021

    For almost 40 years, the British jurist and Fellow of the Royal Society Taylor White (1701–1772) actively engaged in commissioning artists to paint plants and animals for his ‘paper museum’. White amassed a collection of almost 1000 drawings of birds, mammals, fish, amphibians and reptiles, acquired by McGill University in 1927. His first recorded purchase was a watercolour by George Edwards (1694–1773). He also acquired works from Eleazar Albin …

  • Introduction

    Open Access•Victoria Dickenson•ARTICLE•Notes and Records the Royal…•2021

  • Obliging and curious

    Open Access•Victoria Dickenson•ARTICLE•Notes and Records the Royal…•2021

    Taylor White (1701-1772) was by profession a barrister and judge, active in public life in London. His life as a jurist and as the long-serving treasurer of the Foundling Hospital is documented in the records of his public appointments and in his own official correspondence. This article reveals the other Taylor White, a Fellow of the Royal Society (1725), and an active participant in the practice of science in the mid eighteenth century. White a…

  • Lady Gwillim and the birds of Madras

    Open Access•Victoria Dickenson•ARTICLE•Notes and Records the Royal…•2023

    In 1924 Casey Wood, founder of the Blacker Wood Library at McGill University in Montreal, acquired a large portfolio of paintings of Indian birds from an antiquarian dealer in London, England. In addition to 121 watercolours of birds, the portfolio contained a dozen botanical sketches and 31 watercolours of Indian fish. After further research, Wood concluded that the birds had been painted by Lady Elizabeth Gwillim (1763–1807), the wife of a Supr…

  • Trust, value, and public opinion

    Open Access•Victoria Dickenson•ARTICLE•Curator The Museum Journal•2024

    How do museum professionals know that the institutions they serve are valued by the public? And who are the public or publics being served? Why should museums be trusted? It can be argued that one of the most important elements of professional knowledge is an understanding of the publics we serve and what the people who constitute these publics value in, and about museums. Despite its importance, the question has been little studied. This paper u…

History (7 works) · Archaeology (5 works) · Art (5 works) · Political science (5 works) · Sociology (4 works) · Visual arts (4 works) · Art history (3 works) · Biology (3 works) · Aesthetics (2 works) · Computer Science (2 works)

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