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Silvia Prati

Biographic Data

ID139465
NAMESilvia Prati
GIVEN NAMESSilvia
FAMILY NAMEPrati
SIGNATUREPRATI S
AFFILIATIONSUniversity of Bologna
ORCID0000-0002-9974-731X
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS11
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2025
H-INDEX2
  • A new deep eutectic solvent-based green gel for the removal of polymeric coating from mural painting

    Open Access•Yiming Jia, Liangshuai Zhang et al.•ARTICLE•Journal of Cultural Heritage•2025

  • Non-destructive, portable approach as pre-screening tool for archaeological burnt bones

    Open Access•Lucrezia Gatti, Zohreh Chahardoli et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 45

    Ancient bones are archives of information to reconstruct past life. However, detecting the organic content and the crystallinity changes of bone apatite post-mortem alteration becomes more challenging when burial conditions are coupled with thermal degradation. The present study proposed a non-invasive pre-screening method to distinguish burnt bones based on diagnostic spectral features, using a reflectance portable FT-IR spectrometer (650–5500 c…

  • A typical postwar workshop

    Open Access•Lauren Dalecky, Ilaria Bonaduce et al.•ARTICLE•Journal of Cultural Heritage•2024•Cited by: 1

    Simon Hantaï (1922–2008) was a highly influential postwar painter in Paris whose innovative serial practice, creative curiosity and theoretical convictions inspired a number of his contemporaries. His art media are typical of the period, consisting of commercial artists’ products, sold in tubes and cans, which were available to artists in Europe and beyond. We have studied a series of samples from the brands Lefebvre-Foinet, Lefranc & Bourgeois a…

  • Deep eutectic solvent and agar

    Open Access•Yiming Jia, Giorgia Sciutto et al.•ARTICLE•Journal of Cultural Heritage•2021•Cited by: 1•References: 34

  • Chinese archaeological artefacts

    Marta Quaranta, Emilio Catelli et al.•ARTICLE•Journal of Cultural Heritage•2014•Cited by: 2•References: 8

  • Pigment identification in a Greek icon by optical microscopy and infrared microspectroscopy

    Open Access•Dimitra Kovala-Demertzi, Leuteris Papathanasis et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 4•References: 10

  • Vaterite in the mortars of a mosaic in the Saint Peter basilica, Vatican (Rome)

    Open Access•Cesare Fiori, Mariangela Vandini et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 3

  • Use of pyrolysis-gas chromatography/mass spectrometry to characterise binding media and protectives from a Coronelli’s terrestrial globe

    Open Access•G Chiavari, Daniele Fabbri et al.•ARTICLE•Journal of Cultural Heritage•2006

  • Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China

    Open Access•Rocco Mazzeo, Darinn Cam et al.•ARTICLE•Journal of Cultural Heritage•2004

  • Pigment identification in a Greek icon by optical microscopy and infrared microspectroscopy

    Open Access•Dimitra Kovala-Demertzi, Leuteris Papathanasis et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 4•References: 10

  • Vaterite in the mortars of a mosaic in the Saint Peter basilica, Vatican (Rome)

    Open Access•Cesare Fiori, Mariangela Vandini et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 3

  • Chinese archaeological artefacts

    Marta Quaranta, Emilio Catelli et al.•ARTICLE•Journal of Cultural Heritage•2014•Cited by: 2•References: 8

  • A typical postwar workshop

    Open Access•Lauren Dalecky, Ilaria Bonaduce et al.•ARTICLE•Journal of Cultural Heritage•2024•Cited by: 1

    Simon Hantaï (1922–2008) was a highly influential postwar painter in Paris whose innovative serial practice, creative curiosity and theoretical convictions inspired a number of his contemporaries. His art media are typical of the period, consisting of commercial artists’ products, sold in tubes and cans, which were available to artists in Europe and beyond. We have studied a series of samples from the brands Lefebvre-Foinet, Lefranc & Bourgeois a…

  • Deep eutectic solvent and agar

    Open Access•Yiming Jia, Giorgia Sciutto et al.•ARTICLE•Journal of Cultural Heritage•2021•Cited by: 1•References: 34

  • Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China

    Open Access•Rocco Mazzeo, Darinn Cam et al.•ARTICLE•Journal of Cultural Heritage•2004

  • Use of pyrolysis-gas chromatography/mass spectrometry to characterise binding media and protectives from a Coronelli’s terrestrial globe

    Open Access•G Chiavari, Daniele Fabbri et al.•ARTICLE•Journal of Cultural Heritage•2006

  • Vaterite in the mortars of a mosaic in the Saint Peter basilica, Vatican (Rome)

    Open Access•Cesare Fiori, Mariangela Vandini et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 3

  • Pigment identification in a Greek icon by optical microscopy and infrared microspectroscopy

    Open Access•Dimitra Kovala-Demertzi, Leuteris Papathanasis et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 4•References: 10

  • Chinese archaeological artefacts

    Marta Quaranta, Emilio Catelli et al.•ARTICLE•Journal of Cultural Heritage•2014•Cited by: 2•References: 8

  • Deep eutectic solvent and agar

    Open Access•Yiming Jia, Giorgia Sciutto et al.•ARTICLE•Journal of Cultural Heritage•2021•Cited by: 1•References: 34

  • A typical postwar workshop

    Open Access•Lauren Dalecky, Ilaria Bonaduce et al.•ARTICLE•Journal of Cultural Heritage•2024•Cited by: 1

    Simon Hantaï (1922–2008) was a highly influential postwar painter in Paris whose innovative serial practice, creative curiosity and theoretical convictions inspired a number of his contemporaries. His art media are typical of the period, consisting of commercial artists’ products, sold in tubes and cans, which were available to artists in Europe and beyond. We have studied a series of samples from the brands Lefebvre-Foinet, Lefranc & Bourgeois a…

  • A new deep eutectic solvent-based green gel for the removal of polymeric coating from mural painting

    Open Access•Yiming Jia, Liangshuai Zhang et al.•ARTICLE•Journal of Cultural Heritage•2025

  • Non-destructive, portable approach as pre-screening tool for archaeological burnt bones

    Open Access•Lucrezia Gatti, Zohreh Chahardoli et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 45

    Ancient bones are archives of information to reconstruct past life. However, detecting the organic content and the crystallinity changes of bone apatite post-mortem alteration becomes more challenging when burial conditions are coupled with thermal degradation. The present study proposed a non-invasive pre-screening method to distinguish burnt bones based on diagnostic spectral features, using a reflectance portable FT-IR spectrometer (650–5500 c…

Building materials and conservation (6 works) · Cultural Heritage Materials Analysis (6 works) · Chemistry (5 works) · Materials Science (5 works) · Archaeology (4 works) · Art (4 works) · Composite material (4 works) · Conservation Techniques and Studies (3 works) · Engineering (3 works) · Forensic engineering (3 works)

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