Hodel Ophir
Biographic Data
| ID | 139484 |
|---|---|
| NAME | Hodel Ophir |
| GIVEN NAMES | Hodel |
| FAMILY NAME | Ophir |
| SIGNATURE | OPHIR H |
| AFFILIATIONS | Hebrew University of Jerusalem |
| ORCID | 0000-0003-2528-7987 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Rerooted and Reimagined
Manar Hasan employs the term “memoricide” to describe the systematic eradication of Palestinian society from modern memory, a process, she points out, that occurred not only through the destruction of its major cities, but also through the erasure from public consciousness the inhabitants of those cities, and specifically the Palestinian women who once played highly visible, integral roles within them. This paper enters into conversation with Has…
Dancing to Transgress
As a woman Palestinian dancer and choreographer in Israel, Sahar Damoni performs within multiple contexts of cultural, gendered, and political oppression, employing her bodily art to challenge these structures, most poignantly through dances that express and evoke pleasure and sensual joy. Offering a detailed ethnography of three of Damoni's performances within one year in Israel/Palestine, I argue that an examination of her artistry provides uni…
The Signature of the Moving Body
Through an ethnographic study of dance teachers in Israel, this article calls attention to the teaching body as an active social agent and introduces the concept of body signature. It examines the bodily comportment of three dance teachers, arguing for embodied education ideologies, and the ability of teachers to maneuver within these concepts and reshape them. The article provides a valuable lens through which to explore the dynamics of educatin…
Experiencing Dance in Arabic-Speaking Cultures
NotesSee, for example, Tamar B. Zilber, Rivka Tuval-Mashiach, and Amia Lieblich, “The Embedded Narrative: Navigating through Multiple Contexts,” Qualitative Inquiry, vol. 14, no. 6 (2008): 1047–69
The Signature of the Moving Body
Through an ethnographic study of dance teachers in Israel, this article calls attention to the teaching body as an active social agent and introduces the concept of body signature. It examines the bodily comportment of three dance teachers, arguing for embodied education ideologies, and the ability of teachers to maneuver within these concepts and reshape them. The article provides a valuable lens through which to explore the dynamics of educatin…
Experiencing Dance in Arabic-Speaking Cultures
NotesSee, for example, Tamar B. Zilber, Rivka Tuval-Mashiach, and Amia Lieblich, “The Embedded Narrative: Navigating through Multiple Contexts,” Qualitative Inquiry, vol. 14, no. 6 (2008): 1047–69
The Signature of the Moving Body
Through an ethnographic study of dance teachers in Israel, this article calls attention to the teaching body as an active social agent and introduces the concept of body signature. It examines the bodily comportment of three dance teachers, arguing for embodied education ideologies, and the ability of teachers to maneuver within these concepts and reshape them. The article provides a valuable lens through which to explore the dynamics of educatin…
Dancing to Transgress
As a woman Palestinian dancer and choreographer in Israel, Sahar Damoni performs within multiple contexts of cultural, gendered, and political oppression, employing her bodily art to challenge these structures, most poignantly through dances that express and evoke pleasure and sensual joy. Offering a detailed ethnography of three of Damoni's performances within one year in Israel/Palestine, I argue that an examination of her artistry provides uni…
Rerooted and Reimagined
Manar Hasan employs the term “memoricide” to describe the systematic eradication of Palestinian society from modern memory, a process, she points out, that occurred not only through the destruction of its major cities, but also through the erasure from public consciousness the inhabitants of those cities, and specifically the Palestinian women who once played highly visible, integral roles within them. This paper enters into conversation with Has…
Art (4 works) · Dance (4 works) · Diversity and Impact of Dance (4 works) · Sociology (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Political science (3 works) · Anthropology (2 works) · Ethnography (2 works) · Gender Studies (2 works)