Kimberly Christen
Biographic Data
| ID | 139503 |
|---|---|
| NAME | Kimberly Christen |
| GIVEN NAMES | Kimberly |
| FAMILY NAME | Christen |
| SIGNATURE | CHRISTEN K |
| AFFILIATIONS | Washington State University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 163 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 8 |
Toward slow archives
Relationships, Not Records
Although physical archives were never intended to be input, they are often defined as places where one deposits materials. Over the last 10 years, however, with digital tools and platforms that rely on user-generated content growing in popularity, curation has been linked to an outward-facing public view. In digital humanities and media studies, using archival content or generating one’s own archive has become prevalent. Remixing content from onl…
After the Return
On 19 January 2012, the workshop After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge was held at the Smithsonian Institution's National Museum of Natural History in Washington DC. With support from the National Science Foundation and the Smithsonian's Understanding the American Experience and Valuing World Cultures Consortia, this workshop brought together twenty-eight international participants for a debate around …
Access and Accountability: The Ecology of Information Sharing in the Digital Age
Anthropology of/in Circulation: The Future of Open Access and Scholarly Societies
In a conversation format, seven anthropologists with extensive expertise in new digital technologies, intellectual property, and journal publishing discuss issues related to open access, the anthropology of information circulation, and the future of scholarly societies. Among the topics discussed are current anthropological research on open source and open access; the effects of open access on traditional anthropological topics; the creation of c…
Following the Nyinkka: Relations of Respect and Obligations to Act in the Collaborative Work of Aboriginal Cultural Centers
In July 2003 the Warumungu Aboriginal community opened the Nyinkka Nyunyu Art and Culture Centre in Tennant Creek, Northern Territory, Australia. Nyinkka Nyunyu is a Warumungu community center, museum, and tourist destination. As such it embodies the eclectic and practical modalities of Aboriginal business. This article examines the practices of Aboriginal representation and self-determination through the behind-the-scenes work of community consu…
Ara Irititja: Protecting the Past, Accessing the Future-Indigenous Memories in a Digital Age
Ara Irititja: Protecting the Past, Accessing the Future-Indigenous Memories in. Digital Age. digital archive project of the Pitjantjatjara Council.KIMBERLYCHRISTEN
Tracking Properness: Repackaging Culture in a Remote Australian Town
Indigenous people around the world have used the contemporary convergence of a global tourist market, increasingly available recording technologies, and ambivalent national desires for reconciliation to repackage their traditional cultural knowledge. This article examines the production and circulation of an internationally available compact disc containing Warumungu women's dreaming songs. Tracking its production, circulation, and ongoing insert…
Gone Digital: Aboriginal Remix and the Cultural Commons
Recently thecommonshas become a predominant metaphor for the types of social relationships between people, ideas, and new digital technologies. In IP debates, the commons signifies openness, the exclusion of intermediaries, and remix culture that is creative, innovative, and politically disobedient. This article examines the material and social implications of these debates (and the legal copyright regimes they interact with) in the translation a…
Gone Digital: Aboriginal Remix and the Cultural Commons
Recently thecommonshas become a predominant metaphor for the types of social relationships between people, ideas, and new digital technologies. In IP debates, the commons signifies openness, the exclusion of intermediaries, and remix culture that is creative, innovative, and politically disobedient. This article examines the material and social implications of these debates (and the legal copyright regimes they interact with) in the translation a…
Toward slow archives
After the Return
On 19 January 2012, the workshop After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge was held at the Smithsonian Institution's National Museum of Natural History in Washington DC. With support from the National Science Foundation and the Smithsonian's Understanding the American Experience and Valuing World Cultures Consortia, this workshop brought together twenty-eight international participants for a debate around …
Anthropology of/in Circulation: The Future of Open Access and Scholarly Societies
In a conversation format, seven anthropologists with extensive expertise in new digital technologies, intellectual property, and journal publishing discuss issues related to open access, the anthropology of information circulation, and the future of scholarly societies. Among the topics discussed are current anthropological research on open source and open access; the effects of open access on traditional anthropological topics; the creation of c…
Ara Irititja: Protecting the Past, Accessing the Future-Indigenous Memories in a Digital Age
Ara Irititja: Protecting the Past, Accessing the Future-Indigenous Memories in. Digital Age. digital archive project of the Pitjantjatjara Council.KIMBERLYCHRISTEN
Access and Accountability: The Ecology of Information Sharing in the Digital Age
Tracking Properness: Repackaging Culture in a Remote Australian Town
Indigenous people around the world have used the contemporary convergence of a global tourist market, increasingly available recording technologies, and ambivalent national desires for reconciliation to repackage their traditional cultural knowledge. This article examines the production and circulation of an internationally available compact disc containing Warumungu women's dreaming songs. Tracking its production, circulation, and ongoing insert…
Following the Nyinkka: Relations of Respect and Obligations to Act in the Collaborative Work of Aboriginal Cultural Centers
In July 2003 the Warumungu Aboriginal community opened the Nyinkka Nyunyu Art and Culture Centre in Tennant Creek, Northern Territory, Australia. Nyinkka Nyunyu is a Warumungu community center, museum, and tourist destination. As such it embodies the eclectic and practical modalities of Aboriginal business. This article examines the practices of Aboriginal representation and self-determination through the behind-the-scenes work of community consu…
Gone Digital: Aboriginal Remix and the Cultural Commons
Recently thecommonshas become a predominant metaphor for the types of social relationships between people, ideas, and new digital technologies. In IP debates, the commons signifies openness, the exclusion of intermediaries, and remix culture that is creative, innovative, and politically disobedient. This article examines the material and social implications of these debates (and the legal copyright regimes they interact with) in the translation a…
Ara Irititja: Protecting the Past, Accessing the Future-Indigenous Memories in a Digital Age
Ara Irititja: Protecting the Past, Accessing the Future-Indigenous Memories in. Digital Age. digital archive project of the Pitjantjatjara Council.KIMBERLYCHRISTEN
Tracking Properness: Repackaging Culture in a Remote Australian Town
Indigenous people around the world have used the contemporary convergence of a global tourist market, increasingly available recording technologies, and ambivalent national desires for reconciliation to repackage their traditional cultural knowledge. This article examines the production and circulation of an internationally available compact disc containing Warumungu women's dreaming songs. Tracking its production, circulation, and ongoing insert…
Following the Nyinkka: Relations of Respect and Obligations to Act in the Collaborative Work of Aboriginal Cultural Centers
In July 2003 the Warumungu Aboriginal community opened the Nyinkka Nyunyu Art and Culture Centre in Tennant Creek, Northern Territory, Australia. Nyinkka Nyunyu is a Warumungu community center, museum, and tourist destination. As such it embodies the eclectic and practical modalities of Aboriginal business. This article examines the practices of Aboriginal representation and self-determination through the behind-the-scenes work of community consu…
Anthropology of/in Circulation: The Future of Open Access and Scholarly Societies
In a conversation format, seven anthropologists with extensive expertise in new digital technologies, intellectual property, and journal publishing discuss issues related to open access, the anthropology of information circulation, and the future of scholarly societies. Among the topics discussed are current anthropological research on open source and open access; the effects of open access on traditional anthropological topics; the creation of c…
Access and Accountability: The Ecology of Information Sharing in the Digital Age
After the Return
On 19 January 2012, the workshop After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge was held at the Smithsonian Institution's National Museum of Natural History in Washington DC. With support from the National Science Foundation and the Smithsonian's Understanding the American Experience and Valuing World Cultures Consortia, this workshop brought together twenty-eight international participants for a debate around …
Relationships, Not Records
Although physical archives were never intended to be input, they are often defined as places where one deposits materials. Over the last 10 years, however, with digital tools and platforms that rely on user-generated content growing in popularity, curation has been linked to an outward-facing public view. In digital humanities and media studies, using archival content or generating one’s own archive has become prevalent. Remixing content from onl…
Toward slow archives
Diverse Musicological Studies (5 works) · Sociology (5 works) · Digital and Traditional Archives Management (4 works) · Law (4 works) · Law (4 works) · Media studies (4 works) · Political science (4 works) · Anthropological Studies and Insights (3 works) · Anthropology (3 works) · Cultural Heritage Management and Preservation (3 works)