Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Deborah Dixon

Biographic Data

ID139506
NAMEDeborah Dixon
GIVEN NAMESDeborah
FAMILY NAMEDixon
SIGNATUREDIXON D
AFFILIATIONSUniversity of Glasgow
ORCID0000-0003-0846-6959
VERIFIEDYes
TOTAL WORKS46
TOTAL CITATIONS471
AUTHOR COUNT46
EDITOR COUNT0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2025
H-INDEX12
  • Working with “Safety”: Researching Oil-Spill-Impacted Communities in the Niger Delta

    Open Access•Seyi Adewale Adebangbe, Deborah Dixon et al.•ARTICLE•The Professional Geographer•2025

    Through the example of research on the impact of oil spills on Niger Delta communities and landscapes, this study addresses the complexities of doing research in places that have been framed as problematic, and how concerns around the diverse risks posed to the safety of researcher and research participants might be negotiated. For an academic born and raised in Nigeria, the initial intent was to research “in the field” in person, using focus gro…

  • Mining an Anthropocene in Japan: On the making and work of geological imaginaries

    Open Access•Deborah Dixon, Carina J Fearnley et al.•ARTICLE•Transactions of the Institute of…•2025•Cited by: 1•References: 64

    Geology firmly underpins Anthropocene debate, and in particular an Earth Systems Science (ESS) rendering of how lithic and yet‐to‐be‐lithified (or ‘drift’) material, including the tangible evidence of a state‐sponsored carbon capitalism, is reconstituted by anthropogenically ‘forced’ physical processes. The prevalence of this approach hinges in large part on the authority afforded Geology as a science that names, classifies and explains these mat…

  • In the breach: Feeling the heat of climate change

    Open Access•Deborah Dixon•ARTICLE•Scottish Geographical Journal•2023

    The increased likelihood of extreme heat events is a profoundly important aspect of our global climate emergency, and yet the link between weather and climate remains a difficult subject to communicate. Here, I focus on a graphic that is on its way to becoming viral: Warming Stripes. Warming Stripes use a simple two-colour spectral palette – tints of blue and red, long a feature of weather maps – to signal relative yearly temperatures. Eschewing …

  • Drift in an Anthropocene: On the work of terrain

    Open Access•Deborah Dixon•ARTICLE•Dialogues in Human Geography•2021•Cited by: 3•References: 3

    As geographers confront the manifold challenges of an Anthropocene, so the framing of geography as the critical study of space – a framing that took hold of theory and practice in the 20th century and that searched for antecedents as well as prognostications – is increasingly splayed across the long durée of geography as the interrogation of the nature of human being as well as the Earthly environment and the constitutive relations between these.…

  • From Becoming-Geology to Geology-Becoming: Hashima as Geopolitics

    Open Access•Deborah Dixon•CHAPTER•Political Geology•2019

  • Malawi Stories: Mapping an art-science collaborative process

    Open Access•P J Nicholson, Deborah Dixon et al.•ARTICLE•Journal of Maps•2019

    This paper outlines a project drawing together an artist working on creative GIS, a geomatics scholar, an NGO leader, a rural geographer and soil scientist, an environmental geochemist, and a political geographer. With a shared interest in the social and physical processes affecting people’s lives in Malawi, and the possibilities for interdisciplinary collaboration, the team engaged in practice-based mapping of our data sources and respective met…

  • Repurposing feminist geopolitics: On estrangement, exhaustion and the end of the solar system

    Open Access•Deborah Dixon•ARTICLE•Dialogues in Human Geography•2018•Cited by: 1•References: 4

    No abstract available

  • The Perturbations of Drift in a Stratified World

    Deborah Dixon•ARTICLE•Performance Research•2018•Cited by: 3•References: 7

    Though its ‘Golden Age’ in the nineteenth century has long since passed, Geology has recently been reanimated as a controversial and contentious subject, certainly, but also as an expert mode of knowing that provides a surety and confidence during a time of turbulence. The ‘Anthro’ prefix to Anthropocene debates has doubly implicated human beings as God-like agents of an exponential, carbon-fuelled planetary transformation but also as members of …

  • Difference

    Open Access•Deborah Dixon, Deborah P Dixon•CHAPTER•International Encyclopedia of…•2017

    Difference is crucial to geographic inquiry not only as an object of analysis in and of itself, but also as a means of locating and sorting other objects ready for analysis. In a diverse and often diffuse disciplinary landscape, two key shifts can be discerned in regard to how difference is understood and debated. The first revolves around the charge of essentialism, as difference as a matter of the distinctness of objects/events and their core a…

  • GeoHumanities

    Open Access•Tim Cresswell, Deborah Dixon et al.•CHAPTER•International Encyclopedia of…•2017

    The recent emergence of geohumanities signals a cross‐disciplinary and a transdisciplinary engagement with themes of space and place. As a loosely structured field of inquiry, geohumanities combines a long‐standing humanities interest in the Earth, dating back to the Renaissance, with much more recent developments in the digital humanities and creative uses of geographic information science ( GIScience ). This entry explores these varying genealo…

  • Nature, Art, and Aesthetics

    Open Access•Deborah Dixon, Deborah P Dixon•CHAPTER•International Encyclopedia of…•2017

    Though much of geography today makes little explicit reference to either art or aesthetics, both are nevertheless key to the emergence of the discipline as a modern mode of inquiry into nature. Artistic practice, using diverse mediums, has helped physical as well as human geographers think through and convey the import of particular landscape features, while aesthetics has underpinned a multisensuous engagement with the environment through an exp…

  • Feminist Geopolitics: Material States

    Deborah Dixon, Deborah P Dixon et al.•BOOK•Feminist Geopolitics•2016

    What can unfold from an engagement of feminist issues, concerns and practices with the geopolitical? How does feminism allow for a reconfiguration of how these two elements, the geo- and the -political, are understood and related? What kinds of objects can be located and put into motion? What kinds of relations can be drawn between these? What kinds of practice become valued? And, what is glossed or rendered absent in the process? In this thought…

  • Engaging Hashima: Memory Work, Site-Based Affects, and the Possibilities of Interruption

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•GeoHumanities•2016•Cited by: 7•References: 11

    How is memory embodied, narrated, interrupted, and reworked? Here, we take a postphenomenological approach to memory work that is attentive to how site-based affects prompt and ossify, but also transmogrify, memory of place. With reference to an intensely traumatized, but also domesticated and entropied, environment—the island of Hashima, off the coast from Nagasaki City in Japan—we demonstrate the relevance and explanatory reach of culturally sp…

  • One Sinister Hurricane: Simondon and Collaborative Visualization

    Keith Woodward, John Paul Jones et al.•ARTICLE•Annals of the Association of…•2015•Cited by: 5•References: 57

    This article offers a theory and methodology for understanding and interpreting collaborations that involve visualization technologies. The collaboration discussed here is technically a geovisualization—an immersive, digital “fulldome” film of Hurricane Katrina developed by the Advanced Visualization Laboratory (AVL) at the University of Illinois at Urbana–Champaign, produced in collaboration with atmospheric scientists at the National Center for…

  • Commentary 2: On spatial turns and ecological urgency

    Open Access•Deborah Dixon, John Paul Jones•ARTICLE•Progress in Human Geography•2014

  • The way of the flesh: Life, Geopolitics and the Weight of the Future

    Deborah Dixon•ARTICLE•Gender Place & Culture•2014•Cited by: 24•References: 8

    How can a feminist materialism problematise the knowledges and practices of geopolitics, and locate new objects for critical analysis? In the following, I acknowledge how geopolitics as a form of statecraft has been preoccupied with the unruly nature of flesh. I also note how an accounting for flesh as a socio-spatial material has helped to animate both a critical geopolitical inquiry concerned with the inscription of bodies alongside other texts…

  • The tactile topologies of Contagion

    Open Access•Deborah Dixon, John Paul Jones•ARTICLE•Transactions of the Institute of…•2014•Cited by: 20•References: 28

    Can we reconfigure recent work on topological space, so productively brought to bear in an understanding of power in geography, to understand the spatialities of and among flesh, objects and viral life? Here we expand on topology via touch – a ‘tactile topology’ – that focuses on the material connections among mobile bodies. The engine of topological transformation thus becomes the various materials and forces that grab onto each other, interpene…

  • Rhythm and Mobility in the Inner and Outer Hebrides: Archipelago as Art-Science Research Site

    Elizabeth R Straughan, Elizabeth Straughan et al.•ARTICLE•Mobilities•2014•Cited by: 3•References: 13

    This paper explores some of the dimensions of mobility and rhythm emerging from a voyage to the Inner and Outer Hebrides, island collectives on the North West Coast of Scotland. In the summer of 2011, this voyage, combining boat, water and islands, as well as their inhabitants, became a research site for members of Cape Farewell, an organisation that seeks to produce creative responses to climate change. Crew members specifically sought to consid…

  • Baroque Geographies: Marginal Preoccupations

    Open Access•Deborah Dixon•ARTICLE•Environment and Planning A…•2014•References: 11

    No abstract available

  • The Future of Ruins: The Baroque Melancholy of Hashima

    Open Access•Carl Lavery, Deborah Dixon et al.•ARTICLE•Environment and Planning A…•2014•Cited by: 3•References: 2

    Here, we present an iteration of our theoretical/creative writing project Hashima, begun in 2012. The paper is a collaboration and draws on the different discourses, practices and sensibilities of a performance theorist, a geographer, and a visual artist. For us, Hashima, located off the coast of Nagasaki, Japan, and a former site of forced labor and intensive offshore coal-mining, is a provocation for experimentation. Hashima, exploited and abje…

  • Wonder, horror and the hunt for La Bête in mid-18th century France

    Deborah Dixon, Deborah P Dixon•ARTICLE•Geoforum•2013•Cited by: 1•References: 9

  • Monsters, monstrousness, and monstrous nature/s

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Geoforum•2013•Cited by: 1•References: 3

  • Golem geographies

    Open Access•Deborah Dixon, Harriet Hawkins et al.•ARTICLE•Dialogues in Human Geography•2012•Cited by: 3•References: 3

    In our response, below, we undertake a deeper engagement with one of the authors, Elizabeth Grosz, that a number of the respondents have evoked, implicitly as well as explicitly, in their response to our text and, in particular, Grosz's arguments on art as of the chaotic and of the animal. Whilst our comments on the bowerbird speak to the artistry involved in a sexuated mode of reproduction that increases biological difference, we emphasise an ab…

  • Inhuman Nature: Sociable Life on a Dynamic Planet

    Open Access•Deborah Dixon, John Paul Jones•ARTICLE•Progress in Human Geography•2012•Cited by: 3•References: 2

  • U-n-f-o-l-d: A Cultural Response to Climate Change The Museum of Contemporary Photography and the Glass Curtain Gallery, Chicago, IL, U.S.A., February 2011–April 2011. Exhibit web site: www.mocp.org/e…

    Elizabeth R Straughan, Elizabeth Straughan et al.•ARTICLE•Leonardo•2012

    February 01 2012 U-n-f-o-l-d: A Cultural Response to Climate Change The Museum of Contemporary Photography and the Glass Curtain Gallery, Chicago, IL, U.S.A., February 2011–April 2011. Exhibit web site: www.mocp.org/exhibitions/2011/03/unfold.php Elizabeth Straughan, Elizabeth Straughan Search for other works by this author on: This Site Google Scholar Deborah Dixon, Deborah Dixon Search for other works by this author on: This Site Google Scholar…

Next
  • Introduction: Feminist engagements with geopolitics

    Deborah Dixon, Sallie A Marston•ARTICLE•Gender Place & Culture•2011•Cited by: 88•References: 1

    Here, we introduce a themed set of articles that, using diverse feminist knowledges and practices, aims to expose the force relations that operate through and upon bodies, such that particular ‘geopolitical’ subjectivities are enhanced, constrained and put to work, and particular corporealities are violated, exploited and often abandoned. The substantive scope of these articles highlights the relevance of such feminist analysis, not as a universa…

  • Creating the semi‐living: On Politics, Aesthetics and the More‐than‐human

    Open Access•Deborah Dixon•ARTICLE•Transactions of the Institute of…•2009•Cited by: 58•References: 18

    Though geographers have remarked on the aesthetic and political character of a technoscientific biology, there has been an accompanying tendency, following disciplinary trends and social theory more broadly, to read these as being separate issues at the analytic as well as substantive level. Whereas the former becomes read as a matter of artistic practice and appreciation, or visual appraisal, the latter is considered to be the exercise of power …

  • Geographies of Touch/Touched by Geography

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Geography Compass•2010•Cited by: 57•References: 52

    Considerable attention within geography has been paid to the physiologies, knowledges and practices that give substance and import to the senses - sight, hearing, smell, taste and touch - and the manner in which these work alone, or in concert, to facilitate particular forms of relations between and amongst people, other life forms and objects. This article takes stock of the manner in which touch has entered into these debates and in particular …

  • Of human birds and living rocks: Remaking aesthetics for post-human worlds

    Open Access•Deborah Dixon, Harriet Hawkins et al.•ARTICLE•Dialogues in Human Geography•2012•Cited by: 44•References: 39

    Geographers have long pondered post-human worlds. And yet, whilst such analyses have explored the natural and physical sciences as a means of articulating the relationalities and commonalities that span species and kingdoms, an explicit consideration of the aesthetic has been largely absent. To a degree, this is because the aesthetic has been understood as a `humanist remain'. Here, we want to make a stronger claim for the value of the aesthetic …

  • The blade and the claw: Science, Art and the Creation of the Lab-Borne Monster

    Deborah Dixon, Deborah P Dixon•ARTICLE•Social & Cultural Geography•2008•Cited by: 26•References: 34

    Here I outline some of the fears, as well as some of the desires, associated with the lab-borne \nmonster as manifest in the emergent genre of critical BioArt. Using a recent installation on \nDisembodied Cuisine to ground my discussion, I look first to the chimeric character of \nbiotechnology per se, as well as the hybridised practices and products of this close \ncollaboration between Science and Art. I then take the opportunity to explore how…

  • My Dinner with Derrida, or Spatial Analysis and Poststructuralism Do Lunch

    Open Access•Deborah Dixon, D P Dixon et al.•ARTICLE•Environment and Planning A…•1998•Cited by: 26•References: 26

    Menu. This paper extends our previous efforts to (de)lineate contemporary divisions between poststructuralist and spatial analytic, or scientific, approaches in geography. We adopt the format of a dialogue between a hypothetical spatial analyst (SA) and a poststructuralist (PS). Their exchange covers, among other items, the differing stances of these approaches to epistemology, ontology, research questions and methods, and the concept of 'context…

  • The way of the flesh: Life, Geopolitics and the Weight of the Future

    Deborah Dixon•ARTICLE•Gender Place & Culture•2014•Cited by: 24•References: 8

    How can a feminist materialism problematise the knowledges and practices of geopolitics, and locate new objects for critical analysis? In the following, I acknowledge how geopolitics as a form of statecraft has been preoccupied with the unruly nature of flesh. I also note how an accounting for flesh as a socio-spatial material has helped to animate both a critical geopolitical inquiry concerned with the inscription of bodies alongside other texts…

  • Technological trajectories: Old and New Dialogues in Geography and Technology Studies

    Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Social & Cultural Geography•2008•Cited by: 23•References: 28

    Dixon, D. P., Whitehead, M. (2008). Technological trajectories: old and new dialogues in geography and technology studies. Social and Cultural Geography, 9 (6), 601-611

  • The tactile topologies of Contagion

    Open Access•Deborah Dixon, John Paul Jones•ARTICLE•Transactions of the Institute of…•2014•Cited by: 20•References: 28

    Can we reconfigure recent work on topological space, so productively brought to bear in an understanding of power in geography, to understand the spatialities of and among flesh, objects and viral life? Here we expand on topology via touch – a ‘tactile topology’ – that focuses on the material connections among mobile bodies. The engine of topological transformation thus becomes the various materials and forces that grab onto each other, interpene…

  • Cultivating Discourse: The Social Construction of Agricultural Legislation

    Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Annals of the Association of…•2003•Cited by: 13•References: 20

    In this article we initiate a critical analysis of the discursive geographies from which U.S. agricultural legislation has been constructed. First, we refer to the geography of discourse, which consists of the production, dissemination, and consumption of ideas, concepts, theories, and understandings. Specifically, we trace the emergence and development of an American agrarian discourse, constituted from a wealth of ideas and theories concerning …

  • For a Supercalifragilisticexpialidocious Scientific Geography

    Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Annals of the Association of…•1996•Cited by: 13

    Contemporary geographic thought finds scientific approaches triangulated by critiques launched by various political economy, feminist, and poststructuralist positions. In aiming their conceptual arsenal at fixed understandings of scientific geography, however, such critiques run the danger of essentializing their intended target. Moreover, in the consequent stabilization of the trajectories taken by these critiques, the process of criticism itsel…

  • A benevolent and sceptical inquiry: Exploring `Fortean Geographies' with the Mothman

    Open Access•Deborah Dixon•ARTICLE•Cultural Geographies•2007•Cited by: 12

    In this article I delineate the character of a determinedly non-academic, yet avowedly critical body of literature, namely Forteanism. I begin by outlining the goals and objectives of Forteanism as it strives to establish a `critical space' for itself through its relationship with mainstream science and popular accounts of the paranormal. Forteanism treats both as economies of belief, focusing attention on the practices by which reports of the an…

  • Engaging Hashima: Memory Work, Site-Based Affects, and the Possibilities of Interruption

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•GeoHumanities•2016•Cited by: 7•References: 11

    How is memory embodied, narrated, interrupted, and reworked? Here, we take a postphenomenological approach to memory work that is attentive to how site-based affects prompt and ossify, but also transmogrify, memory of place. With reference to an intensely traumatized, but also domesticated and entropied, environment—the island of Hashima, off the coast from Nagasaki City in Japan—we demonstrate the relevance and explanatory reach of culturally sp…

  • I hear dead people: Science, Technology and a Resonant Universe

    Deborah Dixon, Deborah P Dixon•ARTICLE•Social & Cultural Geography•2007•Cited by: 7•References: 9

    In recent years the simplistic categorization of Victorian practices and beliefs as either ‘occult’ or ‘scientific’ has been undercut by a series of revisionist analyses that point to an over-arching concern with influence and effect, a concern that was manifest across the sciences and humanities and beyond into popular culture. This paper sets out to further problematize such a distinction via an exploration of twentieth-century research into el…

  • One Sinister Hurricane: Simondon and Collaborative Visualization

    Keith Woodward, John Paul Jones et al.•ARTICLE•Annals of the Association of…•2015•Cited by: 5•References: 57

    This article offers a theory and methodology for understanding and interpreting collaborations that involve visualization technologies. The collaboration discussed here is technically a geovisualization—an immersive, digital “fulldome” film of Hurricane Katrina developed by the Advanced Visualization Laboratory (AVL) at the University of Illinois at Urbana–Champaign, produced in collaboration with atmospheric scientists at the National Center for…

  • Introduction: Monstrous Irruptions

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Cultural Geographies•2011•Cited by: 5

  • Scream: The Sound of the Monstrous

    Open Access•Deborah Dixon, Deborah P Dixon•ARTICLE•Cultural Geographies•2011•Cited by: 5

    What does the monstrous sound like? Using the case of Living TV's Most Haunted, a paranormal investigative show that brings together a team of believers, sceptics and undecided, I want to articulate an answer to this question by drawing upon literatures from feminist psychoanalysis, performance and media studies that address the nature of screaming. Specifically, I emphasize how the scream has functioned as a focal point for both the 'monstrous-f…

  • Capitalism, masculinity and whiteness in the dialectical landscape: The case of Tarzan and the Tycoon

    Open Access•Deborah Dixon, John Grimes•ARTICLE•GeoJournal•2004•Cited by: 5•References: 12

  • A Woman's Place in the Crab Processing Industry of Eastern Carolina

    Emily F Selby, Deborah Dixon et al.•ARTICLE•Gender Place & Culture•2001•Cited by: 4

    Traditionally, most of the pickers used in the crab processing industry of rural Eastern Carolina have been women from the local area, both black and white, while the managerial staff has comprised white women related through kinship to the white, male crab house owners. In recent years, however, this recruitment strategy has changed. Following the lead of the regional poultry industry, the crab houses are now bringing in Mexican workers under th…

  • Drift in an Anthropocene: On the work of terrain

    Open Access•Deborah Dixon•ARTICLE•Dialogues in Human Geography•2021•Cited by: 3•References: 3

    As geographers confront the manifold challenges of an Anthropocene, so the framing of geography as the critical study of space – a framing that took hold of theory and practice in the 20th century and that searched for antecedents as well as prognostications – is increasingly splayed across the long durée of geography as the interrogation of the nature of human being as well as the Earthly environment and the constitutive relations between these.…

  • The Perturbations of Drift in a Stratified World

    Deborah Dixon•ARTICLE•Performance Research•2018•Cited by: 3•References: 7

    Though its ‘Golden Age’ in the nineteenth century has long since passed, Geology has recently been reanimated as a controversial and contentious subject, certainly, but also as an expert mode of knowing that provides a surety and confidence during a time of turbulence. The ‘Anthro’ prefix to Anthropocene debates has doubly implicated human beings as God-like agents of an exponential, carbon-fuelled planetary transformation but also as members of …

  • Rhythm and Mobility in the Inner and Outer Hebrides: Archipelago as Art-Science Research Site

    Elizabeth R Straughan, Elizabeth Straughan et al.•ARTICLE•Mobilities•2014•Cited by: 3•References: 13

    This paper explores some of the dimensions of mobility and rhythm emerging from a voyage to the Inner and Outer Hebrides, island collectives on the North West Coast of Scotland. In the summer of 2011, this voyage, combining boat, water and islands, as well as their inhabitants, became a research site for members of Cape Farewell, an organisation that seeks to produce creative responses to climate change. Crew members specifically sought to consid…

  • The Future of Ruins: The Baroque Melancholy of Hashima

    Open Access•Carl Lavery, Deborah Dixon et al.•ARTICLE•Environment and Planning A…•2014•Cited by: 3•References: 2

    Here, we present an iteration of our theoretical/creative writing project Hashima, begun in 2012. The paper is a collaboration and draws on the different discourses, practices and sensibilities of a performance theorist, a geographer, and a visual artist. For us, Hashima, located off the coast of Nagasaki, Japan, and a former site of forced labor and intensive offshore coal-mining, is a provocation for experimentation. Hashima, exploited and abje…

  • Golem geographies

    Open Access•Deborah Dixon, Harriet Hawkins et al.•ARTICLE•Dialogues in Human Geography•2012•Cited by: 3•References: 3

    In our response, below, we undertake a deeper engagement with one of the authors, Elizabeth Grosz, that a number of the respondents have evoked, implicitly as well as explicitly, in their response to our text and, in particular, Grosz's arguments on art as of the chaotic and of the animal. Whilst our comments on the bowerbird speak to the artistry involved in a sexuated mode of reproduction that increases biological difference, we emphasise an ab…

  • Inhuman Nature: Sociable Life on a Dynamic Planet

    Open Access•Deborah Dixon, John Paul Jones•ARTICLE•Progress in Human Geography•2012•Cited by: 3•References: 2

  • For a Supercalifragilisticexpialidocious Scientific Geography

    Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Annals of the Association of…•1996•Cited by: 13

    Contemporary geographic thought finds scientific approaches triangulated by critiques launched by various political economy, feminist, and poststructuralist positions. In aiming their conceptual arsenal at fixed understandings of scientific geography, however, such critiques run the danger of essentializing their intended target. Moreover, in the consequent stabilization of the trajectories taken by these critiques, the process of criticism itsel…

  • Between Worlds: Considering Celtic feminine identities in The Secret of Roan Inish

    Emily F Selby, Deborah Dixon•ARTICLE•Gender Place & Culture•1998•Cited by: 1•References: 4

    This article explores the ways in which Celtic oral traditions concerning the 'place' of women are replayed within a contemporary textual form, namely the 1995 film, The Secret of Roan Inish. Through an examination of the representation of gender relations within the film, we address how the incorporation of mythic elements is intended to provide a sense of female 'empowerment'. While the film has been praised for its positive portrayal of Irish …

  • My Dinner with Derrida, or Spatial Analysis and Poststructuralism Do Lunch

    Open Access•Deborah Dixon, D P Dixon et al.•ARTICLE•Environment and Planning A…•1998•Cited by: 26•References: 26

    Menu. This paper extends our previous efforts to (de)lineate contemporary divisions between poststructuralist and spatial analytic, or scientific, approaches in geography. We adopt the format of a dialogue between a hypothetical spatial analyst (SA) and a poststructuralist (PS). Their exchange covers, among other items, the differing stances of these approaches to epistemology, ontology, research questions and methods, and the concept of 'context…

  • Between Difference and Alternity: Engagements with Edward Soja’s Thirdspace

    Deborah Dixon•ARTICLE•Annals of the Association of…•1999•Cited by: 3

    Forum on: Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places , by Edward W. Soja

  • A Woman's Place in the Crab Processing Industry of Eastern Carolina

    Emily F Selby, Deborah Dixon et al.•ARTICLE•Gender Place & Culture•2001•Cited by: 4

    Traditionally, most of the pickers used in the crab processing industry of rural Eastern Carolina have been women from the local area, both black and white, while the managerial staff has comprised white women related through kinship to the white, male crab house owners. In recent years, however, this recruitment strategy has changed. Following the lead of the regional poultry industry, the crab houses are now bringing in Mexican workers under th…

  • Cultivating Discourse: The Social Construction of Agricultural Legislation

    Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Annals of the Association of…•2003•Cited by: 13•References: 20

    In this article we initiate a critical analysis of the discursive geographies from which U.S. agricultural legislation has been constructed. First, we refer to the geography of discourse, which consists of the production, dissemination, and consumption of ideas, concepts, theories, and understandings. Specifically, we trace the emergence and development of an American agrarian discourse, constituted from a wealth of ideas and theories concerning …

  • Capitalism, masculinity and whiteness in the dialectical landscape: The case of Tarzan and the Tycoon

    Open Access•Deborah Dixon, John Grimes•ARTICLE•GeoJournal•2004•Cited by: 5•References: 12

  • Derridean Geographies

    Open Access•Deborah Dixon, John Paul Jones•ARTICLE•Antipode•2005•Cited by: 2•References: 7

  • Confronting the Geopolitical Aesthetic: Fredric Jameson,The Perfumed Nightmareand the Perilous Place of Third Cinema

    Deborah Dixon, Leo E Zonn et al.•ARTICLE•Geopolitics•2005•Cited by: 1

    This essay explores the conceptual limitations within Fredric Jameson's notion of the geopolitical aesthetic through an analysis of Jameson's now classic reading of The Perfumed Nightmare; this film is central to his concept of the utopic character of film more generally and, moreover, to his argument on the embeddedness of Third World representations within a global, capitalist system. We suggest that, although Jameson acknowledges the underlyin…

  • Imagining Geographies of films

    Open Access•Aitken, Stuart C Aitken et al.•ARTICLE•Erdkunde•2006

    To the extent that the geographic study of film has come of age, it is important to not only tie it to disciplinary issues but also to push theoretical boundaries. Geographic concern is often lacking a critical perspective, focusing primarily on the geographic realism of films rather than how they produce meaning. Geographers needed to elaborate insights through critical spatial theories, so that our studies are not only about filmic representati…

  • I hear dead people: Science, Technology and a Resonant Universe

    Deborah Dixon, Deborah P Dixon•ARTICLE•Social & Cultural Geography•2007•Cited by: 7•References: 9

    In recent years the simplistic categorization of Victorian practices and beliefs as either ‘occult’ or ‘scientific’ has been undercut by a series of revisionist analyses that point to an over-arching concern with influence and effect, a concern that was manifest across the sciences and humanities and beyond into popular culture. This paper sets out to further problematize such a distinction via an exploration of twentieth-century research into el…

  • A benevolent and sceptical inquiry: Exploring `Fortean Geographies' with the Mothman

    Open Access•Deborah Dixon•ARTICLE•Cultural Geographies•2007•Cited by: 12

    In this article I delineate the character of a determinedly non-academic, yet avowedly critical body of literature, namely Forteanism. I begin by outlining the goals and objectives of Forteanism as it strives to establish a `critical space' for itself through its relationship with mainstream science and popular accounts of the paranormal. Forteanism treats both as economies of belief, focusing attention on the practices by which reports of the an…

  • On the other Hand … Dialectics

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Environment and Planning A…•2008

  • The blade and the claw: Science, Art and the Creation of the Lab-Borne Monster

    Deborah Dixon, Deborah P Dixon•ARTICLE•Social & Cultural Geography•2008•Cited by: 26•References: 34

    Here I outline some of the fears, as well as some of the desires, associated with the lab-borne \nmonster as manifest in the emergent genre of critical BioArt. Using a recent installation on \nDisembodied Cuisine to ground my discussion, I look first to the chimeric character of \nbiotechnology per se, as well as the hybridised practices and products of this close \ncollaboration between Science and Art. I then take the opportunity to explore how…

  • Technological trajectories: Old and New Dialogues in Geography and Technology Studies

    Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Social & Cultural Geography•2008•Cited by: 23•References: 28

    Dixon, D. P., Whitehead, M. (2008). Technological trajectories: old and new dialogues in geography and technology studies. Social and Cultural Geography, 9 (6), 601-611

  • Creating the semi‐living: On Politics, Aesthetics and the More‐than‐human

    Open Access•Deborah Dixon•ARTICLE•Transactions of the Institute of…•2009•Cited by: 58•References: 18

    Though geographers have remarked on the aesthetic and political character of a technoscientific biology, there has been an accompanying tendency, following disciplinary trends and social theory more broadly, to read these as being separate issues at the analytic as well as substantive level. Whereas the former becomes read as a matter of artistic practice and appreciation, or visual appraisal, the latter is considered to be the exercise of power …

  • Geographies of Touch/Touched by Geography

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Geography Compass•2010•Cited by: 57•References: 52

    Considerable attention within geography has been paid to the physiologies, knowledges and practices that give substance and import to the senses - sight, hearing, smell, taste and touch - and the manner in which these work alone, or in concert, to facilitate particular forms of relations between and amongst people, other life forms and objects. This article takes stock of the manner in which touch has entered into these debates and in particular …

  • Introduction: Feminist engagements with geopolitics

    Deborah Dixon, Sallie A Marston•ARTICLE•Gender Place & Culture•2011•Cited by: 88•References: 1

    Here, we introduce a themed set of articles that, using diverse feminist knowledges and practices, aims to expose the force relations that operate through and upon bodies, such that particular ‘geopolitical’ subjectivities are enhanced, constrained and put to work, and particular corporealities are violated, exploited and often abandoned. The substantive scope of these articles highlights the relevance of such feminist analysis, not as a universa…

  • Introduction: Monstrous Irruptions

    Open Access•Deborah Dixon, Deborah P Dixon et al.•ARTICLE•Cultural Geographies•2011•Cited by: 5

  • Scream: The Sound of the Monstrous

    Open Access•Deborah Dixon, Deborah P Dixon•ARTICLE•Cultural Geographies•2011•Cited by: 5

    What does the monstrous sound like? Using the case of Living TV's Most Haunted, a paranormal investigative show that brings together a team of believers, sceptics and undecided, I want to articulate an answer to this question by drawing upon literatures from feminist psychoanalysis, performance and media studies that address the nature of screaming. Specifically, I emphasize how the scream has functioned as a focal point for both the 'monstrous-f…

  • Golem geographies

    Open Access•Deborah Dixon, Harriet Hawkins et al.•ARTICLE•Dialogues in Human Geography•2012•Cited by: 3•References: 3

    In our response, below, we undertake a deeper engagement with one of the authors, Elizabeth Grosz, that a number of the respondents have evoked, implicitly as well as explicitly, in their response to our text and, in particular, Grosz's arguments on art as of the chaotic and of the animal. Whilst our comments on the bowerbird speak to the artistry involved in a sexuated mode of reproduction that increases biological difference, we emphasise an ab…

  • Inhuman Nature: Sociable Life on a Dynamic Planet

    Open Access•Deborah Dixon, John Paul Jones•ARTICLE•Progress in Human Geography•2012•Cited by: 3•References: 2

  • U-n-f-o-l-d: A Cultural Response to Climate Change The Museum of Contemporary Photography and the Glass Curtain Gallery, Chicago, IL, U.S.A., February 2011–April 2011. Exhibit web site: www.mocp.org/e…

    Elizabeth R Straughan, Elizabeth Straughan et al.•ARTICLE•Leonardo•2012

    February 01 2012 U-n-f-o-l-d: A Cultural Response to Climate Change The Museum of Contemporary Photography and the Glass Curtain Gallery, Chicago, IL, U.S.A., February 2011–April 2011. Exhibit web site: www.mocp.org/exhibitions/2011/03/unfold.php Elizabeth Straughan, Elizabeth Straughan Search for other works by this author on: This Site Google Scholar Deborah Dixon, Deborah Dixon Search for other works by this author on: This Site Google Scholar…

  • Of human birds and living rocks: Remaking aesthetics for post-human worlds

    Open Access•Deborah Dixon, Harriet Hawkins et al.•ARTICLE•Dialogues in Human Geography•2012•Cited by: 44•References: 39

    Geographers have long pondered post-human worlds. And yet, whilst such analyses have explored the natural and physical sciences as a means of articulating the relationalities and commonalities that span species and kingdoms, an explicit consideration of the aesthetic has been largely absent. To a degree, this is because the aesthetic has been understood as a `humanist remain'. Here, we want to make a stronger claim for the value of the aesthetic …

  • Wonder, horror and the hunt for La Bête in mid-18th century France

    Deborah Dixon, Deborah P Dixon•ARTICLE•Geoforum•2013•Cited by: 1•References: 9

Sociology (30 works) · Philosophy (26 works) · Geographies of human-animal interactions (24 works) · Political science (21 works) · Epistemology (20 works) · Philosophy (18 works) · Law (17 works) · Geography (16 works) · Art (15 works) · Aesthetics (14 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae