Magdalena Fuernkranz
Biographic Data
| ID | 1395154 |
|---|---|
| NAME | Magdalena Fuernkranz |
| GIVEN NAMES | Magdalena |
| FAMILY NAME | Fuernkranz |
| SIGNATURE | FUERNKRANZ M |
| AFFILIATIONS | University of Music and Performing Arts Vienna |
| ORCID | 0000-0002-3603-6318 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Reactions to Taylor Swift’s Canceled 2024 Vienna Shows
Sean Prieske, Musik und Flucht. Musikalische Praktiken geflüchteter Menschen in Berlin
Sean Prieske, Musik und Flucht. Musikalische Praktiken geflüchteter Menschen in Berlin [Music and Flight: Musical Practices of Refugees in Berlin]. Baden-Baden: Rombach, 2025. 395 pp. ISBN 978-3-98858-096-2 (pbk). €99
Remixing European Jazz Culture
In Remixing European Jazz Culture Kristin McGee examines a culture of remixing jazz live that emerged in the 1990s in major European cities, as well as performance, recording and distribution practices that have transformed this culture since the 1980s.Additionally, the author provides a multifaceted cultural representation of European jazz and its protagonists.Musicians developed hybrid jazz styles by bringing studio tools into live performance.…
As Hip(p) as Auer
The vibraphonist Vera Auer (1919–1996) and the pianist Jutta Hipp (1925–2003) are known as the ‘first female European jazz musicians’. Both were born in German speaking countries and came in contact with jazz in the 1940s. These instrumentalists had the courage to try out new approaches and develop their own musical ideas early in their careers in jazz scenes shaped by androcentric dynamics. Forms of subversion of gendered assignments are to be s…
Musical and visual reactions to (trans-)misogynies in Austrian popular music
In this paper, I discuss musical and visual reactions to gender-based violence, hate speech, power abuse and disinformation in everyday life; furthermore, I examine the performance and staging strategies and the role of languages in the concepts of Austrian musicians and bands, such as Dives, Шапка (Schapka), Fijuka, Fatima Spar, and Kerosin95, as well as the de-/construction of (trans-)misogynies in popular music. Since the analyzed songs and pe…
Being a DJ is My Form of Resistance
Vienna based queer-feminist networks, DJ collectives and event formats such as female:pressure, Dishes, Unsafe+Sounds and Hyperreality provide a platform for exploration of a radical, uncompromising queer-feminist approach in institutionalized spaces. The dance floor becomes a safer space for nonconformism, as well as a platform for time-limited utopias and subcultures in an institutional framework. As subcultural spaces, these collectives create…
No prominent works on this page.
Remixing European Jazz Culture
In Remixing European Jazz Culture Kristin McGee examines a culture of remixing jazz live that emerged in the 1990s in major European cities, as well as performance, recording and distribution practices that have transformed this culture since the 1980s.Additionally, the author provides a multifaceted cultural representation of European jazz and its protagonists.Musicians developed hybrid jazz styles by bringing studio tools into live performance.…
As Hip(p) as Auer
The vibraphonist Vera Auer (1919–1996) and the pianist Jutta Hipp (1925–2003) are known as the ‘first female European jazz musicians’. Both were born in German speaking countries and came in contact with jazz in the 1940s. These instrumentalists had the courage to try out new approaches and develop their own musical ideas early in their careers in jazz scenes shaped by androcentric dynamics. Forms of subversion of gendered assignments are to be s…
Musical and visual reactions to (trans-)misogynies in Austrian popular music
In this paper, I discuss musical and visual reactions to gender-based violence, hate speech, power abuse and disinformation in everyday life; furthermore, I examine the performance and staging strategies and the role of languages in the concepts of Austrian musicians and bands, such as Dives, Шапка (Schapka), Fijuka, Fatima Spar, and Kerosin95, as well as the de-/construction of (trans-)misogynies in popular music. Since the analyzed songs and pe…
Being a DJ is My Form of Resistance
Vienna based queer-feminist networks, DJ collectives and event formats such as female:pressure, Dishes, Unsafe+Sounds and Hyperreality provide a platform for exploration of a radical, uncompromising queer-feminist approach in institutionalized spaces. The dance floor becomes a safer space for nonconformism, as well as a platform for time-limited utopias and subcultures in an institutional framework. As subcultural spaces, these collectives create…
Reactions to Taylor Swift’s Canceled 2024 Vienna Shows
Sean Prieske, Musik und Flucht. Musikalische Praktiken geflüchteter Menschen in Berlin
Sean Prieske, Musik und Flucht. Musikalische Praktiken geflüchteter Menschen in Berlin [Music and Flight: Musical Practices of Refugees in Berlin]. Baden-Baden: Rombach, 2025. 395 pp. ISBN 978-3-98858-096-2 (pbk). €99
Art (3 works) · Feminism (2 works) · History (2 works) · Music History and Culture (2 works) · Musical (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Art history (1 work) · Asian Culture and Media Studies (1 work) · Cinema and Media Studies (1 work)