Simone Bretz
Biographic Data
| ID | 139594 |
|---|---|
| NAME | Simone Bretz |
| GIVEN NAMES | Simone |
| FAMILY NAME | Bretz |
| SIGNATURE | BRETZ S |
| AFFILIATIONS | Garmisch-Partenkirchen Medical Center |
| ORCID | 0000-0001-5924-5801 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
Disclosing glittering and sparkling effects in 20th-century reverse glass paintings
First insights into Chinese reverse glass paintings gained by non-invasive spectroscopic analysis-tracing a cultural dialogue
A complementary spectroscopic approach for the non-invasive in-situ identification of synthetic organic pigments in modern reverse paintings on glass (1913-1946)
Pigments, dyes, and black enamel-the colorants of reverse paintings on glass
Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black…
Pigments, dyes, and black enamel-the colorants of reverse paintings on glass
Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black…
First insights into Chinese reverse glass paintings gained by non-invasive spectroscopic analysis-tracing a cultural dialogue
A complementary spectroscopic approach for the non-invasive in-situ identification of synthetic organic pigments in modern reverse paintings on glass (1913-1946)
Pigments, dyes, and black enamel-the colorants of reverse paintings on glass
Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black…
First insights into Chinese reverse glass paintings gained by non-invasive spectroscopic analysis-tracing a cultural dialogue
A complementary spectroscopic approach for the non-invasive in-situ identification of synthetic organic pigments in modern reverse paintings on glass (1913-1946)
Disclosing glittering and sparkling effects in 20th-century reverse glass paintings
Building materials and conservation (4 works) · Conservation Techniques and Studies (4 works) · Cultural Heritage Materials Analysis (4 works) · Materials Science (4 works) · Pigment (4 works) · Art (3 works) · Chemistry (3 works) · Painting (3 works) · Visual arts (3 works) · Composite material (2 works)