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Christina Abreu

Biographic Data

ID139716
NAMEChristina Abreu
GIVEN NAMESChristina
FAMILY NAMEAbreu
SIGNATUREABREU C
AFFILIATIONSNorthern Illinois University
ORCID0000-0001-9005-9599
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS6
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Reproducing the "white public space" in anthropology faculty searches

    Open Access•M Schuller, Christina Abreu et al.•ARTICLE•American Anthropologist•2023•Cited by: 4•References: 30

  • Gestão do Conhecimento e Inovação Volume 10

    Maria Eduarda Medeiros Monteiro, Rayane Pereira Dos Santos Câmara et al.•BOOK•Gestão do Conhecimento e Inovação…•2019•References: 4

  • Celebrity, "Crossover," and Cubanidad

    Christina Abreu, Christina D Abreu•ARTICLE•Latin American Music Review•2007•Cited by: 2

    When Cuban-born Celia Cruz arrived in New York City in 1962, she faced audiences that dismissed her as irrelevant to their current musical and cultural preferences. The boom in ethnic pride of the 1970s, though, allowed Celia to emerge as the only female superstar of salsa, the "new" sound of Latin music. From 1971 to 2003, Celia developed into a dynamic entertainer representative of the commercial success of salsa music, the musical, linguistic,…

  • Reproducing the "white public space" in anthropology faculty searches

    Open Access•M Schuller, Christina Abreu et al.•ARTICLE•American Anthropologist•2023•Cited by: 4•References: 30

  • Celebrity, "Crossover," and Cubanidad

    Christina Abreu, Christina D Abreu•ARTICLE•Latin American Music Review•2007•Cited by: 2

    When Cuban-born Celia Cruz arrived in New York City in 1962, she faced audiences that dismissed her as irrelevant to their current musical and cultural preferences. The boom in ethnic pride of the 1970s, though, allowed Celia to emerge as the only female superstar of salsa, the "new" sound of Latin music. From 1971 to 2003, Celia developed into a dynamic entertainer representative of the commercial success of salsa music, the musical, linguistic,…

  • Celebrity, "Crossover," and Cubanidad

    Christina Abreu, Christina D Abreu•ARTICLE•Latin American Music Review•2007•Cited by: 2

    When Cuban-born Celia Cruz arrived in New York City in 1962, she faced audiences that dismissed her as irrelevant to their current musical and cultural preferences. The boom in ethnic pride of the 1970s, though, allowed Celia to emerge as the only female superstar of salsa, the "new" sound of Latin music. From 1971 to 2003, Celia developed into a dynamic entertainer representative of the commercial success of salsa music, the musical, linguistic,…

  • Gestão do Conhecimento e Inovação Volume 10

    Maria Eduarda Medeiros Monteiro, Rayane Pereira Dos Santos Câmara et al.•BOOK•Gestão do Conhecimento e Inovação…•2019•References: 4

  • Reproducing the "white public space" in anthropology faculty searches

    Open Access•M Schuller, Christina Abreu et al.•ARTICLE•American Anthropologist•2023•Cited by: 4•References: 30

History (2 works) · Philosophy (2 works) · Academic Freedom and Politics (1 works) · Anthropology (1 works) · Art (1 works) · Art history (1 works) · Biology (1 works) · Business and Management Studies (1 works) · Computer Science (1 works) · Critical Race Theory in Education (1 works)

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