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Jiri Benovsky

Biographic Data

ID1401901
NAMEJiri Benovsky
GIVEN NAMESJiri
FAMILY NAMEBenovsky
SIGNATUREBENOVSKY J
AFFILIATIONSUniversity of Fribourg
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Erotic Art as Proprioceptive Art

    Open Access•Jiri Benovsky•ARTICLE•The British Journal of Aesthetics•2020•References: 4

    The philosophical discussion about erotic art has often been understood in terms of the possibility of erotic art as a form of visual or auditory art. In this article, I focus on erotic experiences qua proprioceptive experiences and I defend the claim that, under the right circumstances, such experiences can bring about proprioceptive artworks

  • Realism in Film

    Open Access•Jiri Benovsky•ARTICLE•Dialogue•2017•References: 4

    What is realism in film? Focusing on a test case of High Frame Rate (HFR) high-definition movies, I discuss in this article various types of realism as well as their inter-relations. Precision, recessiveness of the medium, transparency, and ‘Collapse’ are discussed and compared. At the end of the day, I defend the claim that ‘less is more’ in the sense that more image precision can actually have a negative impact on storytelling

  • Meta-metaphysics

    Open Access•Jiri Benovsky•BOOK•Meta-Metaphysics•2016

  • Aesthetic Appreciation of Landscapes

    Open Access•Jiri Benovsky•ARTICLE•The Journal of Value Inquiry•2015

  • Philosophical Theories, Aesthetic Value, and Theory Choice

    Open Access•Jiri Benovsky•ARTICLE•The Journal of Value Inquiry•2013

  • Primitiveness, Metaontology, and Explanatory Power

    Open Access•Jiri Benovsky•ARTICLE•Dialogue•2013•References: 13

    Metaphysical theories heavily rely on the use of primitives to which they typically appeal. I will start by examining and evaluating some traditional well-known theories and I will discuss the role of primitives in metaphysical theories in general. I will then turn to a discussion of claims of ‘equivalence’ between theories that, I think, depend on equivalences of primitives, and I will explore the nature of primitives. I will then claim that alm…

  • There Are Vague Objects (in Any Sense in which There Are Ordinary Objects)

    Open Access•Jiri Benovsky•ARTICLE•Studia Philosophica Estonica•2008

    Ordinary objects are vague, because either (i) composition is restricted, or (ii) there really are no such objects (but we still want to talk about them), or (iii) because such objects are not metaphysically (independently of us) distinguishable from other 'extra-ordinary' objects. In any sense in which there are ordinary objects, they are vague.

  • Two Concepts of Possible Worlds – or Only One

    Open Access•Jiri Benovsky•ARTICLE•Theoria•2008

    In his “Two Concepts of Possible Worlds” (1986), Peter Van Inwagen explores two kinds of views about the nature of possible worlds: abstractionism and concretism. The latter is the view defended by David Lewis, who claims that possible worlds are concrete spatio‐temporal universes, very much like our own, causally and spatio‐temporally disconnected from each other. The former is the view of the majority, who claim that possible worlds are some ki…

No prominent works on this page.

  • There Are Vague Objects (in Any Sense in which There Are Ordinary Objects)

    Open Access•Jiri Benovsky•ARTICLE•Studia Philosophica Estonica•2008

    Ordinary objects are vague, because either (i) composition is restricted, or (ii) there really are no such objects (but we still want to talk about them), or (iii) because such objects are not metaphysically (independently of us) distinguishable from other 'extra-ordinary' objects. In any sense in which there are ordinary objects, they are vague.

  • Two Concepts of Possible Worlds – or Only One

    Open Access•Jiri Benovsky•ARTICLE•Theoria•2008

    In his “Two Concepts of Possible Worlds” (1986), Peter Van Inwagen explores two kinds of views about the nature of possible worlds: abstractionism and concretism. The latter is the view defended by David Lewis, who claims that possible worlds are concrete spatio‐temporal universes, very much like our own, causally and spatio‐temporally disconnected from each other. The former is the view of the majority, who claim that possible worlds are some ki…

  • Philosophical Theories, Aesthetic Value, and Theory Choice

    Open Access•Jiri Benovsky•ARTICLE•The Journal of Value Inquiry•2013

  • Primitiveness, Metaontology, and Explanatory Power

    Open Access•Jiri Benovsky•ARTICLE•Dialogue•2013•References: 13

    Metaphysical theories heavily rely on the use of primitives to which they typically appeal. I will start by examining and evaluating some traditional well-known theories and I will discuss the role of primitives in metaphysical theories in general. I will then turn to a discussion of claims of ‘equivalence’ between theories that, I think, depend on equivalences of primitives, and I will explore the nature of primitives. I will then claim that alm…

  • Aesthetic Appreciation of Landscapes

    Open Access•Jiri Benovsky•ARTICLE•The Journal of Value Inquiry•2015

  • Meta-metaphysics

    Open Access•Jiri Benovsky•BOOK•Meta-Metaphysics•2016

  • Realism in Film

    Open Access•Jiri Benovsky•ARTICLE•Dialogue•2017•References: 4

    What is realism in film? Focusing on a test case of High Frame Rate (HFR) high-definition movies, I discuss in this article various types of realism as well as their inter-relations. Precision, recessiveness of the medium, transparency, and ‘Collapse’ are discussed and compared. At the end of the day, I defend the claim that ‘less is more’ in the sense that more image precision can actually have a negative impact on storytelling

  • Erotic Art as Proprioceptive Art

    Open Access•Jiri Benovsky•ARTICLE•The British Journal of Aesthetics•2020•References: 4

    The philosophical discussion about erotic art has often been understood in terms of the possibility of erotic art as a form of visual or auditory art. In this article, I focus on erotic experiences qua proprioceptive experiences and I defend the claim that, under the right circumstances, such experiences can bring about proprioceptive artworks

Epistemology (7 works) · Philosophy (7 works) · Aesthetics (4 works) · Art (3 works) · Classical Philosophy and Thought (3 works) · Computer Science (3 works) · Metaphysics (3 works) · Equivalence (formal languages) (2 works) · Ethics, Aesthetics, and Art (2 works) · Mathematics (2 works)

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