Jason Hoult
Biographic Data
| ID | 1402631 |
|---|---|
| NAME | Jason Hoult |
| GIVEN NAMES | Jason |
| FAMILY NAME | Hoult |
| SIGNATURE | HOULT J |
| AFFILIATIONS | York University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
What Do We Look At When We Look at Art? The Bible, Visual Art, and the Redemption of Existence
This study is dedicated to examining how the principles and values that mark the difference between the ancient Greco-Roman and biblical traditions help us to think about what (and who) we look at when we look at art. We begin with the Bible's self-reflexive communication to its readers regarding the status of its own images and then consider works by Michelangelo, Tejo Remy, and Charles White—while also calling on Shakespeare, Hegel, and Kierkeg…
The Temporality of Eternal Prosperity
In this essay, I examine the role of providence in Shakespeare’s The Tempest alongside the concept of history that Kierkegaard develops in Philosophical Fragments. I argue that the art of the play is contained in Prospero’s historical and loving engagement with the past. In short, I undertake to show that, in stark contrast to the Greek and Roman conception of time as fate, it is in viewing love as both the temporal origin and the eternal goal of…
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The Temporality of Eternal Prosperity
In this essay, I examine the role of providence in Shakespeare’s The Tempest alongside the concept of history that Kierkegaard develops in Philosophical Fragments. I argue that the art of the play is contained in Prospero’s historical and loving engagement with the past. In short, I undertake to show that, in stark contrast to the Greek and Roman conception of time as fate, it is in viewing love as both the temporal origin and the eternal goal of…
What Do We Look At When We Look at Art? The Bible, Visual Art, and the Redemption of Existence
This study is dedicated to examining how the principles and values that mark the difference between the ancient Greco-Roman and biblical traditions help us to think about what (and who) we look at when we look at art. We begin with the Bible's self-reflexive communication to its readers regarding the status of its own images and then consider works by Michelangelo, Tejo Remy, and Charles White—while also calling on Shakespeare, Hegel, and Kierkeg…
Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy, Ethics, and Existentialism (2 works) · Art history (1 work) · Byzantine Studies and History (1 work) · Hegelianism (1 work) · Kierkegaardian Philosophy and Influence (1 work)