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Sandra So Hee Chi Kim

Biographic Data

ID1402709
NAMESandra So Hee Chi Kim
GIVEN NAMESSandra So Hee Chi
FAMILY NAMEKim
SIGNATUREKIM S S H C
AFFILIATIONSUniversity of Southern California
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Korean Han and the Postcolonial Afterlives of "The Beauty of Sorrow"

    Sandra So Hee Chi Kim•ARTICLE•Korean studies•2017

    In this article, I depart from the typical discussion of the Korean sociocultural concept of han as a collective feeling of unresolved resentment, pain, grief, and anger that runs in the blood of all Koreans. Scholars, artists, writers, and critics frequently characterize han as “the Korean ethos” and the soul of Korean art, literature, and film. It is said to be unique to Koreans and incomprehensible to Westerners. I argue, however, that its con…

  • Korean Han and the Postcolonial Afterlives of "The Beauty of Sorrow"

    Sandra So Hee Chi Kim•ARTICLE•Korean studies•2017

    In this article, I depart from the typical discussion of the Korean sociocultural concept of han as a collective feeling of unresolved resentment, pain, grief, and anger that runs in the blood of all Koreans. Scholars, artists, writers, and critics frequently characterize han as "the Korean ethos" and the soul of Korean art, literature, and film. It is said to be unique to Koreans and incomprehensible to Westerners. I argue, however, that its con…

  • Suji Kwock Kim's “Generation” and the Ethics of Diasporic Postmemory

    Sandra So Hee Chi Kim•ARTICLE•positions asia critique•2016•Cited by: 1•References: 4

    Regarding her highly acclaimed first book of poetry, Notes from the Divided Country, second-generation Korean American poet Suji Kwock Kim has stated that she considers the representation of the traumatic experiences of the Korean War as “the responsibility that one has, in terms of using the imagination as a means of compassion, and understanding things one couldn't have experienced.” If Notes from the Divided Country is a work created from a se…

  • Redefining Diaspora through a Phenomenology of Postmemory

    Sandra So Hee Chi Kim•ARTICLE•Diaspora A Journal of Transnational…•2013

    This article seeks to intervene in the debates about the definition of diaspora by attending to the way in which it is a phenomenon, rooted in a particular kind of experience and consciousness. This approach seeks to move beyond ontological definitions based on categorical criteria toward a more phenomenological definition that can help us better understand the lived experience of diasporic subjects and the formation of diasporic communities. Whi…

  • Redefining Diaspora through a Phenomenology of Postmemory

    Sandra So Hee Chi Kim•ARTICLE•Diaspora A Journal of Transnational…•2007

    This article seeks to intervene in the debates about the definition of diaspora by attending to the way in which it is a phenomenon , rooted in a particular kind of experience and consciousness. This approach seeks to move beyond ontological definitions based on categorical criteria toward a more phenomenological definition that can help us better understand the lived experience of diasporic subjects and the formation of diasporic communities. Wh…

  • Suji Kwock Kim's “Generation” and the Ethics of Diasporic Postmemory

    Sandra So Hee Chi Kim•ARTICLE•positions asia critique•2016•Cited by: 1•References: 4

    Regarding her highly acclaimed first book of poetry, Notes from the Divided Country, second-generation Korean American poet Suji Kwock Kim has stated that she considers the representation of the traumatic experiences of the Korean War as “the responsibility that one has, in terms of using the imagination as a means of compassion, and understanding things one couldn't have experienced.” If Notes from the Divided Country is a work created from a se…

  • Redefining Diaspora through a Phenomenology of Postmemory

    Sandra So Hee Chi Kim•ARTICLE•Diaspora A Journal of Transnational…•2007

    This article seeks to intervene in the debates about the definition of diaspora by attending to the way in which it is a phenomenon , rooted in a particular kind of experience and consciousness. This approach seeks to move beyond ontological definitions based on categorical criteria toward a more phenomenological definition that can help us better understand the lived experience of diasporic subjects and the formation of diasporic communities. Wh…

  • Redefining Diaspora through a Phenomenology of Postmemory

    Sandra So Hee Chi Kim•ARTICLE•Diaspora A Journal of Transnational…•2013

    This article seeks to intervene in the debates about the definition of diaspora by attending to the way in which it is a phenomenon, rooted in a particular kind of experience and consciousness. This approach seeks to move beyond ontological definitions based on categorical criteria toward a more phenomenological definition that can help us better understand the lived experience of diasporic subjects and the formation of diasporic communities. Whi…

  • Suji Kwock Kim's “Generation” and the Ethics of Diasporic Postmemory

    Sandra So Hee Chi Kim•ARTICLE•positions asia critique•2016•Cited by: 1•References: 4

    Regarding her highly acclaimed first book of poetry, Notes from the Divided Country, second-generation Korean American poet Suji Kwock Kim has stated that she considers the representation of the traumatic experiences of the Korean War as “the responsibility that one has, in terms of using the imagination as a means of compassion, and understanding things one couldn't have experienced.” If Notes from the Divided Country is a work created from a se…

  • Korean Han and the Postcolonial Afterlives of "The Beauty of Sorrow"

    Sandra So Hee Chi Kim•ARTICLE•Korean studies•2017

    In this article, I depart from the typical discussion of the Korean sociocultural concept of han as a collective feeling of unresolved resentment, pain, grief, and anger that runs in the blood of all Koreans. Scholars, artists, writers, and critics frequently characterize han as “the Korean ethos” and the soul of Korean art, literature, and film. It is said to be unique to Koreans and incomprehensible to Westerners. I argue, however, that its con…

  • Korean Han and the Postcolonial Afterlives of "The Beauty of Sorrow"

    Sandra So Hee Chi Kim•ARTICLE•Korean studies•2017

    In this article, I depart from the typical discussion of the Korean sociocultural concept of han as a collective feeling of unresolved resentment, pain, grief, and anger that runs in the blood of all Koreans. Scholars, artists, writers, and critics frequently characterize han as "the Korean ethos" and the soul of Korean art, literature, and film. It is said to be unique to Koreans and incomprehensible to Westerners. I argue, however, that its con…

Sociology (5 works) · Aesthetics (4 works) · Diaspora (4 works) · Gender Studies (4 works) · Art (3 works) · Diaspora, migration, transnational identity (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Political science (3 works)

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