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Pierre Dehaye

Biographic Data

ID1404098
NAMEPierre Dehaye
GIVEN NAMESPierre
FAMILY NAMEDehaye
SIGNATUREDEHAYE P
AFFILIATIONSInstitut de France
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR1987
H-INDEX0
  • Abstraction and Figuration

    Open Access•Pierre Dehaye•ARTICLE•Diogenes•1987

    The ardent antagonism between two aesthetic parties, figuration and abstraction, which for more than half a century has stamped art history in old Europe, with increasingly overlapping implications for youthful America, Japan and many other places, today tends to reduce itself to being simply the anecdotal imprint of an era: in the final analysis it seems already condemned to disappear in favor of a notion of complementarity and even synthesis

  • For a Syncretism of the Faculties of the Mind

    Open Access•Pierre Dehaye•ARTICLE•Diogenes•1984

    Since his beginnings, Man has produced art: gests and works in some way bound to the essence of man's existence, gests and works grafted onto the epidermis of the world, yet gests and works for transcending the immediate givens, for understanding veiled realities and future possibilities: gests and works of global apprehension, brought about and nourished through the ages by elementary needs, by visceral fears, by existential hopes

No prominent works on this page.

  • For a Syncretism of the Faculties of the Mind

    Open Access•Pierre Dehaye•ARTICLE•Diogenes•1984

    Since his beginnings, Man has produced art: gests and works in some way bound to the essence of man's existence, gests and works grafted onto the epidermis of the world, yet gests and works for transcending the immediate givens, for understanding veiled realities and future possibilities: gests and works of global apprehension, brought about and nourished through the ages by elementary needs, by visceral fears, by existential hopes

  • Abstraction and Figuration

    Open Access•Pierre Dehaye•ARTICLE•Diogenes•1987

    The ardent antagonism between two aesthetic parties, figuration and abstraction, which for more than half a century has stamped art history in old Europe, with increasingly overlapping implications for youthful America, Japan and many other places, today tends to reduce itself to being simply the anecdotal imprint of an era: in the final analysis it seems already condemned to disappear in favor of a notion of complementarity and even synthesis

Aesthetics (2 works) · Epistemology (2 works) · Philosophy (2 works) · Abstraction (1 work) · Art (1 work) · Law in Society and Culture (1 work) · Linguistics (1 work) · Psychology (1 work) · Visual Culture and Art Theory (1 work)

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