Samuel Akpabot
Biographic Data
| ID | 140673 |
|---|---|
| NAME | Samuel Akpabot |
| GIVEN NAMES | Samuel |
| FAMILY NAME | Akpabot |
| SIGNATURE | AKPABOT S |
| AFFILIATIONS | Obafemi Awolowo University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 1977 |
| H-INDEX | 1 |
Anthropology of African Music
Fugitive Notes on Notation and Terminology in African Music
Random Music of the Birom
Theories on African Music
riting on the development of music in the African continent, Hugh Tracey asserted: Of all the arts in Africa, music is perhaps the most highly misinterpreted. When the attribute 'African' is added to it, the picture they jointly evoke may on first impact leave the impression of a meaningless or 'abstract', unless we care to reverse the painting in its frame and see what is indelibly written on its back by the artists.1 This paper will attempt to …
The Conflict Between Foreign and Traditional Culture in Nigeria
African Instrumental Music
lage gathering together after supper to make music in the moonlight simply for the enjoyment of it. On such an occasion, the music may serve as background for a wrestling contest, a general sing-song in which everyone present takes part, a solo song of praise or insult or an instrumental improvisation. In all these instances, the mood of the moment dictates the type of music and its instrumentation
Palabre
Anthropology of African Music
Theories on African Music
riting on the development of music in the African continent, Hugh Tracey asserted: Of all the arts in Africa, music is perhaps the most highly misinterpreted. When the attribute 'African' is added to it, the picture they jointly evoke may on first impact leave the impression of a meaningless or 'abstract', unless we care to reverse the painting in its frame and see what is indelibly written on its back by the artists.1 This paper will attempt to …
The Conflict Between Foreign and Traditional Culture in Nigeria
Palabre
African Instrumental Music
lage gathering together after supper to make music in the moonlight simply for the enjoyment of it. On such an occasion, the music may serve as background for a wrestling contest, a general sing-song in which everyone present takes part, a solo song of praise or insult or an instrumental improvisation. In all these instances, the mood of the moment dictates the type of music and its instrumentation
Theories on African Music
riting on the development of music in the African continent, Hugh Tracey asserted: Of all the arts in Africa, music is perhaps the most highly misinterpreted. When the attribute 'African' is added to it, the picture they jointly evoke may on first impact leave the impression of a meaningless or 'abstract', unless we care to reverse the painting in its frame and see what is indelibly written on its back by the artists.1 This paper will attempt to …
The Conflict Between Foreign and Traditional Culture in Nigeria
Random Music of the Birom
Fugitive Notes on Notation and Terminology in African Music
Anthropology of African Music
Art (5 works) · Diverse Musicological Studies (4 works) · Music History and Culture (4 works) · Visual arts (4 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work)