Jérôme De La Gorce

Biographic Data

ID1410406
NAMEJérôme De La Gorce
GIVEN NAMESJérôme
FAMILY NAMEDe La Gorce
SIGNATUREDE LA GORCE J
AFFILIATIONSCentre André Chastel/CNRS
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS6
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2016
H-INDEX2

  • The Convergence of Dancing and Drawing Practices in the Reign of Louis XIV

    Open AccessMickaël Bouffard, Jérôme De La Gorce et al.ARTICLEDance Research2016

    This article takes as its starting point the large corpus of costume drawings contained in the Edmond de Rothschild collection in the Louvre. This corpus represents a significant fraction of the works from the 17 th and 18 th centuries built up by the collector Claude Pioche du Rondray with the intention of publishing an illustrated history of French spectacle. An attempt is made here to set aside the view that choreographic images from the Ancie…

  • L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique

    Open AccessCécile Auzolle, Jean-Christophe Branger et al.BOOKL’Opéra de Paris, la Comédie-França…2012Cited by: 1

    Sous l’Ancien Régime, le système théâtral est à l’image de toute la structure sociale, fortement hiérarchisé. L’Opéra, qui jouit du statut d’académie dès son origine, y occupe la première place. La Comédie-Française vient en second : elle est constituée par la troupe des « Comédiens ordinaires du roi », titre attribué également, à la mort du Régent Philippe d’Orléans, à la troupe de la Comédie- Italienne (Opéra-Comique par la suite), qui forme le…

  • From Tragicomedy to Epic

    Jérôme De La GorceCHAPTERDance Research2007

  • Jean II Berain's Costume Designs for the Ballet Les Plaisirs de la Paix (1715)

    Open AccessJérôme De La GorceARTICLEDance Research2007

    In the late seventeenth century, the Swedish ambassador and architect Nicodemus Tessin the Younger used his sojourn in Paris to frequent the opera house and to build up collections of theatre designs which are now housed in the Nationalmuseum in Stockholm. He developed links with French artists and, in particular, with the Berain dynasty encouraging his son to continue the association. The son eagerly followed his advice compiling an inventory of…

  • Theater in the 17th and 18th centuries in Europe

    Graham Barlow, Graham F Barlow et al.CHAPTER2003

  • Berain, Jean, I

    Jérôme De La GorceCHAPTER2003

  • Marais, Marin

    Jérôme De La Gorce, Sylvette MilliotCHAPTERThe new Grove dictionary of music…2001

  • Lully, Jean-Baptiste (i)

    Jérôme De La GorceCHAPTERThe new Grove dictionary of music…2001

  • L'Opera a Paris au temps de Louis XIV

    Open AccessLois Rosow, Jérôme De La GorceARTICLENotes1995Cited by: 2

  • Guillaume-Louis Pecour

    Jérôme De La Gorce, Margaret M Mcgowan et al.ARTICLEDance Research1990

    Pecour is known for his dance compositions which were published by Feuillet at the beginning of the eighteenth century; they are precise and rare works, indispensable for our knowledge of French Opera from Lully to Rameau. As far as Pecour's life is concerned, however despite mention by writers as famous as La Bruyere and Madame de Sevigne this has aroused little interest among historians. No biographical study has yet been devoted to him and the…

  • L'orchestre de l'Opéra et son évolution de Campra à Rameau

    Jérôme De La GorceARTICLERevue de musicologie1990

  • Jean-Philippe Rameau. Colloque international organisé par la Société Rameau, Dijon, 21-24 septembre 1983

    Sylvie Bouissou, Jérôme De La GorceARTICLERevue de musicologie1989

  • L'Académie Royale de Musique en 1704, d'après des documents inédits conservés dans les archives notariales

    Jérôme De La GorceARTICLERevue de musicologie1979Cited by: 3