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David J Rothenberg

Biographic Data

ID1410652
NAMEDavid J Rothenberg
GIVEN NAMESDavid J
FAMILY NAMERothenberg
SIGNATUREROTHENBERG D J
AFFILIATIONSNew Jersey Institute of Technology
ORCID0000-0001-6094-372X
VERIFIEDYes
TOTAL WORKS26
TOTAL CITATIONS2
WORKS AS AUTHOR25
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2026
H-INDEX1
  • The Art of Counterpoint from Du Fay to Josquin

    David J Rothenberg•ARTICLE•Renaissance Quarterly•2026

  • Bryan Pijanowski. Principles of Soundscape Ecology

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2025

  • Afterword

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•The Journal of Literature and…•2024

    How have humans made sense of the sounds of nature?Before recording we had to talk and write about them, this is why the nineteenth century had such wonderful words for nature's tones.I. M. Rawes, director of the London Sound Survey, assembled a wonderful book called Honk, Conk, and Squacket: Fabulous and Forgotten Soundwords from a Vanished Age of Listening (London Sound Survey, 2016) that compiled some of these colourful, generally forgotten te…

  • You Are with Us in the Wind

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•The Trumpeter•2023

  • Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 , by Sarah Ann Long

    David J Rothenberg•ARTICLE•Journal of the American…•2022

    Like most people living through the current Covid-19 pandemic, citizens of European cities in the late Middle Ages experienced ongoing fear of disease and death, the most prominent though far from only cause of which was bubonic plague. As Sarah Ann Long states at the beginning of her excellent study, “The disease first appeared in Western Europe in 1347, recurring every ten to fifteen years until well into the eighteenth century, and had a profo…

  • The Point Is to Change It

    David J Rothenberg, David Rothenberg•ARTICLE•Worldviews Global Religions…•2017

  • Music and Culture in the Middle Ages and Beyond

    Open Access•Benjamin David Brand, Benjamin Brand et al.•EDITOR•BOOK•Music and Culture in the Middle…•2016

    It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s…

  • The Book of Music and Nature

    David J Rothenberg, David Rothenberg et al.•BOOK•The book of music and nature•2013

    This innovative book and virtual, web-based CD, assembled by the editors of the renowned periodical Terra Nova, is the first anthology published on the subject of music and nature. Lush and evocative, yoking together the simplicities and complexities of the world of natural sound and the music inspired by it, this collection includes essays, illustrations, and plenty of sounds and music. The Book of Music and Nature celebrates our relationship wi…

  • Playing into the Machine

    David J Rothenberg, David Rothenberg et al.•ARTICLE•Leonardo Music Journal•2010

    Two musicians who have focused on playing acoustic wind instruments into electronics for the purposes of enhancing their original sound reflect on how the use of such new technologies inherently pushes “old technologies” toward a new aesthetics of improvisation

  • Whale Music

    David J Rothenberg, David Rothenberg•ARTICLE•Leonardo Music Journal•2008

    The author played clarinet in accompaniment with a singing male humpback whale off the coast of Maui. A sound spectrogram suggests that the whale may have altered his song in response to the clarinet. This observation is consistent with the fact that humpback whales rapidly change their song during breeding season from week to week. A male humpback whale may be able to quickly match new pitched, musical sounds it has never heard before—a result d…

  • Guilty Pleas in International Criminal Law

    David J Rothenberg, D Rothenberg•ARTICLE•International Journal of…•2008

    The field of transitional justice is entering a new phase born of several decades of experience and a maturation of the practical and theoretical engagement with the complex set of problems involved in facing past atrocities. Guilty Pleas in International Criminal Law: Constructing a Restorative Justice Approach focuses attention on the issue of guilty pleas in international criminal law as an area of legal practice that merits additional attenti…

  • On Biocultural Diversity

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2004

  • You Make My Heart Sing

    David J Rothenberg, David Rothenberg•ARTICLE•Ethics & the Environment•2003

    Last March I went to Pittsburgh to play music live with birds. The plan was to arrive at dawn, to catch the wary singers at their best—in the early morning chorus, when the most sound was happening. I met my friend Michael Pestel at the gates of the National Aviary, a mostly forgotten federal institution in a rundown neighborhood. I had never heard of the aviary before Pestel told me what a great place it was to jam with the more-than-human world…

  • Imperial Ecology

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2003

  • The Ecological Indian

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2000

  • The Great, New Wilderness Debate

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2000

  • The Prometheus Complex

    David J Rothenberg, David Rothenberg•ARTICLE•Technology and Culture•1997

    technology and culture Book Reviews 235 in 20th-century slide projectors, movie projectors, and cathode-ray tubes or television screens. Hankins and Silverman include chapters devoted to graphs and automatic recording instruments, the stereoscope and the depiction of three-dimensional photographic images, and the long struggle in the 19th century to build a machine to imitate the human voice. In each of these cases, gadgets inspired by magic or e…

  • The Prometheus Complex

    David J Rothenberg, David Rothenberg et al.•ARTICLE•Technology and Culture•1997

  • Sudden music

    David J Rothenberg, David Rothenberg•ARTICLE•Contemporary Music Review•1996

    With the development of increasingly more expressive and interactive electronic instruments, it is easier than ever before to construct works of music out of improvised fragments, editing and piecing them together with the aid of the computer, making the musical work more like a sculpture or painting in sound which can be gradually worked on and refined over time. Such works stand clearly apart from their creator as well as the audience. The gap …

  • No world but in things

    David J Rothenberg, David Rothenberg•ARTICLE•Inquiry•1996•Cited by: 2

    Arne Naess introduced the notion of 'concrete contents' to posit that the qualities we perceive in nature are intrinsic to the things themselves, and not just projections of our senses on to the world. This gives environmentalism more credence than if secondary qualities about the environment are considered subjective in a pejorative sense. But the concrete contents position pushes philosophy toward poetry because it suggests that felt qualities …

  • Hand's End

    David Channell, David J Rothenberg et al.•ARTICLE•Technology and Culture•1995

    Hand's End offers a new philosophy of technology as the fundamental way in which humans experience and define nature - the tool as humanity extended. Rothenberg examines human inventions from the water wheel to the nuclear bomb and discusses theories of technology in the thought of philosophers including Plato, Aristotle, Bacon, Marx, Heidegger, Spinoza, Mumford, and McLuhan

  • The UN in Somalia

    Tom J Farer, Tom Farer et al.•ARTICLE•Cambridge Review of International…•1994

  • Environmental Philosophy

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•1994

  • Dwelling, Place, and Environment

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•Phenomenology + Pedagogy•1987

  • Territorial Behavior Characteristics in Gerbils

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•Psychological Reports•1974

    This exploratory study was to understand the inborn territorial traits of gerbils. Employing Keeton's ( 1 ) definition, a territory was defined as an area defended by one member of a species against intrusion by other members. Because gerbils continue to exhibit wild behavior in the laboratory, two females, A and B, who were totally unfamiliar with one another and differentiated by a stain of a green food coloring on gerbil A's head, were selecte…

Next
  • No world but in things

    David J Rothenberg, David Rothenberg•ARTICLE•Inquiry•1996•Cited by: 2

    Arne Naess introduced the notion of 'concrete contents' to posit that the qualities we perceive in nature are intrinsic to the things themselves, and not just projections of our senses on to the world. This gives environmentalism more credence than if secondary qualities about the environment are considered subjective in a pejorative sense. But the concrete contents position pushes philosophy toward poetry because it suggests that felt qualities …

  • Rorschach Variables in Two “Study of Values” Types

    Kemper W McCue, David J Rothenberg et al.•ARTICLE•The Journal of General Psychology•1963

  • Territorial Behavior Characteristics in Gerbils

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•Psychological Reports•1974

    This exploratory study was to understand the inborn territorial traits of gerbils. Employing Keeton's ( 1 ) definition, a territory was defined as an area defended by one member of a species against intrusion by other members. Because gerbils continue to exhibit wild behavior in the laboratory, two females, A and B, who were totally unfamiliar with one another and differentiated by a stain of a green food coloring on gerbil A's head, were selecte…

  • Dwelling, Place, and Environment

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•Phenomenology + Pedagogy•1987

  • The UN in Somalia

    Tom J Farer, Tom Farer et al.•ARTICLE•Cambridge Review of International…•1994

  • Environmental Philosophy

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•1994

  • Hand's End

    David Channell, David J Rothenberg et al.•ARTICLE•Technology and Culture•1995

    Hand's End offers a new philosophy of technology as the fundamental way in which humans experience and define nature - the tool as humanity extended. Rothenberg examines human inventions from the water wheel to the nuclear bomb and discusses theories of technology in the thought of philosophers including Plato, Aristotle, Bacon, Marx, Heidegger, Spinoza, Mumford, and McLuhan

  • Sudden music

    David J Rothenberg, David Rothenberg•ARTICLE•Contemporary Music Review•1996

    With the development of increasingly more expressive and interactive electronic instruments, it is easier than ever before to construct works of music out of improvised fragments, editing and piecing them together with the aid of the computer, making the musical work more like a sculpture or painting in sound which can be gradually worked on and refined over time. Such works stand clearly apart from their creator as well as the audience. The gap …

  • No world but in things

    David J Rothenberg, David Rothenberg•ARTICLE•Inquiry•1996•Cited by: 2

    Arne Naess introduced the notion of 'concrete contents' to posit that the qualities we perceive in nature are intrinsic to the things themselves, and not just projections of our senses on to the world. This gives environmentalism more credence than if secondary qualities about the environment are considered subjective in a pejorative sense. But the concrete contents position pushes philosophy toward poetry because it suggests that felt qualities …

  • The Prometheus Complex

    David J Rothenberg, David Rothenberg•ARTICLE•Technology and Culture•1997

    technology and culture Book Reviews 235 in 20th-century slide projectors, movie projectors, and cathode-ray tubes or television screens. Hankins and Silverman include chapters devoted to graphs and automatic recording instruments, the stereoscope and the depiction of three-dimensional photographic images, and the long struggle in the 19th century to build a machine to imitate the human voice. In each of these cases, gadgets inspired by magic or e…

  • The Prometheus Complex

    David J Rothenberg, David Rothenberg et al.•ARTICLE•Technology and Culture•1997

  • The Ecological Indian

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2000

  • The Great, New Wilderness Debate

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2000

  • You Make My Heart Sing

    David J Rothenberg, David Rothenberg•ARTICLE•Ethics & the Environment•2003

    Last March I went to Pittsburgh to play music live with birds. The plan was to arrive at dawn, to catch the wary singers at their best—in the early morning chorus, when the most sound was happening. I met my friend Michael Pestel at the gates of the National Aviary, a mostly forgotten federal institution in a rundown neighborhood. I had never heard of the aviary before Pestel told me what a great place it was to jam with the more-than-human world…

  • Imperial Ecology

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2003

  • On Biocultural Diversity

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2004

  • Whale Music

    David J Rothenberg, David Rothenberg•ARTICLE•Leonardo Music Journal•2008

    The author played clarinet in accompaniment with a singing male humpback whale off the coast of Maui. A sound spectrogram suggests that the whale may have altered his song in response to the clarinet. This observation is consistent with the fact that humpback whales rapidly change their song during breeding season from week to week. A male humpback whale may be able to quickly match new pitched, musical sounds it has never heard before—a result d…

  • Guilty Pleas in International Criminal Law

    David J Rothenberg, D Rothenberg•ARTICLE•International Journal of…•2008

    The field of transitional justice is entering a new phase born of several decades of experience and a maturation of the practical and theoretical engagement with the complex set of problems involved in facing past atrocities. Guilty Pleas in International Criminal Law: Constructing a Restorative Justice Approach focuses attention on the issue of guilty pleas in international criminal law as an area of legal practice that merits additional attenti…

  • Playing into the Machine

    David J Rothenberg, David Rothenberg et al.•ARTICLE•Leonardo Music Journal•2010

    Two musicians who have focused on playing acoustic wind instruments into electronics for the purposes of enhancing their original sound reflect on how the use of such new technologies inherently pushes “old technologies” toward a new aesthetics of improvisation

  • The Book of Music and Nature

    David J Rothenberg, David Rothenberg et al.•BOOK•The book of music and nature•2013

    This innovative book and virtual, web-based CD, assembled by the editors of the renowned periodical Terra Nova, is the first anthology published on the subject of music and nature. Lush and evocative, yoking together the simplicities and complexities of the world of natural sound and the music inspired by it, this collection includes essays, illustrations, and plenty of sounds and music. The Book of Music and Nature celebrates our relationship wi…

  • Music and Culture in the Middle Ages and Beyond

    Open Access•Benjamin David Brand, Benjamin Brand et al.•EDITOR•BOOK•Music and Culture in the Middle…•2016

    It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s…

  • The Point Is to Change It

    David J Rothenberg, David Rothenberg•ARTICLE•Worldviews Global Religions…•2017

  • Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 , by Sarah Ann Long

    David J Rothenberg•ARTICLE•Journal of the American…•2022

    Like most people living through the current Covid-19 pandemic, citizens of European cities in the late Middle Ages experienced ongoing fear of disease and death, the most prominent though far from only cause of which was bubonic plague. As Sarah Ann Long states at the beginning of her excellent study, “The disease first appeared in Western Europe in 1347, recurring every ten to fifteen years until well into the eighteenth century, and had a profo…

  • You Are with Us in the Wind

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•The Trumpeter•2023

  • Afterword

    Open Access•David J Rothenberg, David Rothenberg•ARTICLE•The Journal of Literature and…•2024

    How have humans made sense of the sounds of nature?Before recording we had to talk and write about them, this is why the nineteenth century had such wonderful words for nature's tones.I. M. Rawes, director of the London Sound Survey, assembled a wonderful book called Honk, Conk, and Squacket: Fabulous and Forgotten Soundwords from a Vanished Age of Listening (London Sound Survey, 2016) that compiled some of these colourful, generally forgotten te…

  • Bryan Pijanowski. Principles of Soundscape Ecology

    David J Rothenberg, David Rothenberg•ARTICLE•Environmental Ethics•2025

Art (10 works) · Philosophy (9 works) · Epistemology (7 works) · Visual arts (7 works) · Applied philosophy (6 works) · Computer Science (6 works) · Contemporary philosophy (6 works) · General interest (6 works) · Sociology (6 works) · Biology (5 works)

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