P Vendrix
Biographic Data
| ID | 1411250 |
|---|---|
| NAME | P Vendrix |
| GIVEN NAMES | P |
| FAMILY NAME | Vendrix |
| SIGNATURE | VENDRIX P |
| AFFILIATIONS | University of Liège |
| ORCID | 0000-0001-5235-2807 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The monumental edition in the digital age
This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …
Music and Ideas in the Sixteenth and Seventeenth Centuries
This essential summation of Palisca's life work was nearly finished by his death in 2001, and it was brought to completion by Thomas J. Mathiesen
Hamal family
Liège
Saint-Luc, Jacques de
Hamal, Henri-Guillaume
Hamal, Henri
On the Theoretical Expression of Music in France during the Renaissance
It may not always seem obvious to begin a study of French music in the Renaissance with a reference from the theoretical field. By entitling his study ‘ Ut musica poesis ’ Howard Mayer Brown attempted to remedy this shortcoming. However, without in any way disparaging his work, this results in a series of paradoxes and uncertainties about the links which in France during the Renaissance period unite musical practice and musical thought, whether t…
L'augustinisme musical en France au XVIIe siècle
Consultable en ligne sur Jstor, URL : http://0-www.jstor.org.portail.scd.univ-tours.fr/stable/946985
La notion de revolution dans les ecrits theoriques concernant la musique avant 1789
La notion de revolution musicale apparait en France au XVIIIe siecle comme outil de description du deroulement historique dans les ecrits de Michel-Paul de Chabanon (1764) et de Jean-Francois Marmontel (1777). Si au depart, l'expression fut utilisee dans le cadre du schema astrobiologique, avec l'abbe Dubos, un nouveau schema des transformations de l'art musical modifie le sens de revolution. L'Academicien introduit l'idee de perfectionnement sou…
Proportions harmoniques et proportions architecturales dans la theorie française des XVIIe et XVIIIe siecles
Philippe Vendrix, Proportions harmoniques et proportions architecturales dans la theorie française des XVIIe et XVIIIe siecles, International Review of the Aesthetics and Sociology of Music, Vol. 20, No. 1 (Jun., 1989), pp. 3-10
The monumental edition in the digital age
This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …
Proportions harmoniques et proportions architecturales dans la theorie française des XVIIe et XVIIIe siecles
Philippe Vendrix, Proportions harmoniques et proportions architecturales dans la theorie française des XVIIe et XVIIIe siecles, International Review of the Aesthetics and Sociology of Music, Vol. 20, No. 1 (Jun., 1989), pp. 3-10
La notion de revolution dans les ecrits theoriques concernant la musique avant 1789
La notion de revolution musicale apparait en France au XVIIIe siecle comme outil de description du deroulement historique dans les ecrits de Michel-Paul de Chabanon (1764) et de Jean-Francois Marmontel (1777). Si au depart, l'expression fut utilisee dans le cadre du schema astrobiologique, avec l'abbe Dubos, un nouveau schema des transformations de l'art musical modifie le sens de revolution. L'Academicien introduit l'idee de perfectionnement sou…
L'augustinisme musical en France au XVIIe siècle
Consultable en ligne sur Jstor, URL : http://0-www.jstor.org.portail.scd.univ-tours.fr/stable/946985
On the Theoretical Expression of Music in France during the Renaissance
It may not always seem obvious to begin a study of French music in the Renaissance with a reference from the theoretical field. By entitling his study ‘ Ut musica poesis ’ Howard Mayer Brown attempted to remedy this shortcoming. However, without in any way disparaging his work, this results in a series of paradoxes and uncertainties about the links which in France during the Renaissance period unite musical practice and musical thought, whether t…
Hamal family
Liège
Saint-Luc, Jacques de
Hamal, Henri-Guillaume
Hamal, Henri
Music and Ideas in the Sixteenth and Seventeenth Centuries
This essential summation of Palisca's life work was nearly finished by his death in 2001, and it was brought to completion by Thomas J. Mathiesen
The monumental edition in the digital age
This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …
Art (9 works) · Art history (5 works) · Historical and Literary Studies (4 works) · Philosophy (4 works) · Computer Science (3 works) · Literature (3 works) · Humanities (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Renaissance Literature and Culture (2 works)