Sunanda K Sanyal
Biographic Data
| ID | 1415350 |
|---|---|
| NAME | Sunanda K Sanyal |
| GIVEN NAMES | Sunanda K |
| FAMILY NAME | Sanyal |
| SIGNATURE | SANYAL S K |
| AFFILIATIONS | Sunanda K. Sanyal is Professor of Art History and Critical Studies, College of Art and Design, at Lesley University. His most recent publication is the article “Critiquing the Critique: El Anatsui and the Politics of Inclusion” in World Art 4 (1). |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Global”
There is no question that for contemporary artists of non-Western origin, the doors to international art scenes, barely ajar in the late 1980s, have opened wider, with increasing access to an intercontinental art market and blockbuster exhibitions. What is more, in the absence of any dominant paradigm in the contemporary discourse of art, critics like Terry Smith (2009, 2010), Okwui Enwezor (2009), and Nicolas Bourriaud (2009) have defined contem…
Critiquing the critique
El Anatsui has recently achieved international fame for his large bottle-top tapestries. Much of the enthusiastic approval of this work in the popular press, however, overlooks the critical role of his earlier experiments in ceramic and wood. This selective reception of Anatsui as a 'global' artist, the paper argues, has a hegemonic agenda. It is grounded in the politics of inclusion, which uses multiculturalism as an excuse to uncritically inclu…
Modernism and Cultural Politics on East Africa
Kabiito Richard's Paintings
Transgressing Borders, Shaping an Art History
A Personal Journey
Heads and Tales
Global”
There is no question that for contemporary artists of non-Western origin, the doors to international art scenes, barely ajar in the late 1980s, have opened wider, with increasing access to an intercontinental art market and blockbuster exhibitions. What is more, in the absence of any dominant paradigm in the contemporary discourse of art, critics like Terry Smith (2009, 2010), Okwui Enwezor (2009), and Nicolas Bourriaud (2009) have defined contem…
Critiquing the critique
El Anatsui has recently achieved international fame for his large bottle-top tapestries. Much of the enthusiastic approval of this work in the popular press, however, overlooks the critical role of his earlier experiments in ceramic and wood. This selective reception of Anatsui as a 'global' artist, the paper argues, has a hegemonic agenda. It is grounded in the politics of inclusion, which uses multiculturalism as an excuse to uncritically inclu…
Heads and Tales
Transgressing Borders, Shaping an Art History
A Personal Journey
Kabiito Richard's Paintings
Modernism and Cultural Politics on East Africa
Critiquing the critique
El Anatsui has recently achieved international fame for his large bottle-top tapestries. Much of the enthusiastic approval of this work in the popular press, however, overlooks the critical role of his earlier experiments in ceramic and wood. This selective reception of Anatsui as a 'global' artist, the paper argues, has a hegemonic agenda. It is grounded in the politics of inclusion, which uses multiculturalism as an excuse to uncritically inclu…
Global”
There is no question that for contemporary artists of non-Western origin, the doors to international art scenes, barely ajar in the late 1980s, have opened wider, with increasing access to an intercontinental art market and blockbuster exhibitions. What is more, in the absence of any dominant paradigm in the contemporary discourse of art, critics like Terry Smith (2009, 2010), Okwui Enwezor (2009), and Nicolas Bourriaud (2009) have defined contem…
African history and culture studies (3 works) · Art (3 works) · History (3 works) · Sociology (3 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works)