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M P Weitzman

Biographic Data

ID1422405
NAMEM P Weitzman
GIVEN NAMESM P
FAMILY NAMEWeitzman
SIGNATUREWEITZMAN M P
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS7
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2005
H-INDEX2
  • The Syriac version of the Old Testament

    M P Weitzman, Michael Weitzman•BOOK•The Syriac Version of the Old…•2005

    1. Introduction 2. The relationship between the extant Hebrew and Syriac texts 3. The Peshitta and other versions 4. Unity and diversity in the Peshitta 5. The background of the Peshitta 6. The establishment of the text

  • Black bronze and the ‘Corinthian alloy’

    Open Access•David M Jacobson, M P Weitzman et al.•ARTICLE•The Classical Quarterly•1995•Cited by: 3•References: 2

    Two recent studies by A. R. Giumlia-Mair and P. T. Craddock have been devoted to a form of bronze having a blackish tint. 1, 2 The authors there describe examples ancient and modern, from as far apart as Mycenean Greece, Egypt, Rome, China and Japan. In Japan such bronze is prominently represented in decorative art and known as Shakudo

  • What Was Corinthian Bronze

    David M Jacobson, M P Weitzman et al.•ARTICLE•American Journal of Archaeology•1992•Cited by: 4•References: 2

    Classical and Oriental sources tell of a precious metal called Corinthian bronze. They agree that it was an alloy of copper, gold, and silver. Together they describe various stages in its manufacture-heat treatment, quenching, leaching, and burnishing. In addition, the Leiden papyrus X attests to a process of depletion gilding, whereby an alloy containing gold could acquire a golden surface hue. The process that can be pieced together from all th…

  • What Was Corinthian Bronze

    David M Jacobson, M P Weitzman et al.•ARTICLE•American Journal of Archaeology•1992•Cited by: 4•References: 2

    Classical and Oriental sources tell of a precious metal called Corinthian bronze. They agree that it was an alloy of copper, gold, and silver. Together they describe various stages in its manufacture-heat treatment, quenching, leaching, and burnishing. In addition, the Leiden papyrus X attests to a process of depletion gilding, whereby an alloy containing gold could acquire a golden surface hue. The process that can be pieced together from all th…

  • Black bronze and the ‘Corinthian alloy’

    Open Access•David M Jacobson, M P Weitzman et al.•ARTICLE•The Classical Quarterly•1995•Cited by: 3•References: 2

    Two recent studies by A. R. Giumlia-Mair and P. T. Craddock have been devoted to a form of bronze having a blackish tint. 1, 2 The authors there describe examples ancient and modern, from as far apart as Mycenean Greece, Egypt, Rome, China and Japan. In Japan such bronze is prominently represented in decorative art and known as Shakudo

  • What Was Corinthian Bronze

    David M Jacobson, M P Weitzman et al.•ARTICLE•American Journal of Archaeology•1992•Cited by: 4•References: 2

    Classical and Oriental sources tell of a precious metal called Corinthian bronze. They agree that it was an alloy of copper, gold, and silver. Together they describe various stages in its manufacture-heat treatment, quenching, leaching, and burnishing. In addition, the Leiden papyrus X attests to a process of depletion gilding, whereby an alloy containing gold could acquire a golden surface hue. The process that can be pieced together from all th…

  • Black bronze and the ‘Corinthian alloy’

    Open Access•David M Jacobson, M P Weitzman et al.•ARTICLE•The Classical Quarterly•1995•Cited by: 3•References: 2

    Two recent studies by A. R. Giumlia-Mair and P. T. Craddock have been devoted to a form of bronze having a blackish tint. 1, 2 The authors there describe examples ancient and modern, from as far apart as Mycenean Greece, Egypt, Rome, China and Japan. In Japan such bronze is prominently represented in decorative art and known as Shakudo

  • The Syriac version of the Old Testament

    M P Weitzman, Michael Weitzman•BOOK•The Syriac Version of the Old…•2005

    1. Introduction 2. The relationship between the extant Hebrew and Syriac texts 3. The Peshitta and other versions 4. Unity and diversity in the Peshitta 5. The background of the Peshitta 6. The establishment of the text

Art (3 works) · History (3 works) · Ancient history (2 works) · Archaeology (2 works) · Bronze (2 works) · Cultural Heritage Materials Analysis (2 works) · Metallurgy and Cultural Artifacts (2 works) · Alloy (1 works) · Ancient Near East History (1 works) · Anthropology (1 works)

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